April 13th was the one day for One Day for Design (1D4D), an event conceived of by AIGA to “bring together a global community of designers and design enthusiasts to exchange ideas, challenge viewpoints and push boundaries in a real-time, online global debate” about the future of design, led by an impressive line-up of moderators.

What a fantastic notion! For our part, we were excited to be part of the conversation, and to see how AIGA pulled it off. When the day arrived we were ready. We dutifully signed onto the website and Twitter and TweetDeck, ready to talk design… and were paralyzed. Random content was scrolling by at a feverish pace, too feverish to manage. Tweets we could grab ahold of felt disjointed and distracted (as did we). The velocity of tweets is a testimony to the power of the idea, certainly, but also made for an unsettling user experience. Other people felt similarly. A series of responses and critiques have since surfaced.

• One Day for Design – Deep Dive by DoubleThink out of Minnesota is a great analysis of 1D4D Twitter data showing how much work it takes to pull patterns and value out of the “waterfall,” as Phong puts it.
• MJ Broadbent posted AIGA’s One Day for Design Conversation to the IxDA discussion list, calling the event laudable, but “kind of a mess to follow and participate in.”
• Frank Chimero focused on the content of the 1D4D conversation (calling his post Designers Poison) but noted first that “Twitter seemed like the wrong place for the discussion, because it presented a conversation on design that required holistic thinking in a fragmented manner.”
• On GOOD, Dylan Lathrop wrote in Global Twitter Conversation Proves Designers Don’t Get It that “try as hard as they might, moderators couldn’t contain the endless barrage.”
• Equally pessimistic was Lindsay McComb on TheMetaQ, in Why design can’t be described in 140 characters:”I felt as though my tweets were a drop in a massive ocean of irrelevance.”

We felt similarly. Back here at the ranch, it was only a matter of minutes before the impulse to analyze and think about improving the experience kicked in. How could this be better? What exactly felt so daunting? The event’s energy was exciting but it was unclear what people were trying to accomplish on this day and how this energy would/could be harnessed to do that. So many different types of people were taking part; surely their objectives differed. And underlying it all, how was Twitter faring as the de facto forum for this event?

Based on our brief brainstorming, we identified a few generative ideas and themes (in other words, we’re staying away from the “put the comment box near the newest not the oldest tweet” UI tweaks that others are so much more qualified to address, and sticking with our sweet spot – teeing up the questions that lead to a broad swath of new solutions). After all, what’s possible when you have 3,900 engaged designers (and design enthusiasts) from all fields eager to talk?

Let Moderators Moderate!
Allow a little lag time (think about broadcasting’s 7-second delay) to give moderators a chance to filter

, sort, and respond. This could result in something like moderated “channels” to follow.

Segment the group
Allow people to self-identify as being affiliated with certain disciplines, areas of interest and/or years of experience, enabling participants to establish and dwell in affinities and also to make targeted connections beyond them.

Anticipate and Seed Topics
The topic of design is broad (understatement alert!). AIGA and/or moderators could anticipate or encourage certain topics. Participants and the community at large could benefit by a little time prior to the big day to pull thoughts together and perhaps even engage in dialogue outside of the event.

Better Control Content
There are numerous ways to imagine enabling people to organize the information stream. Self-tagging? Content-bots? Anything that would allow people to create their own “channels” based on individual interests. Essentially Twitter’s existing “Trending topics”, we imagined a dynamic hashtag cloud that would guide people towards what others are talking about and help to get them there.

Twitter-fu?
There are three of us in this office. Our interest in 1D4D, which we all shared, bore no relationship to our interest in (and experience with) Twitter, which varies wildly. Master and neophyte alike should be able to participate in the conversation without a black belt in Twitter. Help people by providing a semi-curated experience.

There are many good reasons not to include some of these ideas into general Twitterings, as they introduce constraints on the free-form and user-generated stream of consciousness experience that defines Twitter. We’ve weighed in elsewhere on the challenges Twitter faces in general and those factors can be exacerbated when large numbers of people convene with a larger purpose for a time-bounded conversation. Perhaps some scaffolding would improve the ability for more meaningful exchanges, enabling serendipity without letting serendipity reign as the organizing principle.

With all the fertile design minds out there as part of this conversation we’re sure that others have ideas. Let’s hear ’em!

From the unpublished archives, services offered in 2009 at the Vida Spa at Vancouver’s Sutton Place Hotel. It’s worth nothing that they no longer offer this particular package! Has the commercialized bromance already expired?

'Bro-mance' your man with Beer Therapy

The Beer Therapy Treatments at Vida are designed to naturally calm and detoxify the skin. Launched in June 1, 2009, Men who enjoy beer therapy treatments at Vida will unwind with a cold Organic beer in one of Vida Spa’s signature relaxation lounges. With their beer, they enjoy Vida organic nut mix (ok not beer nuts but much healthier) and men’s’ magazines such as men’s health, automobiles, economist, and more! Next, he will enjoy one of two Beer Therapy Treatments.

