Locker Decorations Growing in Popularity in Middle Schools [NYTimes.com] – Yet another extremely specific product development area opening up. So many that emphasize the customizing (aesthetically, functionally) of environments (or products that represent environments): digital devices, closets, cars, lockers.

At middle schools across the country, metal lockers that were long considered decorated if they had photos of friends or the teen heartthrob of the moment – Shaun Cassidy years ago, Justin Bieber today – have suddenly become the latest frontier in nesting. Peek inside, and find lockers outfitted with miniature furry carpets, motion-sensor-equipped lamps that glow when the door opens, mirrors, decorative flowers, and magnetic wallpaper in floral and leopard-print patterns. It is hard to say whether retailers have merely capitalized on or actually created demand among girls for the accessories.

Related Photo Projects [The Adaption to My Generation] – A photographer who takes a picture of himself every day documents many of the other projects online where people are doing something similar.

Other ‘Passage of Time’ Portrait Projects (Roman Opalka, after every day of painting numbers in his studio, photographs his face. If only we could see documentation of the entire sequence) and Other Obsessive Photo Projects (Adam Seifer documents everything (not really) he eats.

A History of Pizza Hut’s New Product Releases, 2002-2042 [McSweeney’s] – Satirical design fiction, echoing both Idiocracy and Wired’s Postcards from the Future.

2002: Meat Lover’s Pizza
2007: Crust Craver’s Pizza
2012: Fat Person’s Pizza
2017: Overweight Woman’s Pizza
2022: Obese Child’s Pizza
2027: Fat Man’s Surprise
2032: Depressed Couple’s Sad Pizza
2037: Disgusting Pizza, for a Fat Person
2042: Just the Thing for a Sad Fat Guy

Parallels to interviewing users crop up all over the place. Just like us, portrait photographers ask their subjects trust them, as they go on a journey that might be uncomfortable at times. I don’t want to overwork the comparison, of course. You’ll see more differences than similarities in this video, but what struck me was the core notion that your own sincere enthusiasm will serve to build that trust.

(via PetaPixel)

Park guests instantly share photos on Facebook [Springwise]. – This direct-to-Facebook publishing service does well by first addressing a real need: the difficulty waterpark visitors have toting electronics around the sodden environs. It also points to how key Facebook has become as a repository for photos. Might as well just eliminate a bunch of steps and put the images of you and your soaked friends right where they’re gonna end up anyway! Back in the olden days they might have provided kiosks to print the photos out upon exit, or even sent them to guests’ emails. This blurb doesn’t address it, but having fallen victim to the RFID-driven pricing schemes of waterparks myself, I would bet they are charging handsomely for this service. If so, through adding value, Great Wolf has figured out how to make guests pay for to provide the park with an authentic social-advertising engine.

At the Great Wolf Lodge chain of waterpark resorts, visitors can use RFID-enabled wristbands to transmit photos to Facebook over the course of their stay. Guests at Great Wolf Lodge resorts already use RFID wristbands as room keys and in-house charge accounts. Now, beginning at the chain’s property in Grand Mound, Washington, its new Great Wolf Connect service allows guests to register their wristbands at a dedicated kiosk and link them directly to their Facebook account as well. Then, when they stop to pose for a photo at any of the park’s five camera-equipped “Paw Posts,” guests simply scan their wristband and their photo can be automatically posted to their Facebook wall.

I’ve posted a bunch of pictures Flickr from our recent trip to Florence and Lucca, to speak at Frontiers of Interaction. Here’s some of my faves:

Also, see slides from my workshop Successful Collaboration – Keep Your Clients Happy.

