Posts tagged “technology”

ChittahChattah Quickies

It’s been a while since I posted short snippets around links I’ve found fascinating, and while that means these stories don’t come out of this week’s news, I think they are all are provocative and worth being aware of.

Marketers change pronunciation in ads to attract shoppers [CBC] – The value of the Z as a cultural indicator when selling products in Canada. Canadian companies remind of their status by highlighting the “zed” while some American companies will create a Canadian-specific ad, replacing “zee: with “zed” (depending on the product and it’s meaning – and cost)

Because cars are so closely tied to image and identity, it’s very important to get that identity correct when speaking to Canadian car buyers. But in the end, it all comes down to dollars and cents. If the product is low-end and utilitarian, marketers will go cheap and run the U.S. product name, commercial and pronunciation in both countries.

But when there’s a risk of offending the identity of Canadian buyers of big ticket items, marketers will spend the extra loonies to do a custom version for Canada.

Threat of Death Makes People Go Shopping [Inkfish] – Here’s a finding that we really don’t want to see in the wrong hands!

Nothing says “Let’s hit the outlet mall” like nearly being wiped out by a rocket. A study of both Americans and terrorized Israelis suggests that certain people respond to the threat of death by going shopping. Because if it’s your time to go, you may as well be wearing the latest from Forever 21 Michigan State University marketing professor Ayalla Ruvio and her colleagues performed two studies of potential shoppers. The first took place in Israel. Questionnaires were handed out at a community center in a town just one kilometer from the Gaza Strip, during six months of daily rocket attacks there in 2007. The same surveys were distributed in a second town farther from the fighting, where residents were aware of the violence but not in direct danger. The questionnaires were meant to ferret out a few different answers about people. Did they experience post-traumatic symptoms such as nightmares or memory loss? Did they cope with negative feelings by buying things? How often did they return from a shopping trip with items they hadn’t meant to purchase? Other questions assessed how materialistic the subjects were-did they place a lot of value on owning nice things? Israelis who were experiencing daily rocket attacks, unsurprisingly, reported more post-traumatic stress. People who felt more stress admitted to more compulsive or impulsive shopping behaviors. And both these effects (feeling stress and going shopping) were stronger in more materialistic people. For their second study, the researchers used a group of 855 American subjects, meant to be demographically representative of the U.S. population overall. Subjects filled out an online survey that measured their materialism, shopping habits, and how much they thought about their own death, as well as other factors. Once again, for people who were more materialistic, there was a relationship between fear of death and impulse buying.

Because the more materialistic Israelis experienced more stress, the researchers think “materialism makes bad events even worse.” And when materialistic people feel threatened, they buy things they don’t really want (or maybe can’t afford). The findings don’t only apply to people living in the Middle East. Events that make people fear for their lives can include car accidents, assaults, and natural disasters. Yet Ruvio puts a positive spin on the ubiquity of trauma. “This presents an opportunity for both manufacturers of impulse items and the retailers that sell these products,” she writes. When a severe storm or a military crisis is brewing, she suggests stores put their high-profit-margin items up front where impulse shoppers will see them.

While retailers may be able to benefit from people’s crises, shoppers themselves won’t. Previous research, Ruvio writes, shows that “most materialistic individuals derive little satisfaction from their consumption activities.” So much for retail therapy.

Weird T-Shirts Designed To Confuse Facebook’s Auto-Tagging [Wired Design] – The space where conceptual art meets technology can be interesting, where working solutions can be produced to comment on the problem without fully solving it, and yet point the way to a possible future where those problems are addressed this way.

How to fight back? Just buy one of Simone C. Niquille’s “REALFACE Glamoflage” T-shirts, a series of bizarre, visage-covered garments designed specifically to give Facebook’s facial recognition software the runaround.

Niquille dreamed up the shirts as part of her master’s thesis in graphic design at the Sandberg Institute in Amsterdam. FaceValue, as the thesis is titled, imagines new design solutions for the near-future, mining the ripe intersection of privacy, pattern recognition and biometrics. The shirts, custom-printed for around $65, are one of three such imaginings–a tongue-halfway-in-cheek tool for pushing back against the emerging trends of ubiquitous, computer-aided recognition. Covered in distorted faces of celebrity impersonators, they’re designed to keep Facebook’s algorithms guessing about what–or more accurately who–they’re looking at.

“I was interested in the T-shirt as a mundane commodity,” Niquille explains. “An article of clothing that in most cases does not need much consideration in the morning in front of the closet…I was interested in creating a tool for privacy protection that wouldn’t require much time to think in the morning, an accessory that would seamlessly fit in your existing everyday. No adaption period needed.”

Promoting Health With Enticing Photos of Fruits and Vegetables [NYT] – Bolthouse Farms created a fanciful website that visualizes food-related social media content.

“It’s not that I don’t have an Oreo every once in a while,” Mr. Putman said. “We just want folks to understand that beautiful carrots have badge value the same way peanut butter, chocolate pie does.” Having badge value means something is interesting enough to deserve a hashtag.

Bitcoin Beauties promotes use of currency by women [SFGate] – If this provides empowerment to someone, then that’s great. But I don’t understand this at all. It seems like Trending Topic + Nekkid Ladies = something.

The company’s slogan is “Beauty, Brains, Bitcoin.” Its logo is a sketch of two voluptuous, nude women, posing pin-up style beside the stylized bitcoin “B.” The company website, yet to be completed, is now a photo collage of women, some topless, silhouetted against a beach sunset. Blincoe refers to members as “our beauties.” For Blincoe, there is urgency in staking a claim for women in the highly lucrative world of bitcoin, a crypto currency that by many accounts has the potential to shape the future of how transactions take place and currency flows online. For now, the main function of Bitcoin Beauties is hosting a small-but-growing weekly gathering where women talk bitcoin.

