I was in London towards the end of October to give a workshop and the closing keynote at Interact 15. Here are just a few of my London pictures.

Welcomed to Tobias & Tobias, just before the fire drill (an actual fire drill).

Bee guy.

The login screen at a nearby gastropub.

Serpentine Sackler Gallery by Zaha Hadid.

• The Story: A one-day conference about stories and story-telling – The Story will be a celebration of everything that is wonderful, inspiring and awesome about stories, in whatever medium possible. We’re hoping to have stories that are written, spoken, played, described, enacted, whispered, projected, orchestrated, performed, printed – whatever form stories come in, we hope to have them here. The Story is not about theories of stories, or making money from stories, but about the sheer visceral pleasure of telling a story. Whether it is in a game, a movie, a book, or a pub, we’ve all heard or told or been part of stories that have made us gasp, cry or just laugh.

I’ve posted about 150 photos fo Flickr from our recent trip to London. Here’s a few favorites

See also:

• London 2007
• London (and Sheffield) 2008

• Waldo Hunt, 88, dies; repopularized pop-up books in 1960s – "He was such an important publisher of pop-up books who really advanced them technically. The pop-up designers who worked for him were amazing creative engineers," said Cynthia Burlingham, director of the Grunwald Center for the Graphic Arts at the Hammer Museum of UCLA.

  The first golden age of movable books began in the late 1800s, when European publishers crafted elaborate books for children, and ended with the onset of World War I. With Mr. Hunt's epiphany, the second golden age was about to begin.

  "I knew I'd found the magic key," Mr. Hunt said. "No one was doing pop-ups in this country. No one could afford to make them here. They had to be done by hand, and labor was too expensive."

  He started Graphics International, and produced a series of pop-up ads featuring zoo scenes as part of a magazine campaign for Wrigley's gum. Soon, his company was creating pop-up table decorations and greeting cards for Hallmark.

• Electronic Popable Books from MIT – Electronic popables integrate paper-based electronic sensors that allow amazing interactivity — turning on lights and moving images at the touch of a finger. Will it catch on or will the line between printing on paper and electronic media become so blurred that consumers will opt to watch the story on a screen?
• StoryCorps: National Day of Listening – On the day after Thanksgiving, set aside one hour to record a conversation with someone important to you. You can interview anyone you choose: an older relative, a friend, a teacher, or someone from the neighborhood.

  You can preserve the interview using recording equipment readily available in most homes, such as cell phones, tape recorders, computers, or even pen and paper. Our free Do-It-Yourself Instruction Guide is easy to use and will prepare you and your interview partner to record a memorable conversation, no matter which recording method you choose.

  Make a yearly tradition of listening to and preserving a loved one’s story. The stories you collect will become treasured keepsakes that grow more valuable with each passing generation.
  (via BoingBoing)

• London 2009 – a set on Flickr – My London pictures from our recent visit
• Every year, The Harris Poll asks a cross-section of adults whether they think about 20 leading industries do a good or a bad job of serving their consumers. – Note that the cable industry regularly appears on this poll as doing a bad job.
• Time Warner insincerely and manipulatively asks customers to "vote" if it should "get tough" or "roll over" – Facing expiring deals with a number of key programmers, the nation's second-largest cable operator is launching a Web site, rolloverorgettough.com, which it says is designed to give its subscribers a voice in what it calls unfair price demands by content suppliers. Time Warner says those who operate broadcast and cable networks are asking for "incredible price hikes," as much as 300%. Customers will be able to vote on whether the operator rolls over, or should get tough, about price increases.

  "You're our customers, so help us decide what to do. We're just one company, but there are millions of you. Together, we just might be able to make a difference in what America pays for its favorite entertainment."

In our recent AIGA Gain article about noticing, we relate how the process of noticing once and then noticing again is a way to find patterns and uncover themes.

During my recent trip to the UK, I took this picture of a discarded banana peel.

I didn’t notice other bananas, but someone else did and they’ve started the London Bananas Project, a fantastic archive of banana peels in the London public space.

When I arrived I noticed something straight away: there’s a lot of banana skins around.

I see them everywhere. They’re languishing on doorsteps, hanging out in the middle of the road, dangling off street signs, peeking out of piles of garbage, reclining in the middle of the sidewalk, riding the bus for free. A great number of them are bright yellow as if they’re fresh and have just been dropped, although they appear in all states of decay. I don’t know how or why they caught my attention, but within a week of being in London I couldn’t get my mind off these banana skins. Where were they coming from? Who was eating all these bananas and leaving the skins around? Why was it always bananas I was seeing, and not, say, oranges? Was it a sign? Was there something sinister going on? Apparently these little hazards were a covert operation going completely unnoticed; everyone I asked about it said that they had never noticed anything of the sort and looked at me as if I was nuts.

That’s a great description of the power of noticing (even if it doesn’t go anywhere, it’s still a great set of muscles to keep flexing).

Here’s bananas in Bangalore:

See also: Street Mattress

Construction site, London, July 2008

The hook – a huge metal piece that moves through the site at all heights – is painted Day-Glo orange to increase the likelihood that people will see it, and avoid it.

Rack o’ seats, Tate Modern, London, July 2008

This is a nice touch: self-serve portable seating for your journey through an art museum.

Upon entering the Visitor’s Centre at the Battersea Power Station we encountered an enormous graphic, printed on canvas, and mounted on the wall like a work of art.

Here’s a thumbnail (click to see it on Flickr – account required)
or view it full size here.

Here’s a detail:

It looks as if the team working on the redevelopment conducted (or simulated the output of) an in-depth brainstorm session and had someone illustrate the resulting mental map/conceptual framework/jargony-jargon-jargon. But this is a bit of insider cricket, so why is it presented like artwork and the first thing that greets a visitor? An odd, if intriguing, way of using an artifact like this.

Previously on Battersea Power Station

• The space between yes and no as a local indicator
• My pictures from the Battersea Power Station

Also: see more of my London and Sheffield pictures here.

While in the UK recently I took advantage of an extremely rare opportunity to tour the long-closed Battersea Power Station. It’s an iconic part of the London landscape, known to many for appearing on the cover of Pink Floyd’s Animals.

The tour was basically a community open house, to try and drum up support/input for the redevelopment plans. Visitors were asked to complete a survey…

…and this question caught my eye:

I really got a kick out of the localized UK English choices for the responses.

Also: see my pictures from the Battersea Power Station here and more of my London and Sheffield pictures here.

Previous posts on surveys:

• If you rent from Budget, do you get what you pay for?
• Survey Revenge?
• Son of survey
• Bad Survey Design. Please Stop!

Trust Your Senses, security poster, London Underground, 2008

Eye Bee M, Paul Rand, 1970

See more of my London and Sheffield pictures here.