Recently, we spent the week in Austin at SXSW. Here’s some of the observations and other highlights from the time there.

Anne encountered the Uncanny Valley with this video-projection-on-a-human-shaped-cutout.

In one session, I sat behind a cyborg.

Ridiculous marketing language abounds.

A cafe made use of physical “Like” buttons next to posted artwork. The LCD counter increments each time someone clicks the button. Curious to see interactions specific to the virtual world being replicated in the physical world. See here, previously.

The Frito pie is made from a bag of corn chips, where the bag is ripped open and topped with chopped onions, meat, sauce and cheese.

One really has to wonder about how complex everyday technology use can become. Even though Austin is fairly tech forward, this sign in the convention center is beyond ridiculous.

Gourdough’s used to be just an Airstream that served the biggest donuts you’d ever seen, but now they’ve opened a proper restaurant. Most if not all of the main courses (e.g., friend chicken) feature a donut.

Live music, including the Waco Brothers and Ian McLagan.

And of course, there were mascots.

Restaurants Turn Camera Shy [NYT] – While on one level this is a story about shifting norms, where an emerging behavior is deemed rude and disruptive. Where it is or not is another question, not really explored here. But there is at least one example of finding alternative ways to address the need rather than just banning what is considered wrong.

But rather than tell people they can’t shoot their food – the food they are so proud to eat that they need to share it immediately with everyone they know – he simply takes them back into his kitchen to shoot as the plates come out. “We’ll say, ‘That shot will look so much better on the marble table in our kitchen,’ ” Mr. Bouley said. “It’s like, here’s the sauce, here’s the plate. Snap it. We make it like an adventure for them instead of telling them no.” Mr. Bouley is setting up a computer system so that diners can get digital images of what they’ve eaten before they even get the check.

‘Friends’ Will Be There For You At Beijing’s Central Perk [NPR] – While in the west the show might be a somewhat-beloved artifact of a decade past, in another part of the world, the possibility for a different meaning is ripe. Perhaps, as the article suggests, this somehow embodies freedom that young Chinese are yearning for?

Tucked away on the sixth floor of a Beijing apartment block is a mini replica of the cafe, orange couch and all, whose owner Du Xin introduces himself by saying, “Everyone calls me ‘Gunther’ here.” Indeed, he is a Chinese version of cafe owner Gunther from the show, down to his giddy passion for Rachel (the character played by Jennifer Aniston). “I’m crazy about Friends,” Du says. “For me, it’s like a religion. It’s my life.” The extent of Du’s Friends obsession is clear on entry to Beijing’s Central Perk. The level of detail is scary: same window, same doorway. People sitting on the orange sofa are watching TV – reruns of Friends, naturally. The cafe only serves snacks mentioned in Friends, and the menus are even annotated.

The Role of Anecdotes in Science-Based Medicine – An imperfect but perhaps illustrative analogy to user research, about the relationship between stories and what some may call “proof.”

Here are two limiting factors in how anecdotes should be incorporated into medical evidence: The first is that anecdotes should be documented as carefully as possible. This is a common practice in scientific medicine, where anecdotes are called case reports (when reported individually) or a case series (when a few related anecdotes are reported). Case reports are anecdotal because they are retrospective and not controlled. But it can be helpful to relay a case where all the relevant information is carefully documented – the timeline of events, all treatments that were given, test results, exam findings, etc. This at least locks this information into place and prevents further distortion by memory. It also attempts to document as many confounding variables as possible. The second criterion for the proper use of anecdotes in scientific medicine is that they should be thought of as preliminary only – as a means of pointing the way to future research. They should never be considered as definitive or compelling by themselves. Any findings or conclusions suggested by anecdotal case reports need to be later verified by controlled prospective clinical studies.

Last week I was in Ottawa speaking at Carleton University as well as delivering the closing keynote for UXcamp Ottawa. Here are some photographic highlights of my time there. Look for the rest of my pictures on Flickr.

Joseph Henri Maurice “The Rocket” Richard

Suzy Q Donuts.

The Canada Hall in the Canadian Museum of Civilization. Depicting 1000 years of history, this was an outstanding exhibit. In addition to the familiar elements of contemporary museum design, it had just enough realism, sort of the heightened-fakery from a movie studio backlot. The open-ended design enabled an immersive stroll through recreations of the past. As you wandered you could go in and poke around stores, schools, mills, airports, and so on. It was almost like being in a holodeck, strolling through time (and from east to west).

Building environmental control module or splash screen for circa 1974 television news magazine?

Recreation of the Robert Frank image used on the Rolling Stones’ Exile on Main Street cover.