The Anti-Digit Dialing League [Orange Crate Art] – A mostly-forgotten (and mostly unsuccessful) rebellion against a technological advance. Also see the followup here.

The Anti-Digit Dialing League was a short-lived movement that arose in 1962 and faded, it would seem, in 1964. Founded in San Francisco, the ADDL opposed “creeping numeralism” and fought a losing battle to preserve the use of telephone exchange names.

Insights into Internet-era blue- and white-collar work

Here are two amazing pieces that expose a great amount of detail about very different types of jobs that are specific to the Internet era. We learn about who is doing the work, what the work is like and what the culture is. There’s so much rich detail in both that I am not summarizing or drawing conclusions but simply pointing you to them for listening/reading.

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(Jerry Bowley/flickr)

Brown Box is a a RadioLab piece about the order fulfillment centers that companies like Amazon and others use. The reporter gets a job in one of these places and describes the physical and emotional toil (although she meets some who really like the work). While you might imagine the way items are stored in those warehouses is incredibly ordered, she describes how it’s essentially random, while “pickers” who are preparing an order carry a handheld device that directs them item after item to each holding bin at random locations through the warehouse, counting down the seconds it has calculated for them to reach the next item. That sounds so stressful!

It used to be, when you ordered something on the Internet, you waited a week for it to show up. That was the deal: you didn’t have to get off the couch, but you had to wait. But in the last few years, that’s changed. Now, increasingly, the stuff we buy on the Internet shows up the next day or the same day, sometimes within hours. Free shipping included. Which got us wondering: How is this Internet voodoo possible?

A fleet of robots? Vacuum tubes? Teleportation? Hardly. In this short, reporter Mac McClelland travels into the belly of the beast that is the Internet retail system, and what she finds takes her breath away and makes her weak in the knees (in the worst way).

Also: a written story by Mac McClelland about the same experience.

code-horror
Programming Sucks is an intensely hyperbolic piece that digs into the state of the art for developing computer code.

For example, say you’re an average web developer. You’re familiar with a dozen programming languages, tons of helpful libraries, standards, protocols, what have you. You still have to learn more at the rate of about one a week, and remember to check the hundreds of things you know to see if they’ve been updated or broken and make sure they all still work together and that nobody fixed the bug in one of them that you exploited to do something you thought was really clever one weekend when you were drunk. You’re all up to date, so that’s cool, then everything breaks.

“Double you tee eff?” you say, and start hunting for the problem. You discover that one day, some idiot decided that since another idiot decided that 1/0 should equal infinity, they could just use that as a shorthand for “Infinity” when simplifying their code. Then a non-idiot rightly decided that this was idiotic, which is what the original idiot should have decided, but since he didn’t, the non-idiot decided to be a dick and make this a failing error in his new compiler. Then he decided he wasn’t going to tell anyone that this was an error, because he’s a dick, and now all your snowflakes are urine and you can’t even find the cat.

So no, I’m not required to be able to lift objects weighing up to fifty pounds. I traded that for the opportunity to trim Satan’s pubic hair while he dines out of my open skull so a few bits of the internet will continue to work for a few more days.

You say hello, they say goodbye

mflogo

More news about technology eating its predecessors:

Moviefone is shutting down its phone-in ticketing business to focus on its app, according to Jeff Berman, president of BermanBraun, which runs the declining movie ticket service. “The call-in service has been in pretty steady decline… Our customers are much more interested in our award-winning app, and we need to invest our resources in the future, part of which involves a major reimagining of Moviefone.” This weekend, callers were informed that the service would soon go silent. Once a dominant force in the world of movie ticketing and listings, the service is best known for the voice of “Mr. Moviefone,” provided by founder Russ Leatherman, that greeted callers.

It’s part of the human condition to see things go by the wayside. In many cases what is lost is replaced by something that is better. A dial-in voice-based movie-listing service is hardly the best solution available to us, and the usage numbers for Moviefone show that. So it’s disappearance makes sense in terms of utility (and business). But with many of these disappearances, what we might mourn is the cultural loss (yes, Moviefone was an element on Seinfeld), recalling the affection we have for the familiarity, even considering it as tradition. Sometimes this collective sense of loss is enough to produce an outpouring that convinces a company that there’s a good-will business case around preservation. While I don’t expect that here, these occurrences are common and are interesting to look it through the lenses of function, business and meaning.

Full story

Oh um hey there Awkward Chatbot

Awkward Chatbot

While our collective techo-optimism leads us to expect – and create – technology-driven experiences (say, bots) of all types that represent our best selves. But to be more realistic we need to consider a wide range of interaction styles. Enter Awkward Chatbot, a site that effectively simulates the disengaged, ineffective and well, awkward, interactions that characterize instant messaging.

earlier

You: Do you have anything to tell the readers of All This ChittahChattah?

Chatbot: are you like mad at me or something lol

Sigh.

ChittahChattah Quickies

What It’s Like to Experience New Technology After 25 Years in Jail [Gizmodo] – From a Quora thread to a Gizmodo post (and there may be a book deal happening?) here’s a real edge-case user type, someone with almost no exposure to current technology.

