Posts tagged “tv”

The global watercooler

walking-dead

Sorry about the picture quality, but I grabbed this image quickly. I was in Surry Hills, Sydney, Australia. A streetcar is went by and with an advertisement for The Walking Dead. Underneath the title of the show, the poster reads “Same day as the U.S.”

The value proposition here is that viewers can be part of the global conversation, taking place on social media. If you can’t see episodes of a popular show until days or weeks or months later (as has been the case for secondary markets) then you missed out on the party and it’s already spoiled.

Granted, with global time zones, this is not a fully synchronousexperience (but then neither is viewing in the U.S., with a three-hour breadth), but this is a fascinating sign of the times and more evidence that Water Cooler TV is still important.

ChittahChattah Quickies

I gave a talk recently where I advocated for the importance of being aware of pop culture; this led to an interesting conversation (where not all parties agreed with my proposal). This set of quickies is dedicated to pop-culture-specific examples of note.

‘Les Misérables’ and Irony [NYT] – While I haven’t seen (and don’t plan to see) this movie (the stage show was enough for a lifetime), this analysis of the film’s cultural performance (and why that may explain it’s appeal to some) is pretty wonderful.

The key to what is intended by these technical choices was provided for me by Hooper himself when he remarked in an interview (also printed in USA Today) that while “we live in a postmodern age where a certain amount of irony is expected, [t]his film is made without irony.” Irony is a stance of distance that pays a compliment to both its producer and consumer. The ironist knows what other, more na?Øve, observers do not: that surfaces are deceptive, that the real story is not what presents itself, that conventional pieties are sentimental fictions.

The artist who deploys irony tests the sophistication of his audience and divides it into two parts, those in the know and those who live in a fool’s paradise. Irony creates a privileged vantage point from which you can frame and stand aloof from a world you are too savvy to take at face value. Irony is the essence of the critical attitude, of the observer’s cool gaze; every reviewer who is not just a bourgeois cheerleader (and no reviewer will admit to being that) is an ironist.

“Les Misérables” defeats irony by not allowing the distance it requires. If you’re looking right down the throats of the characters, there is no space between them and you; their perspective is your perspective; their emotions are your emotions; you can’t frame what you are literally inside of. Moreover, the effect – and it is an effect even if its intention is to trade effect for immediacy – is enhanced by the fact that the faces you are pushed up against fill the screen; there is no dimension to the side of them or behind them; it is all very big and very flat, without depth. The camera almost never pulls back, and when it does so, it is only for an instant.

Netflix to Deliver All 13 Episodes of ‘House of Cards’ on One Day [NYT] – I’m intrigued by how technology affords shifts in media consumption and then how those shifts inform the content of the media itself.

Netflix will release a drama expressly designed to be consumed in one sitting: “House of Cards,” a political thriller starring Kevin Spacey and Robin Wright. Rather than introducing one episode a week, as distributors have done since the days of black-and-white TVs, all 13 episodes will be streamed at the same time. “Our goal is to shut down a portion of America for a whole day,” the producer Beau Willimon said with a laugh. “House of Cards,” which is the first show made specifically for Netflix, dispenses with some of the traditions that are so common on network TV, like flashbacks. There is less reason to remind viewers what happened in previous episodes, the producers say, because so many viewers will have just seen it. And if they don’t remember, Google is just a click away. The show “assumes you know what’s happening all the time, whereas television has to assume that a big chunk of the audience is always just tuning in,” said Ted Sarandos, Netflix’s chief content officer.

Muzak, Background Music to Life, to Lose Its Name [NYT] – Do we mourn when a derided brand goes away? The awful experiences that brand promised us – and perhaps much much worse – still seem to be on offer. I will shed no tear.

The Muzak name – long part of the American vernacular, if sometimes as the butt of jokes – will be retired this week as part of a reorganization by its owner, Mood Media. The company is consolidating its services under a single brand, Mood, thus eliminating the Muzak name…”We have a team of music gurus, visual specialists, sound and scent-tech experts,” Mr. Abony said. “We develop compelling, consistent experiences that connect our clients with their customers. The new brand signifies the integration of the company.”

