Vote for Steve’s SXSW proposal: “The Power of Bad Ideas”

I’ve got a proposal in for next year’s SXSW conference. The talk I’m planning to do is entitled “The Power of Bad Ideas”

In business and in life, we pursue the good stuff and champion people who are known for their good ideas. But when we place too strong an emphasis on just the good, we may neglect to consider the bad ones. In design and in brainstorming, deliberately seeking out bad ideas is a powerful way to unlock creativity. Generating bad ideas can reveal our assumptions about the difference between bad and good, and often seemingly bad ideas turn out to be good ones. Jotly and Cow Clicker were jokes/parodies (e.g., not good ideas) that have been surprisingly successful. Neil Young and Crazy Horse have covered folk songs. An action blockbuster features a US president swinging a silver axe against vampires. In this talk, I’ll explore how opening up the bad idea valve can lead unexpectedly to the kind of success we aim for with our good ideas.

This talk picks up where my Core77 article and some recent blog posts (here, here) left off. I’m looking forward to developing the material further and talking it through live.

Part of the consideration that SXSW uses in sorting out their 3200 proposals is voting. I’d really appreciate your help: check out the page for the talk, add any comments, questions, or words of encouragement, and vote “thumbs up” (you’ll have to sign in or create an account if you don’t have one).

Thanks for your help!

This Week @ Portigal

What’s going on this week:

  • Fieldwork! This morning I’m in Salem, OR with the client talking to users about their businesses. I’m flying home tonight, hopefully with a stop in Portland for something delicious. More interviews in Phoenix the rest of this week.
  • Sadly, a project I was bidding on, with a really great group, didn’t come through because that team’s timeline didn’t line up with our availability. But as always, doors close and others open. We’re talking with another organization about a fascinating project with a talented team and I’m keep fingers crossed that timing won’t be a deal breaker for them as well.
  • I leave on Wednesday for Sydney. There will be a meetup next Monday at The Beresford. Get in touch for details. Then it’s UX Australia in Brisbane and Service Design Melbourne after that.
  • Coming very soon – details for the IxD13 Student Design Challenge.
  • Check out my SXSW proposal for The Power of Bad Ideas. Please vote yes and add your comments.
  • Ten years gone: From August 2002 – Fresh Meat #15, Rashomon: 1, 2, 3, 4
  • What we’re consuming: NTSF:SD:SUV:, Voodoo Doughnut, Paul Calf, Salt & Straw.
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Brandon’s War Story – CATastrophe

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Brandon Satanek (Twitter, blog) is a User Experience Designer who lives in Michigan, trying to make everyday products better. He tells a story about a multi-sensory fieldwork experience.

I’ll never forget the sight of that poor kitten munching on a cockroach. Our mission was relatively simple. Being employed by a large computer peripheral maker, we were to interview small businesses to see how they were using our products. The visit that brisk winter morning was to a costume rental shop that also did some tailoring. Upon entering the store, we were greeted with a smell, which if called pungent, would be a kind and generous description. The owners, well, they must have had very large hearts.

I am actually a cat person (maybe it’s their independence I admire). So, the presence of a gaggle of feline friends could have been a welcome site. But unfortunately, I don’t think the owners were up to the task of caring for that many cats. In 2012 terminology, they would now be referred to as “hoarders.” This was not a well-heeled, venture capital-rich setting; the building had a raw plywood floor and the employees were doing the best they could to make a go of it. However, that flooring clearly did not help the smell-retention factor for animals that have periodic bladder control issues.

In many ways, the visit was worthwhile. As might be predicted, their computer system was not the latest, and it was good to see the struggles they had installing our software because of it. But, once that installation was underway, we experienced perhaps the slowest moving progress bar known in existence. Or maybe it just felt that way. Minutes drifted by before another column of pixels filled. It could have been the fumes playing tricks on my eyes, but I swear I saw that progress bar move backwards on occasion.

My teammate and I began to develop various coping mechanisms. At first, we would periodically take breaths using the tops of our shirts as a crude filtering system. We were able to pull this off because we had positioned ourselves outside of the main office area, and outside of view. Later, we began to make excuses for trips out to the car for supplies (aka fresh air). How were they to know we really weren’t low on batteries or videotape? Unfortunately, the moderator was not so lucky and remained stuck with the participant. Yes, I do feel guilty about that.

