Posts tagged “art”

The album will certainly sell out and the band already has

Back in October, I blogged about the We Buy White Albums project (where artist Rutherford Chang opened a retail outlet that stocked only the Beatles’ White Album)

He’s taken a precious object that is also a ubiquitous commodity and created a very traditional experience that highlights both aspects. As archaic as the original object is, it has managed to hold onto a good chunk of it’s (non-monetary) value over the decades. It’s a somewhat retro-futurist idea, that we have retail set up to deal with one item and one item only, decades later.

The combination of art/music/commerce/context/ubiquity gets a totally different spin (oh yes I did) with the Wu-Tang Clan’s plan to sell just one copy of their new album.

The Wu-Tang Clan has decided to release an album specifically to be a rarity. Only one copy of “The Wu – Once Upon a Time in Shaolin” – a 31-track double album that the band has worked on quietly for the last six years – will be pressed. It will be “available for purchase and ownership by one individual only.” The plan is for the album to first make a tour of festivals, museums and galleries and tickets would probably sell for $30 to $50.

Cut the bowling scene if you want to make it big

In the 90s, conceptual artists Komar and Melamid used focus groups and opinion-polls (then-current tools used in politics) to identify the best attributes of a painting, then created works that matched those criteria.
perfect

So why not apply something similar to film? The New York Times tells us all about it (although this is more about correlating with sales data than opinion data, it pursues the same conclusion – without irony here – that a combination of the right elements assembled together will create a successful whole).

A chain-smoking former statistics professor named Vinny Bruzzese has started to aggressively pitch a service he calls script evaluation. For as much as $20,000 per script, Mr. Bruzzese and a team of analysts compare the story structure and genre of a draft script with those of released movies, looking for clues to box-office success. His company, Worldwide Motion Picture Group, also digs into an extensive database of focus group results for similar films and surveys 1,500 potential moviegoers.

“Demons in horror movies can target people or be summoned,” Mr. Bruzzese said in a gravelly voice, by way of example. “If it’s a targeting demon, you are likely to have much higher opening-weekend sales than if it’s summoned. So get rid of that Ouija Board scene.”

Bowling scenes tend to pop up in films that fizzle, Mr. Bruzzese, 39, continued. Therefore it is statistically unwise to include one in your script. “A cursed superhero never sells as well as a guardian superhero,” one like Superman who acts as a protector, he added.

Out and About: Steve in LA

Recently I was in LA to speak at IxDA Los Angeles/LA UX Meetup (see more here). Here’s some of the photos from my time in Southern California.

IMG_1642
The Wall Project is made from the largest section of the Berlin Wall outside of Germany, with original and added imagery.

IMG_1645
In a dystopian-LA moment, I filled my rental car with gas only to find the pump had some ridiculous software error and wouldn’t generate a receipt, giving me a message to see the cashier. There was no cashier as the “store” part of the station was gutted and loosely under construction. The unhelpful signage gave a non-working phone number – no matter what variation of the scrawl I tried. And what good would it do to call for a receipt? I was on my way to the car rental place and I needed a receipt in my hand.

IMG_1648

The holes where monitors used to be.

IMG_1649

IMG_1637
Excitement over a mail chute denied; it definitely does not work.

IMG_1638
IMG_1639
IMG_1640
Exterior, Beverly Hills.

Out and About: Steve in Brisbane

I got back last week from two weeks in Australia, traveling around as well as speaking at UX Australia in Brisbane and Service Design Melbourne. Here is the third of four posts with some of the highlights (see 1 and 2 previously). All my pictures are making their way to Flickr, as well.


Hmm. Update: Golden Casket is a lottery company, not the store itself. And “casket” more typically refers to something like a treasure chest than a coffin. The language discontinuities wonderfully surprising!


Brilliant idea to highlight a positive so specifically.


Burger King, in some parts of Australia, is Hungry Jack’s.



While the text and icon evoke the fleeing-immigrants signs seen in Southern California and Arizona, this supposedly refers to a traffic island in the middle of the street where pedestrians can wait if they are caught in the road when the light changes. However, this location had no such island.