ChittahChattah Quickies

Robots Ate My Job [Marketplace] – “Robot” is a bit of a red herring…the series is really an investigation of automation, when we interact with other devices instead of a human. Not sure there are too many surprises here but it’s still great to have this topic receive some focused attention.

Special Correspondent David Brancaccio takes us on a week-long series on air, online and on social media, called “Robos Ate My Job” to explore how technology is impacting the future of jobs in America. Find out who’s winning and who’s losing at the hands of the robots.

The Strange Art of Picking a TV Title [The Hollywood Reporter] – I’d be interested in knowing if the TV people design for nicknaming. Battlestar Galactica comes BSG among the cognoscenti. Does that little hook let people take ownership as the narrative pulls them in? Around my house we call “The Simpsons” by its shorter form “Simpsons.”

Would Friends have been the same hit had NBC executives approved its original title, Six of One? Would Lost have lasted six seasons with its earlier name, Nowhere? And would Grey’s Anatomy be able to charm nearly 12 million weekly viewers had it remained Surgeons? These are the questions now haunting studio and network executives as they look to attach the perfect title — catchy, but not cheesy; clever, but not confusing; inclusive, but not vague; provocative, but not inappropriate — to their crop of pilots in contention for the fall schedule. Producers and executives agree that getting a title right is more important than ever given the increasingly crowded and fragmented television landscape, where standing out is as important as telegraphing what a show is about. And while a great title can’t carry a poor show, it can get an audience to show up, which is why networks and studios have been known to rely heavily on focus groups and the occasional consulting firm.

Alphabet Soup [More Intelligent Life] – More on the ‘how does stuff get named?’ theme. Ever dine at QV? Me neither.

Some names come out of the blue. While seeking inspiration for his new London venture in 1926, an Italian restaurateur called Pepino Leoni saw a poster for the 1925 film “Quo Vadis”. The restaurant that bears its name can still be found in Soho. In 2002, about to open a place specialising in French food, the British chef Henry Harris was forced into creative thinking by his signmaker. “He said if we didn’t come up with a name right then, we wouldn’t have a sign in time. So I put together a long list of French words, including a few writers as fillers: Beaumarchais, Moli?®re, Racine-Going through them, we went, ‘Crap, crap, crap’ until we reached Racine and someone said, ‘Racine, of course, French for root. Absolutely brilliant.’ So there it is. Both interpretations are true.” The restaurateur Will Smith explains the origin of Arbutus, in central London, thus: “We discovered there used to be an arbutus, or strawberry tree, around the corner in Soho Square. The name felt good and sounded great. It was a bit like naming a child. At first, people went, ‘Eh?’ but soon said ‘That’s interesting’ and accepted it. Also, arbutus fruit have a culinary application in Portugal, where it is made into a spirit.” So does Arbutus sell arbutus spirit? “No.”

The Personal Analytics of My Life [Stephen Wolfram Blog] – I was pretty surprised to see this was just about his email. Email is one lens into someone’s life, but it doesn’t provide much detail into what you are doing when you aren’t using email. I was hoping for something along the lines of the good ol’ Americans Use of Time Project that took a broader look. The title is definitely an overreach.

What is the future for personal analytics? There is so much that can be done. Some of it will focus on large-scale trends, some of it on identifying specific events or anomalies, and some of it on extracting “stories” from personal data.
And in time I’m looking forward to being able to ask Wolfram|Alpha all sorts of things about my life and times-and have it immediately generate reports about them. Not only being able to act as an adjunct to my personal memory, but also to be able to do automatic computational history-explaining how and why things happened-and then making projections and predictions. As personal analytics develops, it’s going to give us a whole new dimension to experiencing our lives. At first it all may seem quite nerdy (and certainly as I glance back at this blog post there’s a risk of that). But it won’t be long before it’s clear how incredibly useful it all is-and everyone will be doing it, and wondering how they could have ever gotten by before. And wishing they had started sooner, and hadn’t “lost” their earlier years.