Stickers stuck to poles outside of the National Gallery. I took the picture without knowing what the heck I was looking at, though. It was only when I got my ticket for the National Gallery and was asked to put the same sticker on my clothing did I realize how those poles ended up like that.

That about covers it.

Mice as Stand-Ins in the Fight Against Disease [New York Times] – Looks like this has been happening in some measure for a while, but some new methods are increasing the usage. The most science-fiction thing you’ll read all week.

In what could be the ultimate in personalized medicine, animals bearing your disease, or part of your anatomy, can serve as your personal guinea pig, so to speak. Some researchers call them avatars, like the virtual characters in movies and online games. “The mice allow you the opportunity to test drugs to find out which ones will be efficacious without exposing the patient to toxicity,” said Colin Collins, a professor at the University of British Columbia.

Australia 2012 [Flickr] – My complete set of pictures from Australia earlier this month.

Chinese families’ worldly goods in Huang Qingjun’s pictures [BBC] – We’ve seen other projects like this, but the focus on China captures a material culture in transition.

Amid China’s tumultuous dash to become rich, one man’s photographs of families posing with their worldly goods will soon seem like records from a distant era. Huang Qingjun has spent nearly a decade travelling to remote parts of China to persuade people who have sometimes never been photographed to carry outside all their household possessions and pose for him. The results offer glimpses of the utilitarian lives of millions of ordinary Chinese who, at first glance, appear not to have been swept up by the same modernisation that has seen hundreds of millions of others leave for the cities. But seen more closely, they also show the enormous social change that has come in a generation. So the photo of an elderly couple of farmers outside their mud house reveals a satellite dish, DVD player and phone.

Four Big Things, a phrase dating from 1950s for most sought-after goods for newly married couples: sewing machine, bicycle, watch, radio. It’s since come to refer to whatever is most fashionable at the time. By 1980s the four big things were: TV, washing machine, rice cooker, fridge. Now, consumer goods flood China’s cities, it tends to be used to describe people’s aspirations for the latest thing.

Must-See Video: How a Woman With No Arms Dresses Herself. What Assistance Can Design Provide? [Core 77] – I love the reaction; that excitement of discovering how current solutions could be improved. Designers are so great at bringing that creativity and know-how to bear to make change for the good. But let’s remember, we don’t need videos to be posted by users to uncover what things aren’t working for them. Are designers waiting for broken products to appear in front of them so they can spontaneously improve them, or are they out there looking at current behaviors and solutions in order to proactively find opportunities. Designers: you don’t need the disabled (or anyone) to post their own videos, go and shoot your own!

I hope that more folks with disabilities make videos like this, not just to share with others what their particular trials are, but to enable us designers to improve upon the objects they use.

FILMography – a Tumblr with an incredible series of images where a printout of a still from a film is held up in the actual location where that scene was shot. It’s a “trick” I’ve seen before but mostly as a one-off; the breadth here is fascinating.

FILM + photography = FILMography.

Here is the last post with highlights of my trip to Australia (see parts 1, 2 and 3, previously). Meanwhile, all my pictures are making their way to Flickr.

At the tram stop for the Children’s Hospital, the platform is filled with various cute “Dr. Jake” signs. I especially like transforming the transformer box into a height chart. Someone is thinking broadly about reframing the hospital from scary into welcoming and using the first point of entry – the tram stop – as the place to begin doing that.

Patience is a virtue. A post-design attempt to mollify confused users.

I could not figure out what the heck “Teady” referred to on this first truck. It wouldn’t be my first time encountering a word I didn’t understand (see “showbag” in an earlier post, say). But no, the adjacent truck says “Steady.” I went back and checked – did the initial S wear off? No, it was never there to begin with. The design – sans S – fits perfectly in the designated area on the first truck.

Bold language boldly presented.

Once again, weird people sculptures.

Free WiFi at the train station. Nice visual reference to many memes (e.g., Star Wars kid, the dancing baby, keyboard cat) as well as Facebook and Twitter.

ACDC lane. Yes, the official City of Melbourne lane commemorating ACDC.

Reminded me of a similar sign in San Francisco.

The menu at this restaurant offered beer in a pot or a beaker. I was further charmed by the use of familiar words with shifted meanings, as part of my foreigner’s journey. But no, the beaker is exactly what you’d think: a beaker.

More 8-bit-videogame streetart, although Mario instead of Space Invaders; stickers instead of tiles.

Many many flavors of hot chocolate at Chokolait. I must go back!

Indoor nighttime climbing wall.