Dolphin attendance. What can we infer about the dolphins with the dashes in place of checks? Or the dolphins with a line through the week?


Jelly.


Peanut butter.


From the Gallery of Modern Art (or, if you prefer, GOMA), biomorphic scooters.


“I never stopped loving you” reminded me of the iconic “I love you so much” graffiti-cum-icon in Austin. One is in an art museum, and the other is on the side of a building.


The piece is called Distillery: Waveforming. It uses biofeedback, as you clip a pulse oximeter to your earlobe and the iPad display starts to play mellow music and visually echo your heartbeat. It was like a digitally-induced high. I hope we all get one soon.

Out and About: Steve in Sydney (2 of 2)

I got back last week from two weeks in Australia, traveling around as well as speaking at UX Australia and Service Design Melbourne. Here is the second of four posts with some of the highlights. Part 1 is here.

All my pictures are making their way to Flickr

online pharmacy purchase flagyl no prescription with best prices today in the USA

, as well.


Nice combination of cultural iconography.


I liked seeing the range of medical services laid out like this. Not very confidence inspiring, however.


Manners poster.


Asian preferred.


A really awful brand name and sign. What does crocodile have to do with thai? And what is added by making him or it senior? It’s a puzzle.


Father’s Day is September 2.


Milk for the workplace. At last.


buy lariam online lariam online no prescription

360Àö Self-Portrait at the Museum of Contemporary Art. Although there are no visual cues, the artist is in some contraption that moves her around, through a complete circle. As she moves, gravity deforms her face slightly while she essentially remains expressionless. The net effect is compelling and disorienting.



The 18th Biennale of Sydney was chock full of astonishing spectacle. Really wonderful. And I only heard about it because I checked in (via Foursquare) at the museum and a kindly person on Twitter suggested I head over to the island and see it.


A crushed car was on display and yet needed to be marked before and after with warning signs so that traffic going by would not be alarmed. Are the signs part of the work or something that is imposed on the artist in order to allow their work to proceed? And what does it mean to have a sign announcing “End Artwork” anyway? Is that an observation or an imperative?

Omni Quickies

Not Quite Smart Enough [NYT] – Smart appliances are back, yet again! Engineers are crammed atop happily dumb products because, well, because they can. The classic of course is the Smart Fridge, the result of jetpack-denied technologists channeling their rage. We’ve heard the use cases over and over again, we aren’t that interested (are we?) but comically, that doesn’t seem to stop them. From past work, I believe there some wonderful opportunities for technology to have a meaningful impact in domestic chores, but this repetition of an undesirable product just isn’t it. Bonus funny/sad: Mike Kuniavsky’s 2008 blog post looks at the history of these ridiculous things. /SP

Still, there are differences in what is offered this time around – especially in the role of smartphones, which were not widely on the market a decade ago. In addition, even if the idea of a connected home, controlled by a smart electrical grid, is years off, it is more than just a pipe dream. For now, though, manufacturers are promoting the high-tech gizmos on their smart appliances, rather than focusing on the potential for being a cog in a smart grid. Samsung offers a French-door refrigerator with an LCD screen and its own apps, allowing consumers to check the weather, browse the Web for recipes, listen to music and keep tabs on what is in the refrigerator. The 28-cubic feet, four-door refrigerator costs about $3,500. LG is introducing a refrigerator that allows consumers to scan a grocery receipt with their smartphone so that the refrigerator can track what is inside. So if you buy some chicken, for instance, the refrigerator will keep tabs on when you bought it and tell you when it is about to expire. If you have chicken, broccoli and lemons in your refrigerator, it will offer recipes that include those three ingredients, even narrowing recipes based on specific dietary needs and goals. Several manufacturers are introducing washers and dryers equipped with Wi-Fi that alert consumers on their television or smartphone when a load is done, and gives them the option of fluffing towels for another 10 minutes or adding a rinse cycle. LG’s robotic smart vacuum can be told, again, through a smartphone, to clean up the living room. And since it’s equipped with a built-in camera, its owner can secretly watch what the nanny is doing, too.