• [from steve_portigal] Shit Painted Gold – [Post-modern detachedly-ironic consumerism makes the brain work hard. We'll tell you these products are crap and that we've not added any value by changing the color, but we have transformed them nonetheless. So, we hope you'll be happy to pay a bit extra for them. Now, please exit through the gift shop.] Nothing looks fancier in your home, office or garbage than shit painted gold. these amazing one of a kind art pieces will legitimize your ability to say to people, "why yes, that shit IS gold" [Thanks, Jeannie Choe!]
• [from julienorvaisas] What comes after One Day for Design? [AIGA] – [Along with many others, we participated and commented on the 1D4D experience. AIGA hints that they are analyzing conversations and data gathered that day to guide their very reinvention. Stay tuned…] On April 13, we reached out through the existing networks of several prolific tweeters who led exchanges on the future of design, the concerns of today’s designers and the opportunities for design communities…Together with our partners in this project, the independent branding collective VSA Partners, we are now synthesizing the comments and discussions generated through this event. We will share the results here as we summarize them and develop ways for AIGA to respond. In June, our national board and chapter leaders will review all of this research from the past year—including the results from “One Day”—and work with us to outline the next steps. This is the year that AIGA will pivot toward new forms of serving the profession and its members.
• [from steve_portigal] Pink Tools for Women: Learn today, Teach tomorrow, Build forever. – [Had this one sitting around forever. Love the message of empowerment; I'm willing to buy the pink-as-brand and NOT pink-as-shallow-way-of-feminizing-design but what else are they doing (besides Tupperware business model) to make these products specifically for women?] Founded by three women deeply entrenched in do-it-yourself projects, Tomboy Tools was launched in 2000 as the dream-turned-reality of being able to provide women with hands-on education, high quality tools and a fun way to make a living from home. Our Mission Statement: To build confidence and empower women through education, quality tools and an independent business opportunity. Today, while our mission statement rings as true as ever, our slogan is shorter and more concise. Our slogan underscores the power of Tomboy Tools in the marketplace and the value we provide both to female customers seeking hands-on education with high quality tools and Home Consultants looking for a great career.
• [from steve_portigal] Conversations With Bert: Andy Samberg [YouTube] – [As a fellow introvert, I recognize Bert's slight shift into a more deliberate and mannered "interview mode." While he's not quite Terry Gross (and has a way to go to do the type of interviewing that we do), this short clip is a good source for a number of interviewing techniques, mixing equally between "what to do" and "what not to do." I'll have to use this in my next workshop and ask people to make note of the ways that Bert is successful or unsuccessful as he asks open-ended questions, reveals his own perspectives, redirects the conversation, feeds back, acknowledges what Andy says, and asks follow-ups.] Sesame Street's Bert sits down with comedian and Saturday Night Live cast member, Andy Samberg, to talk about life, literature, cuisine and of course, socks.
• [from julienorvaisas] Memories destroyed in a flash [The Independent] – [Nice discussion of pros and cons, and implications of the broad transition to digital photos. This cultural shift will have huge implications generationally.] Spend a few minutes watching a Facebook feed and you quickly see it is not just our viewing experience that has changed. The way we store and display our pictures has radically altered the nature and type of photograph we take. A high proportion of photos on social networking sites tend to be posed self-portraits, the telltale arm holding the camera often hoving into view at the side. The breadth and scope of the pictures we display has decreased. We've moved away from Sontag's idea of photos as being accessories to our memories, towards photos as a brag – a way of telling the world what fun we're having, and how good we look having it. "You can guess it's taken for the benefit of an audience: It's not necessarily better or worse – just different. It was never so much the case with your personal album."

• [from steve_portigal] The WhatWasThere Project – [It's exciting to see these sort of audacious projects start to emerge and to actually believe that they are possible. There's already a wealth of similar data on Flickr and presumably on Facebook as well; is there a way to tap into the existing data ethically?] The WhatWasThere project was inspired by the realization that we could leverage technology and the connections it facilitates to provide a new human experience of time and space – a virtual time machine of sorts that allows users to navigate familiar streets as they appeared in the past. The premise is simple: provide a platform where anyone can easily upload a photograph with two straightforward tags to provide context: Location and Year. If enough people upload enough photographs in enough places, together we will weave together a photographic history of the world (or at least any place covered by Google Maps). So wherever you are in the world, take a moment to upload a photograph and contribute to history!

• [from steve_portigal] Side View Mirror Project – [Love Erik Dahl's deep dive on the ordinary to find ot the extraordinary, as he has spent years taking pictures of side view mirrors. He discovers some great themes and patterns although he acknowledges he didn't know where it was going to go when he started.] Taking these pictures changed the way I drive. I used to be very end-state oriented when I would drive. When I started taking pictures for this project I stopped thinking about where I was going, and started watching mirrors and looking for red lights. As designers, its important to remember that the goal and orientation of the user dramatically impacts their experiences.
• [from steve_portigal] Two years after buying Pure Digital, Cisco ditches the Flip [Ars Technica] – [I always thought this was about driving a consumer-facing innovation culture into the org. Let's hope that this persists even without the specific line of products.] Cisco is killing off the line of pocketable video cameras in order to refocus the company around home networking and video. The news was a surprise to even Flip critics, leaving everyone wondering why Cisco bothered to buy Pure Digital (the Flip's former parent company) for $590 million just 2 years ago. The marriage never fully made sense, but we accepted it­most assumed that Cisco was making its own attempt to compete in the handheld market by simply gobbling up one of the hottest little gadget startups at the time. Two years later, Cisco's feelings about the acquisition have changed. Cisco announced that it's expanding the Consumer Business Group, but that the Flip business will no longer be part of it. There was no formal explanation given as to why Cisco chose to shut the group down instead of selling it.