I got back last week from two weeks in Australia, traveling around as well as speaking at UX Australia in Brisbane and Service Design Melbourne. Here is the third of four posts with some of the highlights (see 1 and 2 previously). All my pictures are making their way to Flickr, as well.

Hmm. Update: Golden Casket is a lottery company, not the store itself. And “casket” more typically refers to something like a treasure chest than a coffin. The language discontinuities wonderfully surprising!

Brilliant idea to highlight a positive so specifically.

Burger King, in some parts of Australia, is Hungry Jack’s.

While the text and icon evoke the fleeing-immigrants signs seen in Southern California and Arizona, this supposedly refers to a traffic island in the middle of the street where pedestrians can wait if they are caught in the road when the light changes. However, this location had no such island.

Dolphin attendance. What can we infer about the dolphins with the dashes in place of checks? Or the dolphins with a line through the week?

Jelly.

Peanut butter.

From the Gallery of Modern Art (or, if you prefer, GOMA), biomorphic scooters.

“I never stopped loving you” reminded me of the iconic “I love you so much” graffiti-cum-icon in Austin. One is in an art museum, and the other is on the side of a building.

The piece is called Distillery: Waveforming. It uses biofeedback, as you clip a pulse oximeter to your earlobe and the iPad display starts to play mellow music and visually echo your heartbeat. It was like a digitally-induced high. I hope we all get one soon.

I’m just back from a week in Barcelona for WebVisions, where I led a workshop on fieldwork, synthesis, and ideation, and gave a short talk about championing contextual research within your organization. I’ll be covering similar material coming up in a couple of months at WebVisions Chicago. Meanwhile, I had a bit of time to explore, and found Barcelona to be a beautiful and well-designed city. Here are some sample images, with more to follow in the next day or so (and the complete set on Flickr).

Bounty at La Boqueria market.

Pedestrian safety warning placed in context, as you step from the sidewalk into the street.

Obama British Africa Gin and Rum. Odd description here.

Stickers on the corrugated metal doors pulled down when a business is closed advertise what I assumed was a taxi services but in fact is for locksmiths. Why are locksmith services advertised with such verve?

Gaudi’s La Sagrada Fam??lia, under construction since 1882. Astonishing, even from the outside.

Known in the US as Ice Age: Continental Drift.

Marketing for something via Facebook.

A very modern cinema structure, down by the water, where all the buildings are new and ultra modern. While the whole place is a delicious mix of old and new, classic and modern, this area went just a bit too far into Mall. While this building is gorgeous, its siting and overall vibe is dehumanizing.

More observations from last week’s trip to Lisbon. See part 1 here

Street art.

Body-enhancing undergarments.

Clooney.

Eat box? Yum!

Y’arr! Pirate Bar! That’s some great neon. Perfect place for Drink Like A Pirate Day.

Scented dolls? They look pretty intense. Perhaps they inch forward menacingly as you pass by their window.

The design museum was redoing its facade with sticky notes. We watched their progress over several days.

This is the take-a-number device for a retail queue. Far more advanced than the familiar North American paper ticket dispenser. And also unrecognizable if you don’t read Portuguese and don’t know to look for this.

Detail of a building exterior. Tiled buildings are ubiquitous, with many different beautiful tile designs of various vintages.

We’ve had a lot of good posts – and comments – as of late about extroversion, introversion, talking to strangers, comfort zones, and so on. This brought to mind a story from a visit to New York a while back. In Let’s Embrace Open-Mindedness I tell two stories from my personal life (e.g., not when conducting research) where I explored the edges of my own comfort zone in just slightly unfamiliar circumstances, one situation where I saw the opportunity and couldn’t make the leap, another where I saw the opportunity and convinced myself to take that leap.

Followers of this blog will know I love taking pictures of curious and interesting things that I see everywhere, but it’s much harder – and not always appropriate – to take pictures of the curious and interesting people that I see everywhere. Indeed, in true Heisenberg fashion, you can’t always get the picture you’d want if you have to interact.

Anyway, visiting New York and walking through Times Square, I came upon people promoting Carrie Fisher’s “Wishful Drinking.” They were dressed as parodies of the book cover, with Fisher as Leia. At two separate points, I asked these hawkers if I could take their pictures.

Well, sure. It’s New York. It’s Times Square, thick with tourists, and these people are calling attention to themselves for promotion. All those cues shift the norm and make it reasonable/comfortable/appropriate/possible to do something that we don’t normally do: asking “Hey, can I take your picture?” That’s probably why I have so many photos taken with Shrek, Mr. Peanut, an Animaniac, the Monster.com monster – there’s something delightful and ironic about this staged naturalism, as if yes, I am hanging out here with my arm casually thrown around a 6-foot be-monocled legume. The opportunity to ask for a picture is so built-in to our scripts that it seems a crime to not get the picture!