Curating Consumption now playing at Johnny Holland

We are delighted to announce the debut last week of our new series, Curating Consumption on Johnny Holland. The idea was born right here on All This ChittahChattah as an occasional curated collection of musings, seen through the bifocal lens of consumer/researcher. Not to worry if you missed it, we have it right here!

When is a door not a door? When the sign on it clearly states “Do not Touch, Pull, or Use This Door. Thank You!” I came across this (not a) door during a recent fieldwork trip to New York City, where I found myself invariably studying every door I walked by because they all seemed to have great stories to tell. Sadly, this story is one of inability to fulfill one’s useful purpose. What is a door if it is not a portal to some other place; a threshold to cross? Now it is a wall, and a window. I wonder if it will be repaired or replaced or reframed as an aesthetic relic that will remain in its present location and state of dysfunction. /TC

This television was hanging out on the sidewalk in the Mission, right here in San Francisco. I am curious who labeled this anthropomorphized electronic with feelings of inadequacy. It could have been added by a passerby; a reflective commentary on the choice by the TV’s previous owner to upgrade and abandon. In fact, a man passing me as I shot this picture told me “I love rich people, man! They throw away the greatest stuff. I got a vacuum cleaner last week that works perfect.” Or maybe the words were put there by the person who left that unsatisfying TV on the street. A “Dear John” letter from consumer to consumed: It’s not me, it’s you. /TC

When visiting Dublin, I was prepared for (and delighted to experience) all Guinness, all the time. What I didn’t realize was the supporting infrastructure required to make that happen. They’ve got tanker trucks of the stuff rolling down the street to meet the demand. /SP

Just days after the Kony 2012 video went viral, hitting the national media, images of the dictator appeared as stencil art on the streets of Austin. From Facebook and YouTube, the story touched the activism (or some say slacktivism) nerve. But what meaning is implied or inferred when the medium changes? Stencil art is hip, ironic, anti-mainstream. The street art form has none of the outrage of the previous forms. Is the previously unknown Kony now accorded folk hero status? /SP

ChittahChattah Quickies

  • [from steve_portigal] Kraft Dinner mentions must stop, teacher told [CBC News] – [Kraft Dinner is a Canadian-specific brand for packaged macaroni and cheese, known among the pastacenti as KD.] Kick the KD teaches students how to avoid convenience foods and eat healthier. Clapson received a notice from Kraft Canada demanding the name be changed and any references to Kraft Dinner be removed. "We understand that the focus of the cooking program is to encourage students to prepare meals which are healthy and delicious. Please note that Kraft Dinner macaroni and cheese is a nutritious food that can be part of a balanced diet. In addition to being delicious, it is also a source of calcium and iron and a good source of protein." Clapson said he didn't know "KD was trademarked and personally enjoys the occasional bowl of Kraft Dinner." Clapson said he intends to keep running the classes and has taken suggestions for a new name. The most popular one so far has been "Kick the Crap Dinner."
  • [from steve_portigal] ‘Cinema Verite’ review: ‘American Family’ revisited [SF Chronicle] – [Fascinating article on how a recreation bio-pic of the filming of the original reality show reveals shifting cultural contexts and the challenges of authenticity] In 1971, Craig Gilbert and Alan and Susan Raymond, set out to document the lives of an everyday American family. Viewers may have subliminally understood that reality was somewhat altered through editorial choices, but they more or less accepted what was on their TV as life as it actually and naturally happened. But was it? That's the question posed by "Cinema Verite" directors Shari Springer Berman and Robert Pulcini as they look back at "American Family." Did Gilbert direct the Louds' actions to make his film more dramatic? In "Cinema," Gilbert (James Gandolfini) is shown inserting himself into a scene and telling the family what to do. We also see the Raymonds (Patrick Fugit and Shanna Collins) revolting when Gilbert begins to cross the boundaries of documentary filmmaking, perhaps because he's developed a crush on Pat.

