Out and About: Steve in Barcelona (1 of 2)
I’m just back from a week in Barcelona for WebVisions, where I led a workshop on fieldwork, synthesis, and ideation, and gave a short talk about championing contextual research within your organization. I’ll be covering similar material coming up in a couple of months at WebVisions Chicago. Meanwhile, I had a bit of time to explore, and found Barcelona to be a beautiful and well-designed city. Here are some sample images, with more to follow in the next day or so (and the complete set on Flickr).

Bounty at La Boqueria market.

Pedestrian safety warning placed in context, as you step from the sidewalk into the street.

Obama British Africa Gin and Rum. Odd description here.






Stickers on the corrugated metal doors pulled down when a business is closed advertise what I assumed was a taxi services but in fact is for locksmiths. Why are locksmith services advertised with such verve?

Gaudi’s La Sagrada Fam??lia, under construction since 1882. Astonishing, even from the outside.

Known in the US as Ice Age: Continental Drift.

Marketing for something via Facebook.

A very modern cinema structure, down by the water, where all the buildings are new and ultra modern. While the whole place is a delicious mix of old and new, classic and modern, this area went just a bit too far into Mall. While this building is gorgeous, its siting and overall vibe is dehumanizing.
Take this sign, a great forced connection between Italian and Southern hospitality. In my opinion this is considerably more successful than the Collard Kimchi dish I ate the night before. Curiosity got the best of me, I had to try it. And I was pretty sorry that I did.
What happens when you cross a cotton mill with a condo? No, that’s not a joke. It’s actually an amazing example of urban revitalization with a factory that had ceased serving its purpose. My hats off to the developers – they maintained architectural authenticity leaving many elements intact (as seen in the background of this image), and honored the rich history of this place through its rebirth as a hip place for urban dwelling denizens.
I came across this little poem in the window of a coffeeshop. All of the windows had clever sayings printed in them. Rhymes are fun examples of forced connections. I also like the play here between transparency (i.e. looking through a window) and translation (i.e. looking at words for meaning).
The sign here reads: Sister Louisa’s CHURCH Of The Living Room & Ping Pong Emporium, Come On In Precious!! Below the arrow on the left it states (it’s a bar). So, yes, it’s a forced connection between bar and church with some ping pong and living room thrown in for good measure. Other signs on the building simply read CHURCH and (it’s a bar). It’s funny to see that, clever as the name is, it still requires qualification that this establishment is, in fact, a bar.