• [from steve_portigal] A gadget’s life: From gee-whiz to junk [WaPo] – [An interactive graphic that shows the price-adjusted adoption curves of consumer electronics (TVs, phones, fax machines, mobile phones, printers, computers, modems, VCRs, camcorders, digital cameras, DVD players, boomboxes, radios, CD players, MP3 players). Via @Waxy]
• [from julienorvaisas] Boredom Enthusiasts Discover the Pleasures of Understimulation [WSJ.com] – [Kindred spirits celebrate the benefits and glory of all-things boring! For the researcher not much actually qualifies as boring.] For seven hours, 20 speakers held forth on a range of seemingly dreary diversions, from "The Intangible Beauty of Car Park Roofs" and "Personal Reflections on the English Breakfast," to "The Draw in Test Match Cricket" and "My Relationship With Bus Routes." Meanwhile, some of the 200 audience members—each of whom had paid £15 (about $24) for a ticket—tried not to nod off. Karen Christopher of Chicago, who now lives in London, found at least one presentation so wearisome that she stopped paying attention. "I started thinking about Swedish police procedurals instead," she said. The organizers did their best to keep the audience alert. Many viewers brought coffee, and each received a goodie bag containing an energy bar. After a much-needed break, a drawing was held. Some of the winners got a DVD called "Helvetica," a 2007 documentary about typography.
• [from steve_portigal] Verizon iPhone Won’t Fit Many Existing iPhone 4 Cases [Technologizer] – [Technology designers giveth, and they taketh away. The process of shopping for accessories just got more complex; Yes, you have an iPhone but what KIND of iPhone?] It appears the Verizon iPhone uses a slightly different antenna design that repositions the gaps between the phone’s multiple external antennas (found in the metal ring around the phone’s outer edge). Along with this change, the phone’s Ring/Silent switch has been moved ever-so-slightly closer to the bottom of the phone. While the difference between the switch positions may seem small, it’s enough that a protective iPhone case made for the original iPhone 4—the version sold by AT&T here in the U.S.—may not work with the Verizon iPhone 4. Specifically, if a case covers the edges of the phone, providing separate precision openings for the Ring/Silent switch and the volume buttons, there’s a good chance that the switch opening will be in the wrong location—in other words, the case will block access to the Ring/Silent switch.

2010 has been an amazing year for us. While we can’t talk about many of the incredible experiences we had doing fieldwork and working with clients, below are some of the highlights that we can share:

• New faces! Our team is ably enhanced by Julie Norvaisas and Wyatt Starosta (also see a conversation with Julie here)
• Steve shared observations of Austin/SXSW, SXSW again, Austin again, Munich, Rome, and gleaners at the Munich airport
• We noted symbols and meaning, branding in the details, the need for authenticity in marketing (and in jeans), and the need for something we’re calling anticipatory design,
• We took umbrage over ridiculous user experiences from United Airlines, airplanes and elevators, hotel elevators, conference badge design, a cupcake store, Lenovo, and a shaver out-of-the-box experience
• We mused about packaging and branding, conceptual collisions, neighborhood erosion, Harley branding dissonance, uncomsumption, localized stereotypes, super-immediate gratification, global norms for question asking, how research informs design, and this thing we call user “needs”
• We tracked provocative, charming and curious messaging, designs and user experiences from a cupcake store (by Steve; by Julie), a parking lot, toilets, Vodafone’s retail outline in Munich, building painters, JetBlue, what’s in the garage, foreign groceries, Devo, and the Savannah police
• We prototyped the ideal research study for Netflix (sadly, we never got the gig)
• We drew inspiration from Eminem, Will.i.am, Jack White, photographer Michael Schmidt, James Toback, fiction in the New Yorker, Douglas Coupland, and Neal Stephenson
• Steve assessed the human impact, micro and macro, of technology and design for interactions, extracted innovation principles from an discomfort-inducing ad for menstruation products for Core77, considered Homer Simpson and global culture for Core77, and interviewed Eric Ludlum (of Core77) for Ambidextrous
• Steve was interviewed for a book about innovation in design for emerging markets and in a podcast with Jared Spool about user interviewing best practices
• We interviewed ourselves for the premiere of Core77’s Wiretap feature
• Steve presented When Not To Follow User-Centered Design Techniques at HFES, Ethnography as a Cultural Practice at PARC, Skill Building for Design Innovators at CHIFOO, Culture, You’re Soaking In it at UPA 2010 in Munich, Integrating User Insight (with Aviva Rosenstein) at SXSW, and Deep-Dive Interviewing Secrets at a UIE Virtual Seminar
• Steve also lectured on improv and creativity for Seattle’s CHI group, Reading Ahead for Adobe and SCAD, innovation skills for Amazon, and synthesizing user research at the Austin Center for Design, Formation Design Group, CHI2010, University of Oregon, PDX IxDA, SF IxDA, and Interaction 10
• We attended November’s User Research Friday 10 and reflected on what we learned; we also led a Thursday workshop for User Research Friday and reflected on what we learned. We also attended last February’s User Research Friday 10 and reflected on what we learned
• Whew!