Beer Soaked Hot Towel Compress Facial

Vida Estheticians perform a deep cleanse, exfoliation, extraction, mask and massage. Beer Soaked Hot Towels are wrapped barber style and using press and release movements, products are removed while facial muscle tension is eased. His skin is left soft, calm and vibrant. 60 min / $115

Deep Tissue Massage with Beer Soaked Compress

Vida Therapist begins with deep Swedish massage movements, followed by localized beer soaked hot towel compresses to relax and detoxify the muscle further. 60 min / $120

• [from steve_portigal] Kraft Dinner mentions must stop, teacher told [CBC News] – [Kraft Dinner is a Canadian-specific brand for packaged macaroni and cheese, known among the pastacenti as KD.] Kick the KD teaches students how to avoid convenience foods and eat healthier. Clapson received a notice from Kraft Canada demanding the name be changed and any references to Kraft Dinner be removed. "We understand that the focus of the cooking program is to encourage students to prepare meals which are healthy and delicious. Please note that Kraft Dinner macaroni and cheese is a nutritious food that can be part of a balanced diet. In addition to being delicious, it is also a source of calcium and iron and a good source of protein." Clapson said he didn't know "KD was trademarked and personally enjoys the occasional bowl of Kraft Dinner." Clapson said he intends to keep running the classes and has taken suggestions for a new name. The most popular one so far has been "Kick the Crap Dinner."
• [from steve_portigal] ‘Cinema Verite’ review: ‘American Family’ revisited [SF Chronicle] – [Fascinating article on how a recreation bio-pic of the filming of the original reality show reveals shifting cultural contexts and the challenges of authenticity] In 1971, Craig Gilbert and Alan and Susan Raymond, set out to document the lives of an everyday American family. Viewers may have subliminally understood that reality was somewhat altered through editorial choices, but they more or less accepted what was on their TV as life as it actually and naturally happened. But was it? That's the question posed by "Cinema Verite" directors Shari Springer Berman and Robert Pulcini as they look back at "American Family." Did Gilbert direct the Louds' actions to make his film more dramatic? In "Cinema," Gilbert (James Gandolfini) is shown inserting himself into a scene and telling the family what to do. We also see the Raymonds (Patrick Fugit and Shanna Collins) revolting when Gilbert begins to cross the boundaries of documentary filmmaking, perhaps because he's developed a crush on Pat.

• [from julienorvaisas] Make Your QR Codes More Beautiful [Mashable] – [This will be fun! It stands to reason that treating QR Codes as a design element rather than slapping the ugly things on will improve uptake. Better response can be encouraged through visual stimulation, then designers will have to encourage people to download an app, learn it, and get in the habit of using it as another set of related experiences to design well.] Creating branded QR codes is as much art as it is science. The mathematical qualities of a QR code and the impact of a clever design can truly elevate a QR code to the point where the code becomes the central artwork of a piece of marketing collateral. Applying designer best practices will enhance scanning conversion rates and effectively augment an offline item with online capabilities. Knowing how to innovate both in technology and design, and how to implement a QR code in the right way for your business, will keep your brand on the cutting edge of marketing and technology.
• [from steve_portigal] Tech mogul? Nope. Any old hack will do. [WaPo] – [The lead stat is enticing but I suspect is grossly skewed/misleading] Recent studies show consumers spend more money tweaking and inventing stuff than consumer product firms spend on R&D. It’s more than $3.75 billion a year in Britain, and U.S. studies under way now show similar patterns. Makers are even morphing into entrepreneurs, with some of the best projects raising money for commercial development uvia self-funding Web sites such as Kickstarter. Major companies such as Ford are, after years of resisting inventor gadflies, inviting makers to submit product tweaks. “This is the democratization of technology,” said K. Venkatesh Prasad, a senior engineering executive at Ford. “Policymakers and economists always assumed that consumers just consumed and that they don’t innovate,” said Eric von Hippel, who studies technological innovation and makers at MIT. “What’s clearly happening now is that all of a sudden it’s easier for us to make exactly what we want.” [via PuttingPeopleFirst]