Tenured Professor Departs Stanford U., Hoping to Teach 500,000 Students at Online Start-Up [The Chronicle of Higher Education] – Last week we explored the innovative physical learning environment at the Swedish Vittra school. This week we learn that the future of educational institutions may involve abandoning the halls of the academy entirely in favor of virtual pedagogy and entrepreneurial ventures. Is the university destined for obsolescence? Freelance online classes challenge the value proposition (and often prohibitive cost) of a university degree by offering affordable alternatives that connect teachers who are motivated to share knowledge with students who are eager to learn and apply it, regardless of location. This reminds me of a recent Kickstarter project I funded called Don’t Go Back to School: A handbook for learning anything. For $25 I am getting a whole course and textbook on independent learning. Bargain! /TC

During his talk, Mr. Thrun explored the origins of his popular online course at Stanford, which initially featured videos produced with nothing more than “a camera, a pen and a napkin.” Despite the low production quality, many of the 200 Stanford students taking the course in the classroom flocked to the videos because they could absorb the lectures at their own pace. Eventually, the 200 students taking the course in person dwindled to a group of 30. Meanwhile, the course’s popularity exploded online, drawing students from around the world. The experience taught the professor that he could craft a course with the interactive tools of the Web that recreated the intimacy of one-on-one tutoring, he said.

Interactive film, Bear 71, blurs lines between wild and wired [Montreal Gazette] – News articles on this work, currently showing at Sundance, have difficulty classifying it. Is it a film? A documentary? An interactive experience? Multi-media project? All-encompassing digital experience? An interactive film? Akin to Steve’s comments on smart-appliances above, the interactive multi-media experience has also been around for awhile – remember ye olde CD-ROM? This project, however, is doing more than just using technology to give viewers some ownership and direction in the story-telling. The film-makers seem very tuned in to the philosophical implications of inserting all this technology into a very natural environment, and conscious of the irony of their ambition to use technology to bring us closer to our animal state, despite their claims that technology is the very thing drawing us away from that state. Bear 71 official site. /JN

Enter Jeremy Mendes, a Vancouver-based artist and three-time Webby Award winner with a special talent for interactive work. “I drove out to Alberta and met Leanne [Allison], and when I saw these images, I knew right away that it was bizarre: It was surveillance equipment, essentially. These are the same cameras we use on ourselves. They’re the same cameras in Times Square and 7-11,” says Mendes. “I thought, ‘This is a technology story about us and this bear.'” “We prepared an outline and did all the research, and realized this was a story about communication. It’s about the communication humans use, and the communication animals use,” says Mendes… Call it the natural bulletin board, or deciduous Internet, but the scents tell each animal’s story to other animals – very much the same way we use Facebook of Twitter to keep tabs on other humans. “Humans probably had the same ability to understand that information before technology removed us from the natural world,” says Allison…It’s such a different approach to filmmaking and art, that it may take a while for the average Joe or Jane to take it all in, but that’s kind of the point: We’re only half-awake to our animal nature, and all our ambient technology only serves to shove us deeper and deeper into a state of instinct denial.

Talking to Strangers: Eugenio and Grace

Where I see boundaries, you see opportunities. – Steve, to me

On Monday Steve and I stumbled into a conversation that surfaced this difference between us in how we think about communicating with people. I’ve been reflecting on it all week and considering how it affects my interviewing practice. Mostly I have been paying more attention to how I am thinking during conversations and what kinds of opportunities I am seeing and looking for. Hot on the heels of Steve’s post with tips to improve interviewing skills, I hoped to surface a new point or two.

Yesterday morning I was walking a trail along the ocean. I heard a woman remark to the man next to her, “Well that was very creative of you!” I tried to keep walking, honestly I did. But I love creativity almost as much as I love talking to strangers so I had to backtrack- two loves in one conversation was irresistible! “Excuse me. Hi, I’m so sorry to interrupt you, but I overheard you say something about him being creative and I’m so curious! What creative thing was he doing?” So began my 20-minute interlude with Grace and her husband Eugenio (as Grace explained, “It’s pronounced ay-you-HEN-ee-oh”).