Our minds drifted and I began to wonder why anyone would actually leave clothes for mending there; perhaps their skills or prices were amazing. It was around this time when another creature joined the party. A cockroach skittered across the floor. A kitten gave chase. It did not end well for either, in my opinion. My teammate made that face which looked like she was gagging at the sight. Maybe this was just for effect…but maybe not.

The visit ended uneventfully once the product was finally functional. In reality, I escaped with an interesting story and some clothes that needed freshening by the cold breeze entering my car during the drive home. I’m not so certain if those cats had a similarly good fate.

That dream of finding an extra room in your house

In the summer of 1992, I came across this book, The Rolling Stones Complete Recording Sessions, in a bookstore on University Ave. in Palo Alto. Flipping the pages, I discovered the existence of an entire universe of Rolling Stones music that existed, albeit underground, beyond what was on the existing set of albums. Beyond recordings of live concerts, there are dozens and dozens of other songs, alternate versions, etc. This absolutely blew my mind, in an On Beyond Zebra! fashion.

From this book, I was inspired to launch an online community for Rolling Stones fans, Undercover, that still runs today. That was 1992, twenty years ago! I’ve met fans and made friends from around the world, including the author of the book, now in its 3rd edition!

Whether wistful or purely parodic, the notion of extending a closed set of content into new ones continues to fascinate me. While fan-fiction (including fan films) is extensively documented and discussed, I find these micro-forms quite cool and curious; in Martin Elliot’s book, he didn’t provide the actual Stones songs, just the library abstract that points to their existence, tantalizing the reader to experience them – somehow, somewhere – in a more complete form.

HEIGLR is a blog with fictional advertisements for fictional Katherine Heigl films that just might come out some day.

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Seinfelt is a blog with plot synopses for Seinfeld episodes that never happened – but could have!

The Substitute

Kramer takes on a substitute teaching position, primarily because he already owns a pipe and a tweed jacket with padded elbows. He becomes frustrated when Kant’s Critique of Practical Reason is incomprehensible to his class of third graders. George’s girlfriend takes him to see a foreign film, which he finds so abhorrently pretentious that he decides to become a rabid football fan, deeming it “the lowest common denominator of popular entertainment.” An endangered species of eagle nests upon Elaine’s windowsill, disgusting her daily by bringing back enormous rats for its chicks to feast upon. When she calls 311 to ask if they can dispose of the birds, she gets a follow-up from the EPA, who say that her apartment is now a wildlife refuge and she must vacate. In a dusty old shoebox, Jerry discovers explicit photographs from his parents’ honeymoon.

TNG Season 8 is a Twitter feed with “plots from the unaired 8th season of Star Trek: The Next Generation.”

Act now, pay later: here come the offsets

Here’s a fascinating response to the recent culture skirmish that has erupted around Chick-fil-a. Just like you can purchase carbon offsets, spending money on something “good” to essentially atone for doing something “bad”, now there are chicken offsets.

I love the chicken sandwiches at Chick-fil-A. But I also like my gay-married friends and don’t like the guilt of indirectly supporting Chick-fil-A’s stance on gay rights. And I know there are lots of other people in the same boat. So I’ve started ChickenOffset.com. Every time you buy a chicken-sandwich meal at Chick-fil-A, you can buy an “offset” here. You can print out the receipt and demonstrate to your friends that the money you gave for LGBT youth more than compensates for the profits you put in Chick-fil-A’s coffers. $1 gets you 1 chicken-meal offset; $6 for ten offsets. We promise to send at least 90% of the proceeds (and will almost certainly send more than that) after our minimal expenses to It Gets Better and the Williams Institute. We promise your offsets will provide far more money to non-profits that support gays than buying a sandwich at Chick-fil-A ends up putting in the pockets of anti-gay-rights organizations.

If we are compelled to conflate politics and consumption then we should be able to extend this idea, and offset a lot more than carbon and chicken. What other offsets could there be for behaviors we want to pursue but wish to atone or adjust? Note that these aren’t penalties we use to punish what we don’t want, they are opt-in ways that we counteract our own choices.

