Posts tagged “mother”

Tamara’s War Story: What the Hell? Don’t you knock?

My first trip to New Jersey for fieldwork involved two memorable events: a blizzard and a bathroom blitz.

Two days before we departed for New Jersey I received an email request from my client to rent the biggest SUV available. A huge snowstorm was pounding the Northeast and he wanted to feel safe as we ventured into the streets and highways of various townships for a week of in-home interviews. I obliged and was glad I did. The evening we arrived we found the streets covered with snow and the plows were evidently having trouble keeping up.

I kept getting rescheduling calls from the recruiter. Participants were cancelling because of the weather. This seemed strange given the fact that WE were the ones travelling to their homes and they didn’t have to go anywhere! It felt like a game of musical chairs as we continually shifted and rescheduled. It was impossible to predict if we would be able to complete the targeted number of interviews during our weeklong visit. In fact, it was even difficult to predict if we would be able to leave town at the end of the week because the airport was cancelling flights every day.

There were three of us in the field: myself, a videographer, and the client. We all met for breakfast the first morning while the car warmed up. It took 30 minutes to melt the layers of ice that had accumulated overnight on the windshield. Fortunately the heater had kicked in by the time we all piled into the SUV and headed out for our first interview of the week, giving ourselves ample time to arrive at our destination.

Instead of the 30 minutes suggested by Google Maps, we arrived an hour later at our destination, a narrow residential street of two-story beige brick duplexes still decorated for the Christmas holiday. Plows had left six foot tall snowbanks on either side of the street and cars were parked in tight spaces carved out by the residents. Sadly it appeared that most of those residents didn’t have an SUV as big as our rental. We circled the area for fifteen minutes before we found a gap large enough to park in.

We were there to interview a young woman in her 20s, a nurse. She welcomed us into the living room where we set up our cameras and found places to sit among the teddy bear collection and floor-to-ceiling cabinet containing an homage to Michael Jackson. Her mother appeared in a short fuzzy black robe. “I’ve been doing focus groups for years. No one ever asked to come to this house before. Why do you want to go to people’s houses?” We explained the nature of our visit and commenced with the interview.

For the first half hour of the interview the mother came in and out of the room, answering and asking questions and reiterating her concerns about our presence and intentions. Each time, the daughter would suspend her responses to address the interruption, urging her mother out of the room. “We always meet at Dunkin’ Donuts. That’s the place to go…MA! They’re here to talk to me. Let me do this!”, “I always stop on my way to work to pick up an iced tea…MA! Go get dressed already!”, “I love those little facts on the lid. They are so cute…MA! Enough! Quit interrupting us!” No matter what the daughter said, the mother would return every few minutes to listen and contribute.

I realized shortly into the interview that, in our flurry of inclement travel, I had neglected to honor one of the cardinal rules of interviewing: “Go before you arrive.” I ignored my biological needs as long as I could but the morning’s coffee didn’t help. I finally had to excuse myself for a restroom break.

“It’s just there in the hall, on the right” said the nurse, pointing down the mirrored hallway.

I excused myself and walked up to bathroom door. It was open a few inches so I pushed it. There in the bright pink and black tiled bathroom stood the mother, facing the toilet with her little black robe hiked up above the waist, her backside completely exposed. She turned before I could retreat. “What the Hell? Don’t you knock?” I felt blood rush warmly to my face.

“I’m so sorry” I said, backing out and closing the door behind (or rather, in front of) me. “I’m so sorry” I continued, “the door was open. I didn’t realize anyone was in there. I’m so sorry.”

I swiftly returned to the living room.

“I’m so sorry,” I told the nurse. “The door was open a crack so I just went in and I walked in on your mother. I am sure I’ve upset her.”

“Ha! Don’t worry. She’ll be fine” she consoled me. “Maybe she’ll leave us alone now.”

I wasn’t sure I would be fine. I tried to concentrate on the interview, the purpose of our visit, the friendly nurse who gave us a detailed tour of the kitchen drawers. But images of her mother’s bare behind kept flashing in my mind. She was right, sort of, about her mother leaving us alone. For the remaining hour we didn’t hear a word from the woman, though she kept appearing (now fully clothed) wherever we were. She said nothing. She just looked at me with a glare that felt as icy as the windshield that awaited us outside.