• [from steve_portigal] No.4 Secret Soles – Rosso Solini [I Am Hiawatha] – [Louboutin shoes start at $300 and go up to several thousand dollars. Their red sole is a distinctive design mark that signifies the wearer's brand choice. A 15-year old student has designed and is marketing an aftermarket red sole that can add that signifier to any pair of shoes.] Rosso Solini ‘Secret Soles’ is a shoe customisation kit that gives you the tools and equipment to turn any high-heel into a red soled, Louboutonesque shoe.
• [from steve_portigal] WET Design and the Improv Approach to Listening [NYTimes.com] – [Mark Fuller, chief excellence officer of WET Design explains what is unusual about his company’s culture] Improv is really about listening to the other person, because there’s no script. It’s about responding. If you have an argument with [your] wife or husband, you are just waiting for the other person to finish so they can say what they’re waiting to say. So usually they’re these serial machine-gun monologues, and very little listening. That doesn’t work in improv. If we’re on the stage, I don’t know what goofball thing you’re going to say, so I can’t be planning anything. I have to really be listening to you so I can make an intelligent response….You’re sort of in this gray space of uncertainty. Most of us don’t like to be uncertain ­ you know, most of us like to be thinking what we’re going to say next. You get your mind into a space where you say, “I’m really enjoying that I don’t know what he’s going to ask me next, and I’m going to be open and listening and come back.
• [from steve_portigal] Open Source Electronics Pioneer Limor Fried on the DIY Revolution [Wired Magazine] – [I've long wondered if our experiences consuming software have changed our expectations for the updatability and customizability of all products] People do want very specialized technology, and they just couldn’t get it. Now they’ll be able to get it. When I make stuff, I make it for only one person, myself. And, like, two of my friends. But it turns out that hundreds of thousands of people want the same thing. And I think that’s how good design starts. So instead of having to just put up with whatever Sony comes out with, consumers will have more choices made by people who are more like them. And they’re not just trying to manufacture as Sony; they’re manufacturing as a small company that is trying to fulfill the needs of a small community…We have no idea [where this movement will go]. It’s going to be weird and completely surprising, and we’re going to be just shocked, and it will be awesome.

• [from steve_portigal] Teaching Children the Basics of Saving and Spending [NYTimes.com] – [We've explored people's attitudes and behavior around money in a number of projects. The power of education and influence at a young age is a clear takeaway from all that work, so this initiative is encouraging.] In the wake of the financial crisis and the realization that individuals share at least some blame for the bubbles, a number of people and organizations have taken up the cause of helping the next generation of grown-ups form better habits at an earlier age. Sesame entered the fray with a series of videos and other material aimed at teaching its audience about spending, saving and sharing. There is no definitive proof that any of this will make a lasting impact. “It would be 20 years before we would know the results,” said Laura Levine, JumpStart’s executive director, who served on Sesame Street’s advisory panel. But the beauty of watching young children absorb these lessons and answering their questions is that it can make you more aware of the financial examples you set.
• [from steve_portigal] Lady Liberty Stamp Depicts a Vegas Replica [NYTimes.com] – [A failure of traceability/transparency, when a representation of a replica is mixed in with the original. But the USPS claiming to prefer the replica is confounding (as they apologize) – does sexy trump authentic here?] The United States Postal Service has issued a new stamp featuring the Statue of Liberty. Only the statue it features is not the one in the harbor, but the replica at the New York-New York casino in Las Vegas. The service selected the image from a photography service and accidentally used the 14-year-old statue that presides over thousands of weary gamblers a week. “We still love the stamp design and would have selected this photograph anyway,” said Roy Betts, a spokesman. Mr. Betts did say, however, that the post office regrets the error and is “re-examining our processes to prevent this situation from happening in the future.”

I recently had the privilege of guest-lecturing for an undergraduate class at the Center for Design Research at the University of Kansas taught by Julia Eschman and Tamara Christensen. The topic was the importance of recruiting the right people as participants to drive powerful insights for design research. I addressed the strategic reasons why, as well as tactics for doing so.

Recruiting is a key component of the design research process. It is to the detriment of project outcomes when it doesn’t get the attention it deserves. I know, I know… it’s a lot more fun to talk about sexy new methodologies and while away our days ideating, but before any of this can happen teams need to think hard about the source of the inspiring data and stories: people.

The presentation is below:

This was the first time I’ve presented this material, so take a look and please share some of your key experiences, snafus, complaints, challenges and learnings and etc. as you find the right people for your projects.

• [from steve_portigal] Side View Mirror Project – [Love Erik Dahl's deep dive on the ordinary to find ot the extraordinary, as he has spent years taking pictures of side view mirrors. He discovers some great themes and patterns although he acknowledges he didn't know where it was going to go when he started.] Taking these pictures changed the way I drive. I used to be very end-state oriented when I would drive. When I started taking pictures for this project I stopped thinking about where I was going, and started watching mirrors and looking for red lights. As designers, its important to remember that the goal and orientation of the user dramatically impacts their experiences.
• [from steve_portigal] Two years after buying Pure Digital, Cisco ditches the Flip [Ars Technica] – [I always thought this was about driving a consumer-facing innovation culture into the org. Let's hope that this persists even without the specific line of products.] Cisco is killing off the line of pocketable video cameras in order to refocus the company around home networking and video. The news was a surprise to even Flip critics, leaving everyone wondering why Cisco bothered to buy Pure Digital (the Flip's former parent company) for $590 million just 2 years ago. The marriage never fully made sense, but we accepted it­most assumed that Cisco was making its own attempt to compete in the handheld market by simply gobbling up one of the hottest little gadget startups at the time. Two years later, Cisco's feelings about the acquisition have changed. Cisco announced that it's expanding the Consumer Business Group, but that the Flip business will no longer be part of it. There was no formal explanation given as to why Cisco chose to shut the group down instead of selling it.