A trip to MacWorld: Going mobile

A relative newcomer to the Bay Area, I decided it was mandatory to attend MacWorld. I was not as much on the look-out for the latest whiz-bang technological innovations, as I was interested in where small-scale entrepreneurs were putting their energy. Where are people are going with this whole iThing?

Focus was squarely on the iPad and iPhone, with Macs getting little attention. They chould call it iWorld. Let’s go mobile!

The now-iconic iPad billboards always made me laugh because I thought, “No one sits like that!”

But I was wrong. This guy does!

Of all the many, many (many) stands and cases at the show, the product he’s demonstrating, PadPivot, was actually among the most inventive, folding up into a tight little package. It’s a versatile combo stand/lapstand/pivot that can help you orient the iPad to an angle that is comfortable to use no matter where, or how, you’re sitting. Bonus points for not having an “i” in their product name. Of all the wonders that the iPad has unleashed, it possible that one of them is an altogether new way to sit?

iFusion must think that we have very short memories. This iPhone docking-station that strongly resembles an old-school phone is being marketed as “revolutionary.” Useful? Yes. A good idea? Probably. But revolutionary? Complete with “i.”

Your wife is tired of kicking and nudging you when you snore.This app will now do it for her.

Act quickly! iGrill is perfect for the big game, enabling you to check out various SuperBowl-related marketing gimmicks, watch highlight videos and keep tabs on the turkey, which is, against all logic, talking to your grill and your iPad. It took the spokesman a while to explain the concept to an interested couple, who nodded agreeably. iTurkey?

With the TVHat you can enjoy “adult entertainment” whenever you want, and your friends, colleagues and wife will be none-the-wiser. Careful with your hands though – they are not covered by the privacy shield. It’s worth checking out the flyer they were distributing, which is remarkable for the both implications of the photos and the fearless copy (“Privacy and watching what you want where you want is a basic right! Enjoy adult content anywhere.”). The TVHat has been around; curious why they chose to market it for it’s adult-entertainment-enjoying potential at this particular event. Are they in possession of some revealing market research data on MacWorld attendees?

This man and his friends had the most “Off Tha Chain” idea at MacWorld, though they weren’t eligible for a statuette claiming such a prize as they were handing out flyers and marketing their incredible product unsanctioned. The kits they promote through their Dallas-based company Digital Trend Setters turn your iPad/iPhone around to face the world. With flair. The group was proudly broadcasting their favorite music videos and personal graffiti-esque art. While everyone else in the hall had the devices turned onto themselves, using them to create and enchance their own personal world, these guys literally turned it around.

I saw a lot of good, bad and ugly in my spin around MacWorld, but running into this crew at the end rendered the rest of what the show offered rather drab and dull by comparison. Their relatively simple, low-tech spin on the technology really is revolutionary. It may not be for everyone, but for some, it can fundamentally change motivations for purchasing, as well as the way the product is used and perceived. In their own words, here’s what Digital Trendsetters is all about:

This group of highly-motivated individuals insist on working together to inspire the world through creative works of art and talent using the latest high-tech gadgets as part of fashion. Our main objective is to offer outstanding ideas and styles to secure cell phones, iPods, and other mobile devices while on the go. The skills we have obtained are utilized through these devices to show, express, or promote media as an inexpensive way to create awareness. Our mission is to constantly be innovative & expand our products into different markets to create a cycle for generations to follow. The products we sell provide the best marketing solution for promotional use & enjoyable moments during events, ad campaigns, workouts, and performances as a fashionable idea.

And all with nary an “i.” Rock on!

Check out the end of Steve’s post from last year’s SXSW festival, Cutting through Clutter at SXSW for another iPad-wearing observation!