Our first stop was a Dunkin’ Donuts where I was finally able to relieve myself.

ChittahChattah Quickies

  • [from steve_portigal] Your Mom Hates Dead Space 2 [RipTen Videogame Blog] – [If we needed more proof you can get anything you want out of a focus group, here it is. "Actual" focus groups with mom/grandma types reveals that they hate the graphic intense new video game. The authenticity of market research is blatantly co-opted; this isn't new, it's just completely unsubtle. What message do you want to send to your boss or your customers? Market research can help you collect the right soundbites! Call now, operators are standing by!] When your Mom doesn’t like something, well you’re nearly lawfully obliged to like it – Drinking? Yeah that’s fun! Going out with girls? Of course! Horrific monsters vomiting on poor souls lost in space? Fucking awesome! EA has launched a new viral campaign for their upcoming survival-horror title “Dead Space 2″ depicting a number of Mom’s being subjected to pre-recorded footage of the horrific game. Seeing these old ladies truly scared by a video game is something that you really have to see to believe.

ChittahChattah Quickies

  • [from Dan_Soltzberg] Fifty Ugliest Cars of the Past 50 Years: A Half-Century of Automotive Eyesores [BusinessWeek] – [Interesting to look at design from a "greatest misses" rather than a greatest hits point of view. Can't say though that I agree with all of the selections for ugliest car – I do have love in my heart for the AMC Gremlin]
  • [from steve_portigal] Pampers offers Rowley-designed diapers [The Associated Press] – [Interesting to hear a story about this trend on NPR's marketplace, suggesting that this was designed to appeal specifically to the mothers. Obviously since the chooser isn't the user here, that's nothing new in itself, but these brands are making explicit the idea of the product design being a reflection of the mom instead of a projection by the mom – here's who I am instead of here's who my kid is] Popular designer Cynthia Rowley has designed 11 styles of Pampers, including pastels, stripes, madras and ruffles. P&G says they'll be offered in Target Corp. stores beginning in mid-July. Jodi Allen, a P&G baby care vice president, says in a statement Wednesday that diaper performance comes first, but parents consider the look important, too. Pampers is the No. 1 worldwide brand in sales for the Cincinnati-based consumer products maker. Dallas-based competitor Kimberly-Clark Corp. last month launched U.S. sales of Huggies Jeans Diapers, giving babies' bottoms a denim style for the summer.

ChittahChattah Quickies

  • DEVO – Focus Group Testing the Future [YouTube] – Filled with brilliantly sarcastic soundbites, this is definitely pushing on post-modernism/post-irony. DEVO doing focus group testing (or so they say) on every aspect of their 2010 offering (brand, logotype, instrumentation, clothing). Interesting also to see how this appears in the press with varying amounts of the irony removed.
  • Theater Preshow Announcements Take Aim at Cellphones [NYTimes.com] – In a production of “Our Town” the director, David Cromer, who played the Stage Manager, took a minimal approach because he wanted to stay true to Thornton Wilder’s desire to forgo conventional theatrics. “In that show we had this issue, which is that there was to be no theater technology. The whole act of my entrance was that you were supposed to think it was someone from the theater,” Mr. Cromer explained. “We didn’t want the Stage Manager to come out and say, ‘Please turn your cellphones off,’ because that would be rewriting Wilder.” Instead Mr. Cromer simply held up a cellphone upon entering at the beginning of each act and then turned it off and put it away, casually showing the audience what to do without talking about it. “The first time I was watching another actor take over in the show as the Stage Manager,” Mr. Cromer said, “he came out, held his cellphone in the air, and the woman next to me said, ‘Oh, someone lost their cellphone.’ ”

ChittahChattah Quickies

  • Lovenest: Help Keep Your Baby’s Head Round – The parent-of-baby market seems unique in its (often peer-reinforced) drive to identify new needs and corresponding solutions. This leads to a lot of stuff being produced, some as expensive replacements for existing satisfactory (if generic) solutions, but much of it seemingly innovative. I suppose the work of a parent now includes the emotionally fraught process of trying to sort out the difference.
  • Icon-o-Cast by Lunar : Best products & experiences for new moms & their babies – This is a really great discussion about how parents-to-be seek out product information, what products are offering and not offering, the challenges around integration with other products and with the existing home environment. Good insight and tons of opportunity for designers, brands, and retailers.