• [from wstarosta] Status displays: I’ve got you labelled [The Economist] – [Evolutionary biology helps to explain why luxury branded objects, even counterfeit ones, are so appealing.] DESIGNERS of fancy apparel would like their customers to believe that wearing their creations lends an air of wealth, sophistication and high status. And it does—but not, perhaps, for the reason those designers might like to believe, namely their inherent creative genius. A new piece of research confirms what many, not least in the marketing departments of fashion houses, will long have suspected: that it is not the design itself that counts, but the label.
• [from steve_portigal] The Future of Books. [McSweeney’s Internet Tendency] – [As usual, McSweeney's does razor-sharp mockery, but you could read this as straight-ahead prediction and it would sadly almost pass for believable] 2050: Analog Reading Will Be Digitally Simulated. As people spend more and more of time immersed in massively multi-player role-playing games, they will begin to crave some downtime. Virtual simulation worlds will start to include hideaway "libraries" you can lock yourself into. There you'll be able to climb into a virtual bath and lovingly turn the pages of a pixilated representation of one of those dog-eared tomes—reliant on old-school linear narrative— that by this time will have been made illegal in the real world. Perfectly reproduced will be the sensation of turning the pages, the crack of the spine, and even the occasional paper cut.
• [from steve_portigal] When Did Girls Start Wearing Pink? [Smithsonian Magazine] – [Fascinating cultural history] The march toward gender-specific clothes was neither linear nor rapid. Pink and blue arrived, along with other pastels, as colors for babies in the mid-19th century, yet the two colors were not promoted as gender signifiers until just before WW I—and even then, it took time for popular culture to sort things out. In 1927, Time magazine printed a chart showing sex-appropriate colors for girls and boys according to leading U.S. stores. In Boston, Filene’s told parents to dress boys in pink. Today’s color dictate wasn’t established until the 1940s, as a result of Americans’ preferences as interpreted by manufacturers and retailers. “It could have gone the other way,” Paoletti says..Nowadays people just have to know the sex of a baby or young child at first glance, says Jo B. Paoletti, a historian & author of Pink and Blue: Telling the Girls From the Boys in America. Thus we see a pink headband encircling the bald head of an infant girl. [Via @boingboing]
• [from steve_portigal] In Sweden’s frigid north, auto testing is hot [SFGate] – [Obvious car companies do a ton of lab and simulation testing, but they are also big advocates of real world testing] Arjeplog, a region in northern Sweden is is important to car makers eager to optimize their vehicles for driving in extreme weather, This winter, temperatures have hovered around -4 F, making ice on the lakes consistently thick enough for driving. About 180 engineers convened at the test center at one point this season to work on making cars more fuel-efficient in cold weather and to optimize their anti-spin function. While Arjeplog is the world's largest winter testing area, rival locations include Ivalo, Finland; West Yellowstone, Mont.; Carson City, Nev.; and Millbrook, England. Francisco Carvalho, an analyst at IHS Automotive, says such tracks provide automakers with "the ultimate test for the little things they can't detect or predict in a lab." Almost 9,000 car industry officials visit Arjeplog each winter, with about 2,800 engineers working on any given day.

Last fall I had the opportunity to give a guest lecture to the students in the first class at the Austin Center for Design (AC4D

). Over the past few years, a number of innovative programs have sprung up and I’ve spoken at a number of them. What I enjoyed specifically about the AC4D was the feeling of being at a start-up and the slightly up-start attitude. I got the sense that students and faculty were united by someone, somewhere along the way, telling them that they couldn’t do this. And they are doing it. The school is focusing on applying design to social change, but the discussion is about the problem solving power of design – to understand, reframe, and innovate, rather than the an excess of earnestness or worrying. I suspect their point of view is maybe what you could call post-worldchanging…of course you want to address homelessness, let’s use the tools we’ve got to look at it.

Later this year I’ll be one of many IxDA peeps who volunteered to mentor the winning team of the Interaction ’11 Student Competition: AC4D’s Kat Davis and Ruby Ku (while I didn’t know they would be the winners when I volunteered, I couldn’t be more pleased).

If you or someone you know would be interested in attending AC4D next year, check out their site. They are now taking applications.