Prior to my release from prison, I gave considerable thought to a technology strategy. My wife was used to using Microsoft products, but everything I’d read indicated that Apple products offered a much quicker learning curve. On the day she picked me up she handed me an iPhone 4S. During my first week of liberty, we purchased a MacBook Pro and iMac desktop system. I hoped they would all work seamlessly together. But since my wife wasn’t as comfortable with the Apple products, she insisted that I load them all up with Microsoft products so she could rescue me when I had problems. I’ve had a lot of problems coming up to speed with simple tasks like email, or synching all of my computers together. I’ve also had a problem remembering all of the passwords she assigned to me. I keep arguing that we should use only one password, but that only brings forth her arguments on the dangers of identity theft. Since I met many men in prison who served time for identity theft, I trust that my wife has a point.

The Improbable is the New Normal [The Technium] – What are the consequences of spectacle fatigue (and I don’t mean your eyes and nose feeling sore)? And what does that mean for those who intend to entertain us (say, film and television) with more traditional content? (via Kottke)

The internets are also brimming with improbable feats of performance — someone who can run up a side of a building, or slide down suburban roof tops, or stack up cups faster than you can blink. Not just humans, but pets open doors, ride scooters, and paint pictures. The improbable also includes extraordinary levels of super human achievements: people doing astonishing memory tasks, or imitating all the accents of the world. In these extreme feats we see the super in humans.

Every minute a new impossible thing is uploaded to the internet and that improbable event becomes just one of hundreds of extraordinary events that we’ll see or hear about today. The internet is like a lens which focuses the extraordinary into a beam, and that beam has become our illumination. It compresses the unlikely into a small viewable band of everyday-ness. As long as we are online – which is almost all day many days — we are illuminated by this compressed extraordinariness. It is the new normal.

To the uninformed, the increased prevalence of improbable events will make it easier to believe in impossible things. A steady diet of coincidences makes it easy to believe they are more than just coincidences, right? But to the informed, a slew of improbably events make it clear that the unlikely sequence, the outlier, the black swan event, must be part of the story.

Overthinking It subjects the popular culture to a level of scrutiny it probably doesn’t deserve – There’s a lot of things being overthought on the site. This example is one of at least two posts (first, and second) where Law and Order episodes were put into a database and then analyzed and analyzed.

Over the entire run of the show, more than a third of all the episodes ended in Guilty verdicts, while another third ended in plea bargains. 80% of episodes ended in solid wins: either Guilty verdicts, plea bargains, or implied victories. That’s not too shabby, considering that the actual NYPD has a homicide clearance rate of about 50%. (Although you have to figure Law & Order isn’t meant to represent every case these detectives investigated; in 20 seasons, I don’t think there was a single murder that didn’t result in an arrest.)

(UPDATE 12/10/12: One of the commenters on Reddit has pointed out that the “clearance rate” has nothing to do with convictions, only arrests. In that case, Law & Order’s clearance rate would be nearly 100%, since even in the rare episodes without a trial somebody usually gets arrested. I guess I’d know this stuff if I had watched The Wire.)

The Fake Shows from Arrested Development are Now Listed on Netflix [Paste] – I love seeing fake products and brands treated like real ones. Reminds me of the in-production Newsreaders, a fake news magazine TV show that originally aired as a special episode of the parody Childrens Hospital (which also had fake promos for NTSF:SD:SUV::, leading to that becoming a real show as well.

Next spring, Netflix will premiere the highly anticipated and currently in-production fourth season of Arrested Development. Along with the rights to the show come the rights to all of the shows within the show, and to tide fans over until next spring Netflix has featured fake listings of Scandalmakers, Wrench, Boyfights and more. There is no actual footage to watch-the links just take you the Arrested Development season one page- but it’s pretty funny seeing the summaries and poster photos listed on Netflix like they belong to actual shows. Also listed are Les Cousins Dangereux, Girls with Low Self-Esteem: Newport Beach, Families with Low Self-Esteem and Mock Trial with J. Reinhold.

Our latest article: Stick to the Knitting

Stick to the Knitting, my invited editorial for the Journal of Usability Studies, has just been published.

Hollywood-that seller of dreams-has filled our heads with an American-exceptionalism-esque belief that we are entitled, even obligated, to strive and ultimately triumph when we are clearly outmanned, outgunned, and outclassed. Melanie Griffith lands her dream job in Working Girl. The Pretty Woman is rescued by a (metaphorical) knight on a white horse. The nerds of Tri-Lambs get their revenge and defeat the other fraternity. Sure, Rocky, the Bad News Bears, and the Spartans all lose but what we remember is how hard they tried. Hollywood has successfully promulgated the values of having heart and dreaming big, not only for Americans or even the West, but ultimately for everyone.

If we use that cultural framing, maybe some of the things that the design communities are spending time on would make more sense. By “design communities” I’m referring to the software and product people-industrial designers, user experience designers, interaction designers, information architects, content strategists, and what have you. I’ll even throw my tribes in there: user researchers, ethnographers, and strategists.

Lately, these folks-us-are taking on audaciously challenging problems. The sexiest endeavors are those tackling the systemic “wicked problems” in government, healthcare, education, homelessness, civic life, and beyond. Of course the genuine passion and compassion is to be commended, but I’m feeling worried. Let me tell you why.

Get the PDF here.

Sharon’s War Story: Broken Windows Theory

Sharon Cartwright, a consultant with Optimal Experience, shares her story about uncovering context.

We were surprised that Anna wasn’t at home when we arrived at her house. We could see through the lounge windows that the house was empty of furniture and personal belongings, adding further to the intrigue. We had followed our usual protocol of sending an email confirmation clearly stating the time of the research session and Anna had been called the day before to confirm.