Won’t Somebody Think Of The Children?!

Joan Acocella looks at a a few books about child-rearing and explores the zeitgeist through the lens of our current parenting practices. The piece looks at the complex relationship between shifting behaviors, norms, and pressures, the products and services that emerge to serve them, and the medium- and long-term societal consequences. Fascinating stuff.

When the student goes off to college, overparenting need not stop. Many mothers and fathers, or their office assistants, edit their children’s term papers by e-mail. They also give them cell phones equipped with G.P.S. monitors, in order to track their movements. In Marano’s eyes, the cell phone, by allowing children to consult with their parents over any problem, any decision, any “flicker of experience,” has become the foremost technological adjunct of overparenting.

Students provided with such benefits may study harder and, upon graduation, land a fancy job. On the other hand, they may join the ranks of the “boomerang children,” who move straight back home. A recent survey found that fifty-five per cent of American men between the ages of eighteen and twenty-four, and fourteen per cent between the ages of twenty-five and thirty-four, live with their parents. Among the reasons cited are the high cost of housing, heavy competition for good jobs, and the burden of repaying college loans, but another factor may be sheer habit, even desire. Marano and others believe that, while hovering parents say that their goal is to launch the child into the world successfully, the truth lies deeper, in some dark dependency, some transfer of the parent’s identity to the child.

Mom’s Quality Correspondents at McDonald’s

Last year McDonald’s set up a panel of high-profile over-achieving moms. Their latest version appears to be drawing from the ranks of the everyday customer.

In a bid to convince health-conscious moms that its food is nutritious, McDonald’s says it will bring the group of mothers fully inside the company. The moms will visit restaurants, processing plants, orchards and test kitchens.

Beginning June 20, the moms will keep an online journal for roughly three months about what they see – and how they feel about it. The journal will be posted on the McDonald’s website and, the company hopes, read by other moms. McDonald’s insists it will have no input on what the women write.

McDonald’s dubbed the program Mom’s Quality Correspondents. The moms were picked from 4,000 applicants by Arc Worldwide, a promotions specialist.

They aren’t being paid, though McDonald’s pays for their travel. They got laptop computers for the program that they will be allowed to keep.

The women will be journaling – not blogging – says Starmann, meaning consumer responses to their comments will not be posted on the site. But the six mothers are free to respond to consumers or to post comments on other blogs, she says. They also will appear in videos at www.mcdonaldsmom.com.

FreshMeat #16: American Girl, Mama Let Me Be

========================================================
FreshMeat #16 from Steve Portigal

               (__)
               (oo) Fresh
                \\/  Meat 

FreshMeat? Well, thank you kindly, I’d love some!
=========================================================
All dolled up, with someplace to go.
=========================================================

American Girl Place is an astonishing retail environment
in Chicago, a destination for the many fans of the
American Girl dolls. Over 5 million of the 18-inch,
slightly cartoonish American Girl dolls have been sold by
the Pleasant Company (started by Pleasant T. Rowland in
1986, and if that isn’t proof that name equals destiny,
I don’t know what would be) who were acquired by Mattel
in 1998.

The Place itself is a three-floor department store located
just off of Michigan Avenue’s Magnificent Mile. It truly
is a destination retail setting, doing much more than
simply vending the products, it takes the whole concept
even further, with such amenities as a salon, and a cafe.

It is somewhat difficult to separate the wonders of
American Girl Place from the wonders of the American Girl
products, so I’ll describe them together.

The products are extremely well-organized, and highly
structured. The lead offering is The American Girls
Collection: a series of dolls that are each branded
is a consistent set of products (i.e., books about
their adventures and period-appropriate costumes).