I’ll start us off:

  • Bad driver offsets – cut someone off or tailgate, your offset contributes $5 to the state fund for uninsured drivers
  • Loud talker offsets – talk as loud as you want on your cellphone, wherever and whenever, and your offset will fund earplug distribution
  • Homeless avoidance offsets – if you ignore a homeless person begging on the street, your offset will help provide them with clean socks
  • Shark fin offsets – enjoy the delicious traditional soup and your offset helps pay for prosthetic fins and ocean-going rehabilitation
  • Date rape offsets – no means yes when your voluntary contribution provides counseling services and funds the distribution of the morning-after pill

Offensive, perhaps. Feel free to take on the logical and ethical fallacies in my argument here. Chicken offsets may be a good idea or it may be a bad idea. What do you think about it? And do you think this opens up a precedent that we are going to eventually regret? I’m conflicted, myself, and would be curious to hear other opinions.

Just a song that I used to know

Back in 2005, I wrote The More The Merrier for Core77, exploring how consumer and producer continued to blur. Of course, that trend has continued, and even accelerated.

Meanwhile, for my next interactions article (coming out in November) I’m thinking about the creativity that can emerge from the massive libraries of data we now can access.

So here’s something astonishing that builds on both of those themes. Gotye, the musician behind this summer’s omnipresent song Somebody That I Used to Know digs into all the covers (and parodies and so on) of this tune on YouTube, and remixes them into a new cover. Of his own song.

Reluctant as I am to add to the mountain of interpretations of Somebody That I Used To Know seemingly taking over their own area of the internet, I couldn’t resist the massive remixability that such a large, varied yet connected bundle of source material offered.

Check it out, it’s pretty great example of something very much of our moment.

Gotye - Somebodies: A YouTube Orchestra

Notes: Gotye acknowledges this video for inspiring his remix; he has blogged a complete catalog of his sources; and I was pleased to see he included this parody video which addresses the song’s ubiquity in a funny and relate-able way.

Richard Saul Wurman: The unlimited repertoire of ignorance

Richard Saul Wurman has an inspiring line in the Eames: The Architect and the Painter documentary. He’s talking about the point at which the Eames office began to work closely with IBM.

You sell your expertise, you have a limited repertoire. You sell your ignorance it’s an unlimited repertoire! He [Charles Eames] was selling his ignorance and his desire to learn about a subject, and the journey of him [going from] not knowing to knowing was his work.

This Week @ Portigal

Here’s the story for this week:

  • Our largest client has been working pretty hard to line up some fieldwork sites and finally we hit the road for the first few next week, which means this week is about finalizing stimuli, prepping everyone for their roles, working out travel logistics and so on.
  • I’m having some meetings about the next set of projects, one in an area I’ve long been fascinated in but haven’t worked in, another with a team that I’m really growing to like in a really innovative category. Fingers crossed!
  • I’m thinking about of my talks, after UX Australia and Service Design Melbourne, including UXCamp Ottawa University of Wisconsin-Madison.
  • Along those lines, my proposed talk for SXSW is here. I’d really appreciate it if you’d give it a thumbs up, tweet it, pass it along to friends, and add some comments!
  • Last week we had four new War Stories. Submit your story here!
  • If all goes well, we’ll be ready to send out the details of the IxD13 Student Design Challenge this week.
  • Ten years gone: From August 2002 – dream dialogue, Clippy takes the stage.
  • What we’re consuming: Off the Grid, Cindy Sherman, Once Upon a Time in Anatolia.

Francoise’s War Story: Black glances cast our way

Anthropologist Francoise Brun-Cottan, an ethnographer on the WorkPlace Project team, recounts a story about embedding deeply in an active work environment in comparatively primitive time, both in terms of the recording equipment and the field’s sophistication in describing to participants what was happening and why.

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It was the winter of 1989. Members of Lucy Suchman’s group at PARC embarked on a multi-year joint Steelcase/Xerox project to look at ground control operations of two airlines at San Jose airport. Airport management and each of the airlines’ managements were “on board.” The project would study ground control operations of each airline in the existing airport facilities and then follow them over to newly built facilities in a new structure.