We decided to try calling Anna. She picked up our call as she was coming up her driveway. She was running late and seemed a bit agitated, telling us that she had locked herself out an hour earlier. She was just moving into this house and didn’t have a spare key yet. She’d decided, in the interest of proceeding, that she was going to smash a window to get in and had just called around to her brother’s house to pick up the appropriate tools.

Anna seemed like a practical woman, and smashing her front door window didn’t seem to daunt her. I indicated that there was no need to take such drastic action for our sakes. But she was adamant and was soon taking a hammer to the glass panel in the kitchen door.

Once inside, Anna, myself and the client (who’d come along for the ride) began the clean-up. I manned the vacuum cleaner and mused over the start to the session. There is something bonding about a shared clean-up!

We were there to observe Anna set up wireless broadband. On a good day the process wasn’t straightforward; we had already seen several participants struggle through it. Over the next two hours we observed Anna encountering several technical issues with hardware and software. She managed to resolve some issues on her own. Many times she resorted to calling the contact centre, although their advice was mixed – sometimes helping Anna, sometimes complicating matters.

We had scheduled the session for 1.5 hours expecting this to be sufficient, but many sessions – including Anna’s – extended over this. After two hours Anna had not succeeded in setting up her wireless broadband connection. Unable to stay any longer, we were disappointed to leave without seeing Anna ultimately succeed. We wished her luck, as she was clearly going to need it.

During the two hours Anna revealed a few things to us. Her long-term relationship had recently ended, explaining her move to Auckland. She was also looking for work. Her ex-partner’s teenage son had generally taken the lead on the technology front in their home, and it was dawning on her that this was now her role.

With the significant life stresses she was facing it was hard to watch her struggle through a technology set-up that should have been easier, dare I say simple. While we learned that setting up wireless internet often happens during a time of stress, as it’s one task of many when you move house, I felt for Anna and the difficult time she was going through.

Our latest article: Content, the Once and Future King


Our latest interactions column Content, the Once and Future King has just been published.

Christian Marclay’s The Clock is a 24-hour film, in which each minute of the 24 hours is depicted by images of clocks (or other depictions of the time) from other movies. Creating The Clock was an intensive, meticulous process. For at least several months, as many as six people spent their days watching DVDs and ripping potential clips; Marclay spent three years working at his computer for 10 to 12 hours a day. With at least 90 years of cinematic history to work with, and perhaps 90,000 movies available, there is a substantial corpus of moving images to draw from. Let’s call this Big Content.

Get the PDF here.

Previous articles also available:

Computers are stupid

Two recent but fairly typical interactions lately serve to remind me just how stupid computers really still are.


Every time I upload pictures to Facebook, it can’t tell the difference between a photograph of a person that I know and an image from advertising, artwork, street art, or otherwise, and asks me to indicate which of my friends are in these pictures. Face recognition is gee-whiz and has some utility in this context, but if they can’t make it work properly (e.g,. no false positives) why is it being used? Why is it okay that I have to work around the computer’s mistakes?


LinkedIn runs over with suggestions for other people I might to connect to. Yesterday it encouraged me to connect with someone who recently passed away (and whose passing was widely noted). As with the previous example, our immediate reaction is “Well, how should the computer know that?” And that’s my point: we’ve become so used to working within the constraints of technology that we just shrug off this annoying, potentially offensive interactions.

I’m interested both in the limits of the technologies we use and in our enabling of those limits.

George’s War Story: Skyfall (or A View to A Kill)

Design researcher George Ressler navigates gravity and the TSA in order to collect user data in an innovative way.

Recently I was on a project that focused on observing customer’s shopping behaviors at a retail space in Philadelphia. This was not the typical shop along project because I was asked to observe customers without altering or impacting their shopping behavior. I believe that if the customer is aware of our presence as researchers, it alters their shopping behavior, creating noise in the data. For this project the research team really needed to become an invisible fly on the wall. To do this we built a rig that consisted of several cameras that pushed a video feed to our research station in the back of the store. At our research station we tracked the customers’ path and tagged shopping events as they happened. In simple terms, we created a high-tech mobile solution for capturing a customer’s journey that resembled something you might see James Bond using.

When the time came for the first of many fielding trips we packed all the technology into three custom black hard shell cases that collectively weighed 228 pounds. We arrived at the Columbus airport extra early because we anticipated a lot of hassle from TSA for trying to fly with such “unique” equipment. While at the ticket desk our luggage was immediately flagged and a TSA agent asked me to follow him into a backroom to hand-inspect every item in the cases. As I watched from behind a yellow line of the floor, the agent tore apart my neatly packed electronics, swabbing everything for traces of explosives. All the while he asked detailed questions about everything; “What is this? What does it do? Why do you have this?” After at least thirty minutes of explaining everything to this agent he said that it all checked out and I could re-pack the cases and head to the departure gate.

When we arrived that afternoon in Philly we were relieved to see our three cases thump down the baggage carousel. From the airport we headed directly to the store to begin our set up process. Upon arriving at the store we encountered our first real problem. Each store was supposed to have a 24-foot ladder, which would allow us to reach the ceiling to install our cameras, however this store only had an 18-foot ladder. Being the most agile of the research team I volunteered to climb on shelves, support beams, anything to get me up into the ceiling to install our cameras. At one point, I climbed a store shelf, holding on for dear life while clutching a 25-pound camera unit, thinking to myself that I would be so mad at myself if I died by falling off the shelf.