For example, Addy is a courageous girl of the Civil War,
from 1864 (Addy – 1864 – A proud, courageous girl – stories
of freedom and family). Josephina is an Hispanic girl of
heart and hope, from 1824. Kit is a bright spark in the dark
depression, from 1934. There are 8 dolls in all, ranging
from 1764 to 1944. In the lower level of the store, they
are each presented in gorgeous museum-like dioramas around
the perimeter of a large room, with product pull-tags
placed directly below. The whole room reeks of heritage,
legacy, quality, and the better times of our past.

The balancing act here is how they depict parts of US
history that were difficult (or oppressive, or racist)
through the eyes of their Girl, without being revisionist
about the past. I don’t know if they succeed in that
balance. I have a gut reaction when I see a smiling doll
who had to deal with slavery, or economic challenges.
“Wait a minute – that was a terrible experience – why are
they celebrating it?” – but I do eventually realize that
there are many stories to any experience. People will
smile, care for a child, fall in love, or whatever,
regardless of the larger circumstances. Wasn’t this one of
the many lessons from The Diary of Anne Frank?

I was fascinated to see that their latest offering is
called “Girls of Many Lands.” It is possibly a response
to 9/11, in the increasing awareness within the US that
understanding the rest of the world is vitally important.
On another level, the text indicates that these girls
are finding their place in a changing world, a reference
to the uncertainty of 2002, and the uncertainty of
pre-adolescence: “As you get older, the world seems both
bigger and smaller at the same time. It’s full of
opportunities – and questions, too. How do I fit in? Who
will I become? What is life like for other girls my age?”
The dolls themselves are smaller, intended for display, not
play, and include Neela from India in 1939, and Spring Pearl
from China, in 1857.

The second major product line is American Girl Today. The
American Girls Collection (described above) times out in 1944,
and is based on specific, fixed backstories. In contrast,
American Girl Today dolls are ready for personalization. The
set of dolls is displayed in a glass case, all dressed in the
same neutral school uniform, posed as if for a class photo.
They all seem completely alike, but upon closer inspection,
one sees the variation in hair, eye, and skin color. Looking
at all these near-identical, smiling, staring dolls was pretty
darn creepy.

The dolls are available in a range of combinations of pigments
(i.e., GT21F hass light skin, curly honey-blond hair, hazel eyes,
while GT2F has medium skin, dark brown hair, and lightbrown
eyes). Rather than defining the backstory, they are creating
a neutral backdrop for the customer to build upon, further
served by identifying the doll with a model number such as
GT3F rather than a name like Kit. The tag line is “What kind of girl are you?”

There are a huge number of outfits available for the Today doll
including: cheerleader, baseball player, soccer player, skier, and baker.

In one of the few product line inconsistencies, there is a
Today doll named Lindsey. There is no obvious reason why
they’ve created a character within this product line. Oh,
and what do these dolls cost? For $135, you can purchase
Lindsey, with the Lindsey book, a scooter, a laptop and
laptop case. This is a $15 saving versus buying each item
separately.

There are also a few supplementary product lines such as
Angelina Ballerina (a mouse), and Bitty Baby.

A number of electronic gizmos (for a person, not for a doll)
are available, including a PDA, a digital video camera, and
an MP3 player. Of anything they sell, this was the least
integrated product line – they all were clearly not your
mother’s Palm, with lots of pink plastic and fun buttons
and so on, but it didn’t seem like they had a complete idea
as to what their design language was for electronic goods.

There are also books, about feelings, school, boys, and
babysitting. My personal favorite was a series of books
about Amelia, who carries around a notebook that she fills
with interesting facts and observations. She was the only
character who’s hook was that she was smart. She seemed
reminiscent of Harriet the Spy, and her products seemed to
be ignored by shoppers during my visits.

The store features a salon, where there are options between
$10 and $20 that include brushing out the doll’s tangles, a
misting, styling, and a hair accessory such as a barrette.
There are also books for sale that give styling tips for
the doll’s hair (and for your hair).