We were going to look at the interplay of paper (manuals, computer printouts), voice (over the air, walkie-talkies, radio, and telephone), chalkboard and whiteboards, and direct visual observation (versus camera/video feeds) of planes pulling into and out of the gates and being cleaned, fueled, and having baggage loaded and unloaded.

The plan was to use basic ethnographic methods and techniques: interviewing, shadowing (inside and on the tarmac), audio and video taping, still photography, and transcribing recordings to-we weren’t quite sure exactly what we’d come up with. But we wanted to find out what could be extracted using these methods in such a tech-heavy environment. We were betting it would be informative, insightful, and valuable to everyone concerned. We hoped.

In 1989, technology had come a long way from the cameras and recorders that had to be moved about on dollies and trailers but, as portable as they were, the wonderful Panasonic video cameras were heavy, and so were the VHS tapes and batteries. The little Sony audio tape recorders (about a the thickness of a stack of 10 iPhones) were great for interviews but micing a control room took hours. Synching the mikes with the video was a cabalistic art colorfully augmented by below-the-breath expletives.

The members of the airline ground crews had basically been informed by management that they were going to cooperate. In reality that mean they were going to “tolerate”: non-lingo literate researchers climbing over their equipment whenever they weren’t actually underfoot, being recorded for hours at a time (rather gleefully when crises were underway) and being followed around and asked question after question (further confirming the depth of the researchers’ lack of common sense and basic knowledge) whenever there was a moment of down time.

We did try and tell crew what we thought we were doing. But saying that we wanted to understand their work practices, how they would change in new environments using new technologies and how they made sense of their work and communications was not exactly revelatory. As a field, we’re much better at doing that now, partly because we’ve also got lots more examples we can show to prospective participants about results of our work.

Viewing the videos made clear what some of the crew members stated directly, which is that they were deeply suspicious of what we would report about their actions to management. Anytime they deviated from protocol, or made mistakes, or seemed to be resting rather doing some piece of work might be opportunities for management reprisals of one sort or another. Some people were openly, if politely, hostile. No one welcomed us. It was tough on participants and researchers alike. They always cooperated at some level; there was no point in antagonizing us (though some were pretty gruff).

It is known that after a time people seem to forget that cameras are rolling, even if those cameras are right in front of them and so are the researchers. Viewing the weeks of tapes gave us plenty of opportunities to see them cast black glances our way, or whisper something together and laugh at us. In their banter we also learned about their home lives and romances and trials and aspirations. Sometimes that could let us congratulate them, sometimes our knowing was resented.

I don’t remember exactly when it became clear to our team – maybe somewhere toward the end of our fieldwork – that the final report would be a 2-hour video tape, which came to be known as The Workplace Project. We said our good-byes and appreciations on the last days of fieldwork. “Thanks,” they said and (figuratively) “good riddance.”

We made sure that copies of the tapes were made available to the crews at both airlines. We learned that the report was being used by the crews to convey to mid -management complexities about the work that the crew members had not been able to convey. They repeatedly mentioned the benefit of demonstrating how manuals misrepresented events and complicated the work rather than facilitating it. Although previously unacknowledged in the organization, our work highlighted their level of expertise in differentiating personal task-relevant details from the sonic soup of incoming streams of information.

Sometimes you just have to stick with it, whatever “it” will turn out to be. And then, sometimes, you get to get thanked for revealing aspects of the work that the workers can’t make visible. A few years ago I was told that Steelcase still showed the video to visitors to their user centered division. So, that’s not too bad!

Sean’s War Story: Pockets full of cash

Sean Ryan, a corporate ethnographer, reflects on a fieldwork experience where he learned first-hand some crucial lessons when going into another country: pre-recruit participants, and do some basic homework about where you are going.