Also see: The bear that saluted me

Dissident Creates by Remote Control [NYT.com] – Of course this is a political act as much as an artistic or commercial one (and some art theorist can probably explain why it must always be all three, yes?) but this seemed a novel application of remote collaboration software, at least in the way they’ve framed it.

In an unusual collaboration with W magazine, Ai Weiwi created a story line for a series of photos that were shot on location in New York by the photographer Max Vadukul as Mr. Ai looked on, art directing via Skype on a laptop computer. Mr. Vadukul would set up a shot and look to Mr. Ai for approval. “We could see him on the screen, scrolling through the images,” Ms. Solway said. “What was so interesting was his attention to every detail. There was this big shower in Rikers – we thought it looked very dingy, but he said the grout was way too clean and graphic.”

Don’t Blink! The Hazards of Confidence [NYT.com] – While the whole article primarily deals with the decisions that financial professionals make (scary scary stuff), the principles on judgement and decision-decision making feel sound, if challenging.

You are probably an expert in guessing your spouse’s mood from one word on the telephone; chess players find a strong move in a single glance at a complex position; and true legends of instant diagnoses are common among physicians. To know whether you can trust a particular intuitive judgment, there are two questions you should ask: Is the environment in which the judgment is made sufficiently regular to enable predictions from the available evidence? The answer is yes for diagnosticians, no for stock pickers. Do the professionals have an adequate opportunity to learn the cues and the regularities? The answer here depends on the professionals’ experience and on the quality and speed with which they discover their mistakes. Anesthesiologists have a better chance to develop intuitions than radiologists do.

Personal Eco-Concierges Ease Transition to Green [NYT.com] – Last year we did a research project that looked at “going green” as a journey. We met people at various stages along that transition and what their decisions were like at each of those stages. No surprise to see businesses appear explicitly aimed at facilitating the steps along that journey; indeed we identified other products and services that were or could speak to that goal – beyond usage to growth.

“The problem with going green is that people think it takes so much work, so much effort, so much conscious decision-making,” said Letitia Burrell, president of Eco-Concierge NYC, a year-old business in Manhattan that tries to make it easy for people to rid their homes of toxins, hire sustainable-cuisine chefs and find organic dry cleaners. It is a niche business, but a clever one. At least a half-dozen services of this type have sprung up around the country in recent years, both to help time-starved consumers manage their lives and to assuage the guilt of those who worry that they are letting the planet down. “There are people who come to us gung-ho and they want to make a sweeping lifestyle change,” said P. Richelle White, who left a corporate advertising job four years ago to start Herb’n Maid, a green cleaning and concierge service in St. Louis. “These are busy professionals who don’t have the time to do the research themselves about different products and services.”

Sexy, religious images spotted on new money [CBC News] – Getting feedback to designs before going to press is proven once again to be a good idea. Seems like a great application of a focus group, since the feedback needed is shallow and not very nuanced, although interesting to note that the social dynamics of a focus group limit the naturalness of that feedback – so much so that it made it into the report!

The Bank of Canada fretted that Canadians would find all kinds of unintended images on the new bills. So the bank used focus groups to spot “potential controversies.” “The overall purpose of the research was to disaster check the $50 and $100 notes among the general public and cash handlers,” says a January report to the central bank. Almost every group thought the see-through window looked like a woman’s body, but participants were often shy about pointing it out “However, once noted, it often led to acknowledgment and laughter among many of the participants in a group.” On the other side of the bill, there’s an image of a researcher at a microscope and a depiction of the double-helix structure of DNA. But the DNA strand evoked something else. A Vancouver focus group thought it was “a sex toy (i.e., sex beads).” Others thought it was the Big Dipper. There was no mistaking the microscope, but when focus groups flipped over the bill they noticed the edge of the instrument showed through like a weird birthmark on Borden’s cheek. Respondents also thought the former prime minister was either cross-eyed or that each eye was looking off in a different direction, the report says “Others felt that the PM’s moustache is unkempt.” Every focus group thought they saw religious iconography on the face of the Peace Tower clock. “It was often described as ‘The Star of David.’ Others referred to it as a ‘pagan’ or ‘religious’ symbol,'” the document says-Bank of Canada spokeswoman Julie Girard said the bills got tweaked after the focus groups. “Before and after those focus groups, there were design changes for multiple reasons,” she said.