You can also see previous summaries from 2009 and 2008.

• [from julienorvaisas] Steve Madden’s Comeback [Barrons.com] – [Steve Madden puts real-time rapid shoe prototypes in front of customers for instant feedback communicated through sales and interest. It's research that asks people to put their money where their mouth is, and provides significant financial efficiencies.] Madden is also responsible for what many think is the shoe merchant's biggest asset—its ability to quickly create cutting-edge footwear. After he and his team come up with a design for, say, new boots, a mini-factory at their headquarters can turn it into a trial product within hours, produce a limited number of the boots by the end of the day, and place them in a few of its own retail stores by week's end. The shoe merchant then gets feedback from the stores. If the footwear is a hit, it can be on retailers' shelves throughout the U.S. in six to eight weeks.
• [from steve_portigal] TidyPSD – Get your PSDs organized! – [A fascinating example of a service. Upload a Photoshop (PSD) file to this site and they will organize it for you, grouping layers and renaming them in a coherent fashion. You can imagine digital professional organizing services that will clean up your files, organize MP3s or photos, but this is a very specific offer, akin to a professional organizer who sorts out your spice rack only.] It’s very difficult for coders to work with someone else’s PSD files if they’re not organized correctly. We help fix that problem by organizing your PSDs for you.

• [from steve_portigal] LCARS Standards Development Board – [Library Computer Access/Retrieval System is the name of the operating system used by ship systems on Star Trek. As fan sites and other bits of consumer-developed tech emulate the look and feel of interfaces from Star Trek, this site is an effort to create a set of UI standards around colors, fonts, animation, sounds, and other interactive elements.]
• [from steve_portigal] How Kanye makes his musical sausage [Kottke] – [If you've been enjoying our recent examples of inspiring or provocative thoughts on creativity from performing artists, here's another one] Interesting piece on how Kanye West's latest album, My Beautiful Dark Twisted Fantasy, got made. Lots of good creative process bits

Medical marijuana dispensary, Sausalito, CA, November 2010

I was unable to find out about this symbol’s history or affiliation. Green Cross is a common term/symbol for medical pot, but seems tied to various local organizations (including a delivery service in San Francisco), while this specific graphic didn’t show up anywhere in my searches. Meanwhile, as new symbols and meanings emerge they can sometimes conflict: Green Cross is also an international organization, based in Switzerland whose mission “is to respond to the combined challenges of security, poverty and environmental degradation to ensure a sustainable and secure future.” When multiple groups appropriate and recontextualize an existing symbol (in this case the Red Cross) that collision is ever more likely.

Unisex bathroom sign, San Francisco, CA, August 2010

While this sign, seen in the Commonwealth restaurant, may actually be a branding icon for the restaurant (since it appears on their menu) and not a new symbol for men-plus-women, given its visual insinuation, and application (appearing on two adjacent doors, just where you’d expect to find the bathrooms), it begins to suggest a broader meaning. Unisex bathroom signs are typically denoted by the icons for men and women, together but the idea (intentional or not) that this usage has a gestalt not fully addressed by combining existing symbols is a powerful one.