Once all the cameras were installed throughout the store I began to set up the network that would pull all the video to our research station in the back room. Then problem number two arose: everything was set up perfectly but I could not connect to the cameras from our research station. After an hour of troubleshooting, I finally realized that because our research station was behind a cement wall the wireless signal was not reaching the cameras out in the store. In all my preparations for this trip I never thought to account for being behind a cement wall! The only solution was to move our router onto the store floor in front of the wall and then run an Ethernet cable to our back room research station. This meant I again climbed up to the ceiling and suspended the cable from the middle of the store to the back room. After almost an hour of monkey-climbing around the store we had our cameras connected to the network and were ready to start collecting data.

The following two days were packed full of documenting customer’s journeys. It was fascinating to observe customers’ shopping while slowly seeing patterns in behavior emerge. After our time in the store collecting data was over I repeated my climb up the shelves to the ceiling to retrieve our cameras and packed up our three black cases.

We made it through TSA at the Philly airport smoother than in Columbus and got to the gate early, leaving ample time to relax. After landing in Columbus we waited at baggage claim for our cases and in no time the first case clunked down the carousel. However the other two cases never appeared. We checked their status at the baggage claim office where they informed us that our other two cases were held back for further screening because they contained “suspicious materials.” We assumed they would eventually clear and indeed they arrived in Columbus on the next flight from Philly.

Before this all gets blamed on the TSA, those two cases did look very suspicious. I was amazed that we got them to Philly with such little problems. Each one of those cases contained a couple of huge batteries, lots of wires, and electrical boxes. Without a close inspection the cases did look like very large, heavy bombs. So as much as I was upset at TSA for holding our cases back, I was relieved to know that they are actually catching bomb-like packages at airports and taking the time to inspect them properly.

Whenever I tell this story I will always remember the problems we overcame with transporting and installing the technology. I can still picture myself jumping from store shelf to store shelf trying to reach the ceiling to install the cameras. But above all I vividly remember how much I felt like James Bond when we arrived at the store with three heavy cases full of complex “spy” technology. Next time we do this kind of project I will be bringing my tuxedo, so I could really bring the Bond persona to life.

Dan’s War Story: Shanghai Surprise

Dan Szuc (writing on behalf of the whole Apogee team, including Jo and Hok) relates a familiar experience about equipment failure, highlighting the importance of improvisational problem solving and supportive team dynamics.

We were on on the train in Shanghai on our way to visit a person in their home as part of a research project. Doing random checks of all equipment becomes second nature, ensuring that you have backups of backups, cables work correctly, sound is being recorded correctly and video is working well.

We all have specific roles on home visits where. Hok and I capture both the interview and surrounds on film using Flip cameras, Jo is responsible for speaking with the person we are visiting to ensure that they are comfortable and Hok also is our guy for ensuring all the equipment is technically working well (and if something is not working well he usually knows how to fix it).

So back to the train ride in Shanghai…the three of us were together, testing the recorder, cable and microphone. We realized on conducting a few test recordings that there were clear breaks in the recording when playing it back. We realized this was caused during the previous interview as we needed to go through a security scanner at a train station with the participant (as part of the journey we were filming). The cable connecting the recorder and the bag were stretched going through security unnecessarily, possibly causing damage to the wires.

We tested various places where we thought the sound might be breaking up – the connectors, the microphone and the cable itself. We wanted to get this right because the microphone clips onto the person we are interviewing and ensures that we have clear audio (in addition to the audio that’s captured on the video using the Flip cameras). We did not have time to go to an electronics store to get new equipment and were relieved that the audio recorder itself was working well and could serve as a (non-ideal) backup microphone.

Together, we needed to come up with a plan to ensure that we could capture the same level and quality of audio as in the other people’s stories captured to date in Shanghai. Consistent film quality is an important part of the storytelling. We tried a few configurations using the cables, rubber bands and microphone. We eventually worked out a way to place the microphone close enough to the participants chin so that the audio would come through clearly, and discarded what we had determined was the faulty cable.

On reflection, it taught us all the importance of team work, thinking quickly about solutions, not blaming when things sometimes go wrong, trying out various configurations whilst on the move and planning ahead to have some other cables/equipment available if there are failures. Not everything goes according to plan in field research, but having a calm head and a team who works together makes for a nicer working environment and a huge difference in the overall results. Happy researchers equals happy participants equals nice stories equals lots to learn from.

ChittahChattah Quickies

Butlers in high demand, ready for any household job [SF Chronicle] – Are we in a service economy or is this just an upper-crust exception?

The path to becoming a truly top-notch butler is certainly not for the faint of heart – or ego. Hours can be long, and physical labor, depending on the number of staff members, can be exhausting. What is critical is utter dedication to the skill of superior – and tactful – service. An extraordinary butler can look forward to a long career with the same family and a base salary as high as $100,000 or more. The more talented and cosmopolitan, the more desirable. “Most people are surprised to learn that butlers don’t wear tails very often,” Grise says. “I’ve known them to sport khaki shorts and white crew shirts, especially when traveling in settings where they need to blend in discreetly and not draw attention away from their principals.”

Brits Find Writing a Cheddar Anthem That Isn’t Cheesy Isn’t Easy [WSJ] – Perhaps if they settled for jingle or doggerel rather than going for the anthemic, it might be more easily accomplished.

Despite the global spread of Cheddar, Britain has done little to promote the cheese as a cultural icon. There are no well-known poems to Cheddar and, until now, no songs. In the Somerset village of Cheddar, where the cheese was invented 900 years ago, all but one Cheddar-maker has melted away. Other countries treat their curds with more reverence. A French village has erected a statue of Marie Harel, the supposed inventor of Camembert. Last year, a Dutch astronaut persuaded the National Aeronautics and Space Administration to send up more than 20 pounds of Amsterdam cheese as he circled the planet in the international space station. The Cheddar song competition hopes to tap into a year of nationalistic pride, as Britain hosts the Olympics and celebrates the Queen’s jubilee. More than 100 entries poured in, from career musicians, church choirs, kids, grannies and a team of crooning puppets.