ChittahChattah Quickies

  • [from steve_portigal] DVRs Can’t Handle New Show’s Title [NYTimes.com] – [A UI edge case that wasn't designed for ends up becoming a mainstream concern. "What are the chances that'll happen?" comes true, and now workarounds must be created] It turns out that the search tools on some DVRs cannot find the new show, “$#*! My Dad Says,” because the symbols cannot be read. (Maybe some DVR developers could not foresee a world where TV shows would have a dollar sign in the titles.) Before the show’s premiere on Thursday, CBS released a viewers’ guide of sorts on Wednesday to help people program their DVRs accordingly.

ChittahChattah Quickies

  • [from Dan_Soltzberg] Swedish Artist Michael Johansson’s Shipping Container Art [Inhabitat] – [What makes this 3D collage so appealing: is it the scale? The playfulness? The clever conversation between shapes?] Shipping containers are often repurposed as houses, apartments and studios, but Swedish artist Michael Johansson sees them as building blocks for his sculptures.
  • [from Dan_Soltzberg] Saad Mohseni Is Afghanistan’s First Media Mogul [NPR] – [Afghan Star producer Saad Mohseni is seeding culture change in Afghanistan by broadcasting shows depicting alternate social mores] Through reality TV, dramas, and soap operas, Afghans are able to see things they hadn't been able to watch for years. Women talking to men, for instance.
  • [from Dan_Soltzberg] Tesla Raises Shocking Amount in NASDAQ Debut [Fast Company] – [Tesla takes it public. I have only anecdotal evidence as to the performance of their vehicles – the last time I was on the road next to a Tesla Roadster, it effortlessly smoked my turbo Miata – but Tesla seems like they're doing things right] For all its ambitions to revolutionize the electric car industry, Tesla Motors has only posted a profit once, back in July 2009. It has released just one car (the Roadster), and sells 10 vehicles per week. And yet Tesla's first day of public trading on the stock market has been an indisputable success.
  • [from steve_portigal] Nicolas Hayek, 82, Dies – Introduced Swatch – Obituary (Obit) – NYTimes.com – By the 1970s, the vaunted Swiss watch industry was in jeopardy. Japanese watchmakers had begun to undercut Swiss prices. And public tastes were shifting from the finely wrought analog timepieces in which Swiss artisans had long specialized to the pale flickering faces of mass-market digital watches. In the early 1980s, with no apparent remedy in sight, a group of Swiss banks asked Mr. Hayek to compile a report on how the watchmaking industry might best be liquidated. Instead, he merged two of its former titans, Asuag and SSIH, which between them owned brands like Omega, Longines and Tissot. Mr. Hayek bought a majority stake in the reorganized group, known as SMH. In 1983, SMH introduced the Swatch. Lightweight, with vibrantly colored bands and breezy novelty faces, it was remarkably inexpensive to produce. (with 51 parts, as opposed to the nearly 100 needed to make a traditional wristwatch.) It retailed for less than $35 when it was first marketed in the United States later that year.

ChittahChattah Quickies

  • [from steve_portigal] Soap Operas in the Arab World Yield Their Own Soft Power [NYTimes.com] – [The cultural power of stories] Turkish TV has given the soap a fresh twist by making the connivers, kidnappers and canoodlers Muslims. And it is Arab audiences, even more than Turks, who have been swept off their feet. Through the small screen, Turkey has begun to exercise a big influence at Arab dinner tables, in boardrooms and bedrooms from Morocco to Iraq of a sort that the United States can only dream about. Another consequence of the show: the sudden, spectacular boom in Arab tourism to Turkey. Millions of Arabs now flock here. Turkish Airlines has started direct flights to gulf countries (using soap stars as spokespeople). Turkish travel companies charter boats to ferry Arabs who want a glimpse of the waterfront villa where “Noor” was filmed. If this seems like a triumph of Western values by proxy, the Muslim context remains the crucial bridge. “Ultimately, it’s all about local culture. People respond to what’s familiar.” By which he meant that regionalism, not globalism, sells.

Series

About Steve