He is an artist, a painter. “I prefer mostly abstract and figurative painting. But you have to find your own voice-You can’t do too much school. I did some school when I was younger, in Mexico City. But if you are in school too long you become a mannerist. It just gets harder to find your own voice and be honest with it.” He told me about Joseph Beuys and Hockney (who Eugenio insists is overrated). We shared our mutual love of making art in and with nature. “You haven’t seen The Crack by Goldsworthy yet? Oh, you have to take your son to see it.”

Grace is the mother of a 43 year-old and retired from some job that required her to sit in front of a computer all day. “I already spent a lot of my life in front of a screen. I don’t want to do that anymore.” They don’t have email addresses and don’t bother with the Internet. They do walk by the ocean everyday, each one carrying a soft ball to squeeze. Grace has a red ball she kept turning in her gloved hands. Eugenio’s is a faded dark turquoise-y blue. “The hands of an artist require dexterity” he told me, fingers flexing. They laughed when I pulled out my iPhone to take notes so I would remember the names, the words, etc. and agreed that I could take their picture for this story but didn’t care to see it.

At some point early in our chat I became aware that I wanted to blog about my encounter with this couple. This awareness immediately transformed my thinking. I found myself struggling to just listen to their words once I started searching for a story I could later write. I prefer listening to, over listening for when I meet new people. It feels more organic, more natural. It also feels hard to stay present when my mind wants to narrate.

online pharmacy buy augmentin no prescription online pharmacy

Thanks to a conversation with Steve, I got curious about the art of inquiry and how we have different perceptions of conversational openings. Thanks to Eugenio (and my love of talking to strangers) I got curious about the local work of an artist I admire for his love of the ephemeral. People (and conversations with them) are fleeting opportunities to pique curiosity and learn something new. I guess if any tip emerged from this interaction it would simply be to stay curious. And look for learning.

And that’s what art’s about, isn’t it? … It makes you see things in a different way than you would normally. – Andy Goldsworthy

ChittahChattah Quickies

Art.sy’s ‘Genome’ Predicts What Paintings You Will Like [Wired] – Although the article deals more with the carefully controlled art market, I’m mostly intrigued by this quantitative translation of the ineffable. Pandora is a successful proof of concept (though I suppose we might debate it’s ability to deliver on it’s promise); I am waiting for the donut genome project and its recommendation engine. [Hah. Mere seconds after posting, I come upon this. Pretty close!]

On its screen, the Warhol painting-that is, the phone’s rendering of the laptop’s picture of the painting-was now surrounded by tiny thumbnails of other artwork, painted or made by diverse artists and dating from multiple eras, including the present day. According to Art.sy, these works all share the same DNA, so to speak. Cleveland and a team of art historians have spent the past year studying thousands of works and compiling a list of their distinct and measurable elements. The result is the Art Genome, composed at present of more than 550 “genes”: attributes of fine art that range from the simply factual (the medium, the color palette) to the undeniably subjective (the “movement” a work falls into, or its “subject matter”). Using these attributes, Art.sy’s recommendation engine can evaluate a piece on the fly and suggest relationships with other works, presenting those results on any device-even, eventually, a phone.

Saving Humanity from Homo Sapiens [SHfHS.com] – Just from a cultural collision perspective, I like the conflation of techno-nihilism and not-for-profit advocacy. Two great tastes!

The greatest threats to humanity lie in technologies humans have invented. From the danger of nuclear war or catastrophic global warming to the looming threat of future technologies such as self-replicating nanobots and powerful artificial intelligence, SHfHS is dedicated to finding ways to ensure that humanity continues to progress without snuffing ourselves out along the way. There are people trying to do the good work of saving humanity from potentially destroying itself, but they need our help. That’s what Saving Humanity from Homo Sapiens is all about: finding the people doing the best work to prevent man-made X-Risk and supporting them. You can help.

The Lester Dent Pulp Paper Master Fiction Plot [Dirty 30s!] – Once again, art reduced to a formula. Here, there’s no pretense that doing so remains within the realm of art. In general, I find these deconstructions fascinating as artifacts, whether or not they produce quality output.