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It was back in my early days as an ethnographer. I was still a young pup in the field, doing consulting projects. I was teamed up with an Elder Anthropologist – a Puerto Rican woman who lived in Guadalajara, named Luz. We were doing a project for a major pharma company who had just had great success with a new oral care product, so they thought they would try an ethnographic exploration to uncover any other unmet needs. I think their aspirations at the time were something like “We want the next $500 million consumer product!” Luz and I were to visit two field sites in Mexico: Guadalajara and Tijuana. Living in Los Angeles, I was relatively close to the border and it wasn’t yet seen as that dangerous to go to Tijuana (i.e., no Mexican mafia drug lord street battles…at least you didn’t read about them in the papers everyday). But I still had my reservations, not possessing any potent Spanish language skills (outside of the slang I had picked up from bartending in a Mexican restaurant in Long Beach).

Having only been to Tijuana once to explore the finer points of Avenida Revolución (read: drinking tequila shots with college kids and having my head shaken back and forth by a woman with a whistle), I had no real frame of reference for doing fieldwork in TJ. As I quickly learned, neither did my counterpart Luz. She had some relatives in TJ, but had never done fieldwork there. And so we made what we later realized was a critical error in not pre-recruiting participants before we went into the field. Upon arriving in Tijuana we quickly found ourselves literally approaching people in the streets, in shops, etc. to ask about their oral care routines (a strange encounter for the locals I’m sure). While this has all the hallmarks of classic guerrilla recruiting it’s never a comfortable situation to be in, especially in a foreign country. Luz was doing her best to recruit people while I stood by idly awaiting our field day fate.

Eventually we started to have some success…or so we thought. One woman who worked in a nice department store in downtown TJ offered to let us come to her home after work. We got her contact info and told her we would see her that evening. We were offering $150 in US cash (this was more than 10 years ago) to interview the participant and observe their oral care routines. This, no doubt, was more than substantial for an incentive. So we were quite confident that we would have no problems grabbing participants on the fly. That evening, we made our way to this woman’s house via an old Crown Victoria station wagon taxi (with the suicide seats facing out in the back). Once we got to her town we approached the participant’s door and gave it a confident knock…but nobody answered. We waited a few minutes longer and knocked again…still no answer. This was before mobile phones, so we couldn’t exactly call this woman on her cell. We sat and waited for 15 minutes, but then realized that our day was quickly wasted on a participant who, for whatever reason, decided she did not want to do the study (Perhaps she thought the $150 was too good to be true?). In a moment of desperation, Luz decided to frantically go door-to-door in this small community, hoping for a shot at someone’s teeth and mouth. But to no avail.

This disastrous field trip continued. The next day we tempted fate again by preying on another unsuspecting citizen of Ciudad Tijuana. Once again, we arranged to go visit a shopkeeper’s home later in the evening. Once again, we had no idea where exactly our little field visit would take us. And once again we crammed ourselves into an old Crown Victoria station wagon. This time we were left off at what appeared to be a small village of Gypsies. It was, in fact, just a typical working class abode on the outskirts of the city. I brazenly brought out my Sony DV camera with the Carl Zeiss lens and began filming the local scene as we walked through the streets to find the right home. We were very excited to actually find the participant’s home and then to actually find her in her home!

It was a very interesting interview: the participant was a mother of two, a 9-year-old daughter and a 6-year-old son. We observed their oral care routines, which consisted of going out to the backyard to gather water from a large plastic drum (as there was no running water), after which the children vigorously brushed their teeth with your standard run-of-the-mill Colgate toothpaste and toothbrush. When we paid the mother $150 (US) cash at the end of this encounter, her eyes lit up. I realized at that moment that this was probably more money than they made in a month. And so we broke another field rule: understand your surroundings and pay participants appropriately based on the context. But there was bit of a feel-good moment here too; the client could clearly afford the incentive money, so it was no skin off of their backs.

After this first round of field visits in Tijuana we came back about a month later for a second round, with different participants. We interviewed a relative of Luz’s who lived in a canyon high above where we had visited last time. He laughed out loud when we told him that we had been down in that village only a month ago. He said with all seriousness “Don’t you know that is the most dangerous area in all of Tijuana?!” Of course we had not known this. I thought back to the $800 Sony camera that I slung around in the streets of that village. And then I thought of my pockets full of cold, hard US dollars. I laughed to myself, but thought “I need to be a little more careful in the future if I’m going to make a career of this ethnography business!”

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