Don’t Indulge. Be Happy [NYT] – This sort of research continually reveals surprising and counter-intuitive aspects of what influences and is influenced by our emotions.

Imagine walking down the street to work and being approached by our student Lara Aknin, who hands you an envelope. You open the envelope and find $20 and a slip of paper, which tells you to spend the cash on something for yourself by the end of the day. Sounds like a pretty sweet deal. Now imagine instead that the slip of paper told you to spend the cash on someone else. Being generous is nice, sure, but would using the money to benefit someone else actually make you happier than buying yourself the belt, DVD or apps you’ve been dying to get? Yes, and it’s not even close. When we follow up with people who receive cash from us, those whom we told to spend on others report greater happiness than those told to spend on themselves. And in countries from Canada to India to South Africa, we find that people are happier when they spend money on others rather than on themselves. But what about individuals who are notorious for their struggles with sharing? Surely the emotional benefits of giving couldn’t possibly apply to very young children, who cling to their possessions as though their lives depended on it. To find out, we teamed up with the developmental psychologist Kiley Hamlin and gave toddlers the baby-equivalent of gold: goldfish crackers. Judging from their beaming faces, they were pretty happy about this windfall. But something made them even happier. They were happiest of all when giving some of their treats away to their new friend, a puppet named Monkey.

PLAY video memo pad – I saw this in a store in Barcelona and experienced a small science-fiction moment, when technology becomes cheap and disposable enough that it can be used in ad-hoc ways. It reminds me of when calculators shifted from being a $200 purchase to a freebie embedded on a keychain, etc.

If you only tend to bump into family or flatmates when you’re both queuing for the bathroom, it’s not easy remembering to pass on important information. After a while communications can break down, messages can be misplaced, misunderstandings can occur; and before you know it, you’re having fisticuffs on the landing over something as mundane as replacing the tin foil. Well not any more. Because the Play Video Memo Pad lets you record video messages up to three minutes long for your flatmates (or even your future self) to play back later. A magnetic plate on the back makes it ideal for sticking to the fridge or any metal surface, so it’s always to hand when you need it.

Fonts in Use – Once again, the power of the Internet to crowdsource significant databases of elements of the real world, tagged and categorized.

Fonts In Use is a public archive of typographic design indexed by typeface, format, and industry. We document and examine real-world typography with the goal of improving typographic literacy and appreciation. The new version, launched in July 2012, introduces the Collection, a much larger database open to contributions from visitors. Any kind of image is welcome in the Collection, as long as type is clearly visible.

Omni Quickies

Not Quite Smart Enough [NYT] – Smart appliances are back, yet again! Engineers are crammed atop happily dumb products because, well, because they can. The classic of course is the Smart Fridge, the result of jetpack-denied technologists channeling their rage. We’ve heard the use cases over and over again, we aren’t that interested (are we?) but comically, that doesn’t seem to stop them. From past work, I believe there some wonderful opportunities for technology to have a meaningful impact in domestic chores, but this repetition of an undesirable product just isn’t it. Bonus funny/sad: Mike Kuniavsky’s 2008 blog post looks at the history of these ridiculous things. /SP

Still, there are differences in what is offered this time around – especially in the role of smartphones, which were not widely on the market a decade ago. In addition, even if the idea of a connected home, controlled by a smart electrical grid, is years off, it is more than just a pipe dream. For now, though, manufacturers are promoting the high-tech gizmos on their smart appliances, rather than focusing on the potential for being a cog in a smart grid. Samsung offers a French-door refrigerator with an LCD screen and its own apps, allowing consumers to check the weather, browse the Web for recipes, listen to music and keep tabs on what is in the refrigerator. The 28-cubic feet, four-door refrigerator costs about $3,500. LG is introducing a refrigerator that allows consumers to scan a grocery receipt with their smartphone so that the refrigerator can track what is inside. So if you buy some chicken, for instance, the refrigerator will keep tabs on when you bought it and tell you when it is about to expire. If you have chicken, broccoli and lemons in your refrigerator, it will offer recipes that include those three ingredients, even narrowing recipes based on specific dietary needs and goals. Several manufacturers are introducing washers and dryers equipped with Wi-Fi that alert consumers on their television or smartphone when a load is done, and gives them the option of fluffing towels for another 10 minutes or adding a rinse cycle. LG’s robotic smart vacuum can be told, again, through a smartphone, to clean up the living room. And since it’s equipped with a built-in camera, its owner can secretly watch what the nanny is doing, too.

Tenured Professor Departs Stanford U., Hoping to Teach 500,000 Students at Online Start-Up [The Chronicle of Higher Education] – Last week we explored the innovative physical learning environment at the Swedish Vittra school. This week we learn that the future of educational institutions may involve abandoning the halls of the academy entirely in favor of virtual pedagogy and entrepreneurial ventures. Is the university destined for obsolescence? Freelance online classes challenge the value proposition (and often prohibitive cost) of a university degree by offering affordable alternatives that connect teachers who are motivated to share knowledge with students who are eager to learn and apply it, regardless of location. This reminds me of a recent Kickstarter project I funded called Don’t Go Back to School: A handbook for learning anything. For $25 I am getting a whole course and textbook on independent learning. Bargain! /TC

During his talk, Mr. Thrun explored the origins of his popular online course at Stanford, which initially featured videos produced with nothing more than “a camera, a pen and a napkin.” Despite the low production quality, many of the 200 Stanford students taking the course in the classroom flocked to the videos because they could absorb the lectures at their own pace. Eventually, the 200 students taking the course in person dwindled to a group of 30. Meanwhile, the course’s popularity exploded online, drawing students from around the world. The experience taught the professor that he could craft a course with the interactive tools of the Web that recreated the intimacy of one-on-one tutoring, he said.