This is a formula, a master plot, for any 6000 word pulp story. It has worked on adventure, detective, western and war-air. It tells exactly where to put everything. It shows definitely just what must happen in each successive thousand words. No yarn of mine written to the formula has yet failed to sell. The business of building stories seems not much different from the business of building anything else.

Here’s how it starts:

1. A DIFFERENT MURDER METHOD FOR VILLAIN TO USE
2. A DIFFERENT THING FOR VILLAIN TO BE SEEKING
3. A DIFFERENT LOCALE
4. A MENACE WHICH IS TO HANG LIKE A CLOUD OVER HERO

One of these DIFFERENT things would be nice, two better, three swell. It may help if they are fully in mind before tackling the rest.

A different murder method could be–different. Thinking of shooting, knifing, hydrocyanic, garroting, poison needles, scorpions, a few others, and writing them on paper gets them where they may suggest something. Scorpions and their poison bite? Maybe mosquitos or flies treated with deadly germs?

To thwart porn, colleges are buying up .xxx sites [AP] – The introduction of new domain suffixes means new flavors of pre-emptive domains. It was amusing more than a decade ago when companies like (say) Starbucks bought (or battled over) domains like (say) starbucksucks.com. The likely misappropriations of a college brand are slightly different, a this story reveals.

The University of Kansas is buying up website names such as http://www.KUgirls.xxx and http://www.KUnurses.xxx. But not because it’s planning a Hot Babes of Kansas site or an X-rated gallery of the Nude Girls of the Land of Aaahs. Instead, the university and countless other schools and businesses are rushing to prevent their good names from falling into the hands of the pornography industry. Over the past two months, they have snapped up tens of thousands of “.xxx” website names that could be exploited by the adult entertainment business. “Down the road there’s no way we can predict what some unscrupulous entrepreneur might come up with,” said Paul Vander Tuig, trademark licensing director at the Lawrence, Kan., school.

Street Art Quickies

Kilroy Was Here

buy tenormin online buy tenormin online no prescription

, our column about street art, was recently published in interactions. In the time between finishing the article and its publication we’ve found a range of articles and links that go with it.

‘Gold Mountain’ history mural marred by graffiti [SFGate] – Murals, a legitimized and desirable form of street art are still vulnerable to others with spray paint. We call one “street art” and the other “graffiti” or worse, “tagging.”

Someone has written “easy girls” next to the group of 1940s Forbidden City cabaret dancers. The Chinese Telephone Exchange pagoda is obscured by spray-painted green scrawls. The likeness of 9/11 flight attendant Betty Ann Ong that was added to the mural in 2004 is almost covered by a bright orange tag. In 2004, it cost $25,000 to restore the mural. Even as the artist repainted the mural, taggers continued to mar her work. Security cameras were installed in 2008, but new graffiti appears nearly every week. Now, officials at Chinatown Community Development Center, which owns the apartment building on which the mural is painted, say they’re considering re-creating the mural somewhere else. So far the nonprofit has been cited for the graffiti, but has not paid any fines. “It’s impossible to keep up with taggers, and we don’t have the manpower or the funding,” said Cathie Lam, the center’s senior community organizer. It was “determined not worthwhile and too labor-intensive” to restore it a second time, she said.

Vigilante Vigilante: The Battle for Expression – We attended the first screening of this film. The movie, despite its extraordinary bias towards street art, was extremely thought-provoking. The screening itself was dramatic and intense, with the post-film discussion devolving into shouting, name-calling, and some gang-related threats.

A new breed of crime-fighter now stalks the urban landscape: the anti-graffiti vigilante. These dedicated blight-warriors stop at nothing to rid their neighborhoods and cities of street art, stickers, tags, and posters. Yet several of these vigilantes have become the very menace they set out to eliminate. In their relentless attempt to stamp out graffiti, they have turned to illegally and destructively painting other people’s property. VIGILANTE VIGILANTE is the story of two filmmakers who set out to expose these mysterious characters and discover a battle of expression that stretches from the streets to academia.

Graffiti Taggers Turn to Trees, With Some Possibly Harmful Effects [NYT.com] – Another disturbing example; where self-expression triumphs all other considerations.