There is a cafe with a parodic Art Deco look, thick black
and white horizontal stripes run around the room, with lots
of hot pink and enormous “buttons” serving as drapery
clasps. The menu is a prix-fixe affair, offering a 3-course
lunch, and a similar tea. It’s the ultimate “ladies who
lunch” environment, for young ladies, of course. A poster
outside the store advertises the cafe, showing the empty
restaurant, with just a doll sitting at a table, alone. This
was definitely a disturbing image.

In the basement is a theater, with live performances of
the second American Girls musical, “Circle of Friends.”
Soundtrack CDs are available for purchase. The soundtrack
to the American Girls Revue includes “The American Girls
Anthem” in which the characters declare their intention
to be the very best that they can be.

Overall, a key here is how they have created multiple
customers, all experiencing a different vicarious
experience, yet all of them compatible. The dolls are
rooted in the past, suggesting an authenticity and history
akin to an original Teddy Roosevelt bear (versus a modern
day Gund or Beanie Baby.) The store plays host to young
girls with their mothers, and their grandmothers, each
taking this in from a different perspective. Grandmothers
remember their childhood, and raising their own children,
mothers can continue a legacy, and the girls are into
something tuned just for them. The extra dollop of genius
is in the next step of recursion: the child can play
mother to her doll through these products (certainly,
allowing a young girl to play at motherhood has been part
of the appeal of dolls forever, but American Girl taps
into that incredibly well, for example the Dress Like
Your Doll department with matching girl-sized and
doll-sized outfits). The result is three-and-a-half
generations of customers!

Playing this game further, near the front entrance is a
rack of souvenirs available for both girls, and their
dolls. There are girl-sized and doll-sized umbrellas as
well as caps, t-shirts, and jackets that read “American
Girl Place.” My doll went to American Girl Place and all
she got was this lousy T-shirt?

Or consider the photo studio, where shoppers can get
their own copy of American Girl magazine, with their
photo on the cover. Which begs the question – who do they
suggest the American Girl actually is? The doll? The girl?
Or, both? American girls buy American Girls. Another subtle
but powerful play with identity.

So what are some of the lessons here?
– Understand the multiple players in a purchase process,
and ideally sell to them all
– Organize and structure your products consistently
– Create products that tell stories
– Create accessories and product extensions that tell
more stories and help your customers tell stories
– If you want to create a destination retail for your
brand, don’t do a “theme park” – take the core
experience you offer further

Of course, this is nothing but a first pass. Observation,
and analysis, and all of it IMHO. There are several
obvious next steps:
– look at the actual customers to test these hypotheses
– understand other aspects of doll culture (consider
collectors as a “lead user” community, for example)
– consider American Girl Place as a metaphor, and being
to apply the lessons learned from the process to other
business situations beyond selling dolls.

As a final thought, we always find it horrifying to see a
company being effective in marketing to a target, especially
if that target is a child. I was prepared for that (ridiculous and
personally hypocritical) reaction myself, but I think it’s relevant
to look at the overwhelming positiveness of their message, and
how sincerely and consistently they present it.

Update:

Dolls as Role Models, Neither Barbie Nor Britney
By STEPHEN KINZER

Published: November 6, 2003

CHICAGO, Nov. 5 – Surrounded by exuberant girls, including her own 8-year-old, a Wisconsin resident named Jean Carter seemed positively thrilled as she paid $650, more than twice what she had planned, at American Girl Place here.

To start, she had bought two of the store’s $90 dolls, each representing a character from a different era in American history, and then novels about each doll’s character. Then came high tea, the musical theater show and finally some of the endless stream of tie-in merchandise that has made American Girl a huge marketing success as well as a cultural phenomenon.

“It’s a racket, but it’s a good racket,” Ms. Carter said. “The kids get strong historical role models and stories that teach them a lot about life. You actually feel good spending the money.”

Update:

The Baffler, #15, an article by Terri Kapsalis that offers up some of the same observations of the American Girl Place (does she read FreshMeat?) but brings in an interesting comparison to the way prospective mothers interact with the catalogs of sperm donors.

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