Interactive film, Bear 71, blurs lines between wild and wired [Montreal Gazette] – News articles on this work, currently showing at Sundance, have difficulty classifying it. Is it a film? A documentary? An interactive experience? Multi-media project? All-encompassing digital experience? An interactive film? Akin to Steve’s comments on smart-appliances above, the interactive multi-media experience has also been around for awhile – remember ye olde CD-ROM? This project, however, is doing more than just using technology to give viewers some ownership and direction in the story-telling. The film-makers seem very tuned in to the philosophical implications of inserting all this technology into a very natural environment, and conscious of the irony of their ambition to use technology to bring us closer to our animal state, despite their claims that technology is the very thing drawing us away from that state. Bear 71 official site. /JN

Enter Jeremy Mendes, a Vancouver-based artist and three-time Webby Award winner with a special talent for interactive work. “I drove out to Alberta and met Leanne [Allison], and when I saw these images, I knew right away that it was bizarre: It was surveillance equipment, essentially. These are the same cameras we use on ourselves. They’re the same cameras in Times Square and 7-11,” says Mendes. “I thought, ‘This is a technology story about us and this bear.'” “We prepared an outline and did all the research, and realized this was a story about communication. It’s about the communication humans use, and the communication animals use,” says Mendes… Call it the natural bulletin board, or deciduous Internet, but the scents tell each animal’s story to other animals – very much the same way we use Facebook of Twitter to keep tabs on other humans. “Humans probably had the same ability to understand that information before technology removed us from the natural world,” says Allison…It’s such a different approach to filmmaking and art, that it may take a while for the average Joe or Jane to take it all in, but that’s kind of the point: We’re only half-awake to our animal nature, and all our ambient technology only serves to shove us deeper and deeper into a state of instinct denial.

Molly Wright Steenson: Shifting time

This interview has been edited, condensed, etc.

Molly Wright Steenson is an architectural historian, designer, researcher and strategist. She is a Ph.D. candidate at Princeton University’s School of Architecture, where her dissertation, “Artificial Intelligence, Architectural Intelligence: Nicholas Negroponte ad the Architecture Machine Group” looks at the intersection of technology and architecture in the 60s and 70s, and how AI and architecture created groundwork for contemporary human-computer interaction. Molly began working with the Web in 1994 at a wide variety of Fortune 500 and smaller, creative companies. As a design researcher, she examines the effect of personal and mobile technology on people’s lives, with recent projects in the US, India and China. She was a resident professor at the Interaction Design Institute Ivrea in Italy and holds a M.A. in Architecture from Princeton, a Master’s in Environmental Design from the Yale School of Architecture and a B.A. in German from the University of Wisconsin-Madison. Molly’s lived online at Girlwonder.com since the mid-90s. She travels too much and she probably knows someone you know.

the Omni Project: How do you define technology?

Molly Wright Steenson: Technology is a device, the connective tissue, the functional implement. I’m especially interested in how technology drives our communication, whether we’re talking about the Pony Express, the pneumatic post, or the Internet.

tOP: What insight can we gain from the way we conceive of and discuss technology?

MWS: One of the hangovers of Web 2.0 and the there’s-an-app-for-that mentality is that success in technology values the market and shipping a project, not a critical viewpoint or different design questions that can lead to breakthroughs we haven’t had before.

One reason I love teaching in schools of design is the speculative nature of student design work: it does not need to make it to market to be successful; it does not need to answer to a bottom line or an uncreative client. What it needs to do is address the question of the application of art, the incorporation of a stance or point of view, and the execution on a variety of levels, whether drawn, rendered, built as a model, told as a story, presented as a fly through, or enacted as a performance. In order to develop novel ideas for the mainstream or commercial world, it’s important to spend time on speculation and surprise.

I approach technology from a historical perspective to look at the foundations of why we turn to different technologies to help us communicate, to consider the kinds of problems we had in the past and the interfaces we developed to help us deal with it. For instance, telegraphy boomed in the 1870s because it was inexpensive and theoretically instantaneous, but it was difficult to get a telegram across a crowded city like Paris quickly, due to traffic and the labor required to transmit and transpose the messages. So it made more sense to build a network of cast iron pneumatic tubes between post offices, to bypass street-level traffic. Every major financial center had this problem; financial centers drive communication needs and thus the technologies that support communication. Paris developed the largest pneumatic post network in the world with 450 km of pneumatic tubes, and at one point processing 12 million pieces of pneumatic post.

Pneumatic tubes. Doesn’t that seem elaborate? A technological wonder? Magical? Steampunk? Yet at the time, given relationships between civil engineers and the government and communications, it made sense to build something this elaborate. What could we learn from this decision today? What does it teach us about our questions of interface, of network, of capital, of finance?

tOP: As a historian, do you privilege the past over the future? What is the benefit of looking backwards when looking forwards?

MWS: Becoming a historian provided another perspective: it shifted time for me. I like looking at things flatly: newer does not necessarily mean more advanced. My perspective considers equally the contemporary impact of mobile phones on urban India or social network technologies in China, or Web 0.0 and 1.0, or the projects Nicholas Negroponte led as a part of his Architecture Machine Group at MIT in the 1960s and 70s, or the pneumatic post in the 1880s. All of these contexts-and many more I have yet to discover-represent possible futures that haven’t happened yet, or might happen in a different way. They’re all fruitful and ripe contexts for investigation.