Outside Elixir bar in the Mission district of San Francisco, graffiti taggers have left their mark – not on the wall, but on the living. Every tree on that 16th Street block has been spray-painted in shades of purple, red, white and black. “I can’t imagine why anyone would think that’s O.K.,” said Shea Shawnson, the bar manager. “What do you do to clean up a tree without messing it up?” In a city where graffiti abatement is swift – property owners are fined if graffiti is not immediately removed, and the city spends $20 million on the problem – taggers have discovered a way to ensure that their mark has staying power. Graffiti, taggers believe, is not easily covered or removed from trees without harming them. The vandalism has angered residents, and possibly threatened the health of some trees, which are remarkably rare in San Francisco because very few tree species are indigenous. The tagging also appears to violate one of the tenets of the graffiti subculture: it is supposed to be a reaction to urban life, not an attack on nature.

Street Art As Provocations To Change The World [design mind]

– frogdesign documents a couple of powerful street art examples driving towards awareness, and ideally social change.

JR is a photographer and artist that describes himself as a “photograffeur.” He flyposts large black and white photographic images in public locations-in a manner that is similar to the appropriation of the built environment by graffiti artists. The idea is to show the world its true face by pasting photos of human faces across massive canvases. One of his most famous projects is called “face2face.” For this, he worked with Palestinian and Israeli citizens to explore the similarities of their daily lives, rather than focusing on the divisions; he highlighted fundamental human emotions. Israelis and Palestinians doing the same job-such as taxi drivers and teachers-agreed to be photographed crying, laughing, and making faces. Their portraits were then pasted without authorization from the local authorities in eight Israeli and Palestinian cities as well as on two sides of the wall that separate the two countries, demonstrating that art and laughter can challenge stereotypes. He explained his concept, by showing two portraits (one Israeli, one Palestinian) and asked them: who is the Israeli and who is the Palestinian. Most people couldn’t answer him. That’s when they understood that behind their cultural differences, they are very similar, and remain human first and foremost, and human with similar values!

Brian Barneclo painting “Systems Mural Project” [SFGate] – Yet another example of street art crossing over; here with an official authorized sponsored ‘landmark.’

“It will be a new landmark,” Barneclo said, pointing out that the painting near Seventh and Townsend streets will be the first thing commuter train passengers see entering San Francisco and the last thing cars zoom by as they take the Interstate 280 on-ramp from Sixth Street. “There’s nothing else like it.” Using large-scale icons, the piece aims to illustrate the many relationships between man and nature – from the nervous system to the solar system, computer operating systems to the ecosystem. “I’m just intrigued by how the world works,” Barneclo said. “It’s complicated, but I’m trying to boil it down and make a groovy mural.”

Our latest article: Kilroy Was Here


Our latest interactions column (written by Steve Portigal and Julie Norvaisas) Kilroy Was Here

has just been published.

Reviled or celebrated, graffiti is ubiquitous in even the least-urban environments. With roots in the wall-scrawled slogans of ancient Greece, it is a physical yet ephemeral expression of the personality of a neighborhood. It allows us to see a colorful trail of inhabitants’ interactions with public spaces. Graffiti (or street art, or urban art) has been displayed in (and arguably corrupted by) art exhibitions, influenced fashion and pop culture, and generated revenue for municipalities and the paint-removal industry alike. Of course, it’s largely illegal. It’s everywhere, and we are grateful. Perhaps we are drawn to the element of danger that feeds street art, and the rebellion implicit in its enjoyment (probably the same reasons we loved the Fonz!)…We find ourselves considering the street art of one city, or neighborhood, or corner, as a whole, compared to what we know from other cities, neighborhoods, and corners. What elements make them visually distinct? What might these observations say about the culture or history of the location? How does one graffito fit into the larger context of surrounding graffiti? We can channel our inner visual anthropologist, uncovering signs not only of the times but also of the place.

Get the PDF here and let us know what you think. Do you follow street art? What do you like about it? Share your pictures with us!

And, here are some photos to supplement the article

Previous articles also available:

online pharmacy buy seroquel no prescription online pharmacy

Series

About Steve