• [from steve_portigal] Geoffrey Crawley, 83, Dies; Gently Deflated a Fairy Hoax [NYTimes.com] – [The lasting power of popular mythologies, especially when tied to a new technology. It reads quaint now, but do we have any current analogs?] Were there really fairies at the bottom of the garden, or was it merely a childhood prank gone strangely and lastingly awry? That, for six decades, was the central question behind the Cottingley fairies mystery, the story of two English schoolgirls who claimed to have taken five pictures of fairy folk in the 1910s and afterward. Set awhirl by the international news media, the girls’ account won the support of many powerful people, including one of the most famous literary men in Britain. From the start, there were doubters. But there was no conclusive proof of deception until the 1980s, when a series of articles by the English photographic scientist Geoffrey Crawley helped reveal the story for what it was: one of the most enduring, if inadvertent, photographic hoaxes of the 20th century.

• [from steve_portigal] ThatsMyFace.com – [Technology continues to trickle down, where image processing and digital printing previously associated with movie special effects and commercial printing now enable little businesses to crop up, offering fairly unique types of products] Gifts with personalized faces, including custom action figures, celebrity action figures, 3D portraits, masks, jewelry, papercraft, and ornamental heads.
• [from steve_portigal] How to Have an Idea [Frank Chimero] – [A little comic that amuses as it inspires and teaches, suggesting that creativity is tied to doing, not just thinking or (gulp) talking. Manifests so adroitly while we believe user research really comes alive when you use it to start generating concepts for things to make and do] No one crumples a blank sheet of paper.
• [from steve_portigal] The Medium – E-Readers Collective [NYTimes.com] – [A Kindle feature takes advantage of the inherently digital nature of the medium, but has consequences for the experience] But many writers don’t write aphoristically, and many readers don’t read for aphorisms. In a popularly highlighted world, we all may begin to. The dotted line, like the distinctive hue or underscore that signals a word is clickable on the Web, may be a new kind of punctuation that affects contemporary style. (Amazon's most heavily highlighted books include Gladwell’s “Outliers” and Randy Pausch’s “Last Lecture”) Readers coming to e-books freshly purchased from Amazon might be taken aback to find them already marked up. Stumbling on a passage that other people care about, framed as though you should care about it too, can seem like a violation of virgin text. It’s bad enough that vandals have gotten to your “new” edition before you have and added emphases unendorsed by author or publisher. What’s worse is that they invariably choose the most Polonius-like passages.

• [from steve_portigal] At The Movies, A String Of Futures Passed [All Things Considered – NPR] – No matter how accurate they may be, all fictional futures — especially alarmist ones — lose urgency as the concerns that fueled them fade. The Cold War paranoia of 1984 and 2001 now feel distant, even if the tech-boom fears in Blade Runner may be a bit more current. This decade, we're uptight about the environment and our increasing decrepitude, so we get Wall-E. In the flower-power era, we were skeptical about social conformity, so we got A Clockwork Orange.
• [from steve_portigal] Fusion: The Synergy of Images and Words [Steve McCurry’s Blog[ – [Photjournalist assembles series of images of people reading, across the planet]
• [from steve_portigal] Coca Cola Village Like Facebook [The Inspiration Room] – [The ability to "post things" to Facebook or similar from far away (online or offline) is provocative but perhaps limiting, when the feedback loop – I post and I see what I post appear- is broken as badly as here] Coca Cola Village in Israel is a summer holiday resort designed for teenagers finishing their school years. For its third year experiential marketing agency Promarket provided residents with RFID bracelets (Radio Frequency Identification) to help them share their experiences on Facebook. Teens were able to put a digital ‘like’ on their choice of forty facilities in the camp, from the pool, the spa, to the extreme activities and sport section. If photographed by one of the official photographers, the RFID technology would automatically tag everyone in the photo and upload it to the relevant Facebook profiles…Real world Liking resulted in up to 35,000 posts per cycle…On average each visitor was posting 54 pieces of Coke branded content to their Facebook profile.