What new symbols and new meanings are you seeing?

• [from steve_portigal] Start-Ups Follow Twitter, and Become Neighbors [NYTimes.com] – [The supposed demand to be co-located in the same office building as Twitter, hoping for some f2f meatspace benefits from proximity to a virtual powerhouse] And so he snagged an office at 795 Folsom, Twitter’s headquarters in the SoMa neighborhood. There, he has been stalking executives on — where else? — Twitter, to see who is to visit Twitter’s offices. When he finds out, he pounces and “hijacks the meeting,” he said, by asking them to swing by his company, Klout. By doing that, he has met Robert Scoble, the influential technology blogger, and Steve Rubel, director of insights for the digital division of Edelman, the big public relations firm, and has spotted Kanye West in the lobby on his way to Twitter. Through elevator and lobby run-ins, he has also forged a close enough relationship with Twitter’s chief executive, Dick Costolo, that Mr. Costolo is helping Klout raise venture capital. “Now I have his cellphone, and I text him,” Mr. Fernandez said.
• [from steve_portigal] User-centered Innovation in Stanford’s Entrepreneurial Design for Extreme Affordability class [SF Chronicle] – [The article mostly focuses on a specific innovative design – a low-cost incubator-type-solution for Nepal; but the most quotable bits were towards the end, where they discuss the operating framework of this class.] About to start its eighth year in January, the class has completed about 60 projects for 15 partner organizations in 10 countries. It brings together students from different academic backgrounds…They all have one goal in common: to design products for the poor and to treat them as customers rather than handing them our leftovers and castoffs. "We are trying to figure out what they want and need," said Jim Patell, the Stanford professor who leads the class. "It is not our job to tell them what they want."

• [from steve_portigal] a new analog take on the book [Influxinsights] – [In our Reading Ahead project we encouraged designers and publishers to consider the possibilities for design in the traditional book, and not just focus on what digital can bring. So this was exciting to see!] These are reactions to a radical new book design from Visual Editions, a UK based publisher with a new take on the reading experience. The book is "Tree of Codes" and it's author Jonathan Safran Foer's experiment to cut-in, using die-cuts to his favorite book, "The Street of Crocodiles" by Bruno Schultz.

• [from steve_portigal] book lovers never go to bed alone – [A Tumblr blog consisting only of photos of bookshelves, from homes and bookstores. Why? Because they can.]
• [from steve_portigal] Ideal Bookshelf – [More examples of books as a identity system] This is an ongoing project called "Ideal Bookshelf". I paint sets of books as a form of portraiture: a person's favorites (of all time, within a genre or from a particular period in their lives); the ones that helped make them who they are today. We show off our books on shelves like merit badges (the ones not on our Kindle, at least), because we're proud of the ideas we've ingested to make us who we are, as we should be. The spine of a book is a sort of code for the giant cloud of ideas the author included within it. Just ten of them together on a sheet of paper tells the story of the mind that picked them in a way that is easily digestible but allows for endless study. We also display our books hoping to connect with others. When I paint someone else's bookshelf and they have the same book I do, it instantly makes me happy.
• [from steve_portigal] Mr. Peanut’s New Look? Planters Went Old School [NYTimes.com] – Mr. Peanut is getting a voice as part of efforts to revitalize the character and brand for contemporary consumers. [Also] a new look, meant to give him a more authentic appearance by evoking designs of the character from the 30s & 40s. He is now brown, rather than yellow, and sports a gray flannel suit…Nostalgia is not what it used to be, particularly when it comes to younger consumers, so the goal is to be perceived not as old-fashioned but rather as old-school ­ from an earlier era and worthy of respect…Mr. Levine hastened to reassure fans that “he’s still Mr. Peanut, with the top hat and monocle and cane….We’re taking him back to his roots.” In addition to getting a voice, Mr. Peanut has a new sidekick. Mr. Peanut’s buddy is named Benson, shorter than Mr. Peanut ­ one nut in his shell rather than two. “Benson is quite enamored of Mr. Peanut,” Mr. Levine said, but they are, as the saying goes, just friends. Benson does not live in Mr. Peanut’s house, Mr. Wixom said.
• [from steve_portigal] White poppies banned from P.E.I. market [CBC News] – [Disruption – whether innovative or not – starts with ideas. The poppy itself is not harmful or otherwise objectionable, but the idea it – arbitrarily, mind you – represents is transgressive enough that the establishment reacts as only the establishment can – by banning the representation of that idea. I assume, for further irony, that these are plastic poppies, not "real" poppies. The power of symbols!] The Charlottetown Farmers Market turned away people selling white poppies on Sunday for Remembrance Day. Volunteers with the Island Peace Committee had arranged to hand out the controversial poppies at the farmers market for the second consecutive week. Committee members say the alternative poppies stand for peace and are also to remember civilians who die in war. The white poppies have drawn an angry response from the Royal Canadian Legion, saying they detract from the original red poppy…For now, people will have to contact the Island Peace Committee directly to get a white poppy.