So what about near-past casting, instead of future-casting? I’m struck by what Haruki Murakami said about his new novel, 1Q84 in a New York Times interview

“Most near-future fictions are boring. It’s always dark and always raining, and people are so unhappy. I like what Cormac McCarthy wrote, The Road – it’s very well written…But still it’s boring. It’s dark, and the people are eating people…George Orwell’s 1984 is near-future fiction, but [1Q84] is near-past fiction. We are looking at the same year from the opposite side. If it’s near past, it’s not boring.”

Thinking slightly back in time spurs different thinking.

tOP: When you look at your life, what impact is technology having?

MWS: Molly Steenson has come unstuck in time, to borrow liberally from Kurt Vonnegut. I’ve lived my life online in some manner or another since 1992, on the Web since 1994, and as girlwonder.com since 1997. I maintain a huge network of people and things, and for better or for worse, the technologies that illuminate our social network makes these things all the more possible. In some ways, I feel a lot more like people a generation younger than me who grew up with the Web and mobile technology: it’s very much a part of who I am. It’s sometimes bewildering to people my age or older outside of high tech culture.

tOP: A network of things?

MWS: I’m interested in how things mediate connections between people-the relations they bring to bear. Some parts of actor-network theory (ANT) influence on how I think about people and interactions with places and things. ANT doesn’t necessarily privilege people (or users) at the center of an interaction, but rather actants: human or non-human elements that stand in relation to each other. The relations become particularly important. So when I look at the world that we interact with, I see people and infrastructures and interfaces. I see people as interfaces for ideas, and interfaces as ways to get what lies beneath and makes ties us together.

When I wrote about the Poste Pneumatique (published in short form in Cabinet, a clip available here) and about the Paris Central Post office, I went back and looked at all of the interfaces I could determine: brass cranks, cast iron tubes, steam engines, water for the steam, cast iron and glass desks for mail sorting, elevators for moving the post, chutes for sending it to the basement. I also looked at the relations that these enabled between people and financial systems, between the movement of capital and the development of communication networks.

But these same kinds of interactions are why I was fascinated by the phone book as a kid, of how to call a foreign country (though I didn’t have anybody to call and I didn’t go overseas till I was 17), why I still stop and look mail sorting facilities and switches and wires. Somehow, they seem to represent us and the relations we build between ourselves. I guess you could say I’m an infrastructure nerd, or a media and communication nerd.

tOP: You have a strong connection between what you are learning and how you are living. How do they drive each other?

MWS: One of the reasons that I went back to school was the experience I had living in Ivrea, Italy, when I was a professor at the Interaction Design Institute Ivrea. Ivrea was the headquarters of Olivetti, and although it’s been there since Roman times, it’s best known for its role as a modernist social-corporate utopia. We lived in Talponia (mole city) – a huge 1972 semicircular residence built into the side of a hill, with a meadow in the middle. It was parts Logan Run, parts northern Italian idyllic, and it changed me. For that matter, it changed all of us who lived there. I came back to the US, fairly undone from the whole experience of living and working there, inspired by the architects and industrial designers I worked with, and needed to change my focus. That’s how I ended up studying architectural history: I wanted more depth than my previous career in user experience afforded.

Asking “What can I do to spend a month (or two, or three) where you are?” leads to wonderful things. I just came back from a month in Ume?•, Sweden, where I was a resident at the HUMLab (the digital humanities lab at the university), where I turned 40. Two years ago, I spent the summer in Montreal at the Canadian Centre for Architecture There’s been Berlin, Bangalore and Copenhagen while I’ve been in grad school. In all of these cases, the travel isn’t random: it’s connecting with people and projects and places that I know, and as a student, I’m lucky to have the flexibility I do.

tOP: If society is changing through technology, what is gained, and what is lost?

MWS: Look at this quote: “…the transmission of intelligence, in the most literal sense of the term, annihilates both space and time.” [1] It’s the case today, certainly, but the quote is from 1850, from Dionysius Lardner, and the technology in question in that quote: the electric telegraph. “Nothing facilitates and develops commercial relations so effectually as cheap and rapid means of intercommunication,” he writes.

It seems to me that we’re grappling with the same question today that Lardner asked, whether at the speed of rail travel, as he addressed it, or at the speed of nanoseconds and the scale of planetary orbit. What are we gaining or losing? Maybe that’s the wrong question.

Okay, one thing. I have this thought that we’ve lost our senses of proxemics and proprieception, thanks to our reliance on the mobile phone screen we always looked down at before we make our next move, and it’s changed people’s walking and peripheral vision, even when they don’t have their devices in front of them or in their hand. I think we’ll learn how to reintegrate and multitask both with people in front of us on the street and as we drift in the third space of mediated communication, but it’ll take some time. It makes it really annoying to get anywhere quickly, even in a place like New York or a busy international airport (especially at the top of an escalator, but I digress).

tOP: What else do you want to tell us?

MWS: I’d like to pick up the things I’ve loved but that somehow fell away over the years: playing classical guitar and flute, acting, writing poetry. I’d like to do more of the things that I enjoy but am not awesome at, like running, or drawing and watercolors. My life’s about to focus a lot as I finish my dissertation and find (a likely academic job). And I want a dog.

[1] Dionysius Lardner, Railway Economy; a Treatise on the New Art of Transport, Its Management, Prospects and Relations (London,: Taylor, Walton and Maberly, 1850), 18.

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