• [from julienorvaisas] Awful elevator panel design [Boing Boing] – [Another entrant in what is becoming a theme on this blog: how-complicated-does-it-have-to-be-to-go-up-and-down?] Robyn Miller took this photo of a poorly designed elevator control panel.
• [from julienorvaisas] David Hockney’s instant iPad art [BBC News] – [Now that's a convincing interface and experience.] "Who wouldn't want one? Picasso or Van Gogh would have snapped one up," the artist David Hockney tells me at the opening of his latest show in Paris called Fleurs Fraiches, or Fresh Flowers. "It's a real privilege to make these works of art through digital tools which mean you don't have the bother of water, paints, and the chore of clearing things away," he says. "You know sometimes I get so carried away, I wipe my fingers at the end thinking that I've got paint on them."
• [from steve_portigal] Doonesbury Turns 40 [Rolling Stone] – [One of the most surprising bits in this Chip Kidd interview with Garry Trudeau. As consumers, we constantly make the mistake of conflating the artist with their art, the producer with their product. We know the material – sometimes very well – and so we really think we know the maker equally well. Trudeau reminds us, once again, that in least one critical way, we don't] I'm never happier than when I'm not working. The strip is a job ­ that's why I take money for it. It's a job I'm passionate about, but it's a job I totally leave in the studio when I walk out of here, unless I'm late and I have to work at home. I never think of the strip unless I'm compelled to.

We believe in the power of transparency at many different levels. We regularly advise our clients to leverage transparency as a design strategy. Over the years, our research repeatedly shows that people are more comfortable when they know where their stuff comes from, what’s in it, and who’s making it, and that this comfort leads to good things like loyalty, brand affinity, adoption.

Transparency around gadgets is getting some attention these days. Some of the spotlight has been focused on

• Experiences of employees at Foxconn, the factory involved with manufacturing iPhones. See Wired’s recent, Where the Workers to Made your iPhone Sleep at Night
• The economic implications of China withholding rare earth minerals critical in the manufacture of technology. Last week the BBC had a piece on it: Rare earth minerals shortage feared by US and EU
• Recent watchdog-group and legislative efforts in California to disclose radiation emissions for various phone models at the point of sale

While our shiny devices have made our individual worlds more transparent through features such as GPS, augmented reality and user reviews, the devices themselves still feel magical. Their origins and inner workings are utterly mysterious. As our relationships with these devices deepen, as a culture we are becoming more interested in what we’re consuming.

Take a look at how transparency feels in this much lower-tech analog: gourmet cupcakes. At a cupcake shop in San Diego, ingredients were featured rather than hidden because of a refrigerator malfunction. The backstage became front-and-center, as Steve talks about here.

As a customer, it felt great to have a window into the process, in a kind of “Stars: They’re Just Like Us!” way. Gourmet cupcakes are made of the same things we use at home! Wholesome! Recognizable! Comforting! Trustworthy. When I took a bite of the finished product my enjoyment was subtly enhanced by knowing what I was sinking my teeth into.

Transparency as a policy is risky in some cases, of course. Knowing more about my cupcake felt good; finding out about what’s inside my iPhone is not producing those same reassuring feelings!