In Japan: URL’s Are Totally Out we see an emerging form of advertising a web presence in Japan: showing a search bar rather than the actual URL. I looked through my recent photos and pulled some examples that show this, but also several examples that use the more traditional (if that’s the right word?!) presentation of URLs.

Search bar:

Traditional URL:

And finally, an ad for a search company (Excite? Who knew they were still around) that uses a URL, and also the increasingly popular QR code (see Rob Walker’s recent Consumed column).

(As a side note, I couldn’t find any pictures in my collection but I also remember seeing many examples of a graphical presentation of a URL that (similar to the search version above) used the visual elements of a browser’s address bar with the URL itself being typed in, complete with cursor hovering over the “go” button)

(also see part 1)

What sort of stuff is “popular” in another country? How do we, as visitors, experience, catalog or contextualize pop culture?

Tokyo’s Shibuya district is the throbbing heart of Japanese youth culture, overflowing with pedestrians (and vehicles), with dense ground-to-sky advertisements for music and electronics and clothing.

Upon arrival, we see a truck driving by advertising an upcoming album release by Ayumi Hamasaki.

In fact, we see this truck – or others like it – constantly. We’ve never heard of Ayumi, but clearly someone wants this album release to be a big deal.

One evening, we notice large crowds outside Yoyogi National Stadium. Turns out it’s an Ayumi Hamasaki concert.

(Notice the suitcase, featuring her logo.)

Parked alongside the stadium are a number of Ayumi Hamasaki tribute vehicles

Passing by the next night, New Year’s Eve, there is an even more extensive display of tribute vans.

Assuming (and I do) that these vans were made by fans, and not record company plants, then at this point it becomes impossible to deny the obvious: she is huge. The larger-than-life marketing messages are appropriate given the enormous popularity. The foreigner’s reaction of “Well, we’ve never heard of her” is only a temporary refuge in the face of the demonstrable devotion.

Consider this: in a major city in the world there’s an performer where fans decorate their vehicles with her face on the outside and displays on the inside and tailgate together with their custom vans before concerts. And you’ve never heard or heard of her. (Disclaimer: doesn’t apply to you if you’ve heard of her).

And: spend a few days in this major city and you will learn about this performer over and over and over again and wonder how you could have possibly not heard of her before.

Photos from my various travels depicting global cultural variations of the fundamental person icon.

Bali, Indonesia. They’re some pretty small people, so why does that first person seem so hulking and Cro-Magnon-y?

Taipei, Taiwan. Note the hip chapeau the stroller is sporting, and the protective headgear (?) worn by the worker.

London, UK. This fellow toils as above, but without the benefit of a helmet. Less chance of sunburn, maybe?

Tokyo, Japan. The Japanese cute aesthetic shows up in the large head and even larger cigarette.

Bangkok, Thailand. Who takes care of children?

Providence, RI, USA. Not just walking, but actively moving forward, dancing, and exuding joie de vivre.

And Karrie Jacobs has a nice example here.

Sink handle too close to wall, Tully’s, Kyoto, Japan, January 2008

Foot wear at the JR service counter, Tokyo, Japan, December 2007

I’ve uploaded nearly 1300 of my Japan pictures to Flickr. For reasons I’m sure you’ll understand, I haven’t added titles or tags or descriptions proactively, but please add comments or questions on flickr and I’ll gladly offer a story or explanation.

Meanwhile, I’m including some of my faves here, as well as part 1 and part 2.

I’ve uploaded nearly 1300 of my Japan pictures to Flickr. For reasons I’m sure you’ll understand, I haven’t added titles or tags or descriptions proactively, but please add comments or questions on flickr and I’ll gladly offer a story or explanation.

Meanwhile, I’m including some of my faves here, as well as part 1 and part 3.

I’ve uploaded nearly 1300 of my Japan pictures to Flickr. For reasons I’m sure you’ll understand, I haven’t added titles or tags or descriptions proactively, but please add comments or questions on flickr and I’ll gladly offer a story or explanation.

Meanwhile, I’m including some of my faves here, as well as part 2

and part 3.

Public bathroom doorway, Karuizawa, Japan, January 2008

Before we hiked up the nearby mountain I wanted to use the bathroom. I was very frustrated to find the door locked. I pushed and pulled and saw the keyhole for the deadbolt and figured I was out of luck. Then I saw someone enter the adjacent women’s room – by sliding the door. I wouldn’t expect a bathroom door to slide, and I didn’t interpret any of the cues (or affordances) about how this door works to suggest sliding was a possibility.

Latte, with sticker to cover lid hole, Tokyo

I can’t read what the green sticker says, but perhaps it’s to prevent spillage or being burned by hot steam. Maybe it’s for sanitation, to keep the drink sealed until you are ready to drink it?

One use case for a “to go” cup is to take the drink from the counter and consume it immediately. But if you are shopping for others to drink later, or it’s too hot to drink later, how to manage the drink during that transition where it’s in your possession but not being consumed? The sticker lives in that ill-defined period of time.

Corn soup in a can, Tokyo

What comes in a can with that shape? And what type of consumables are found in a vending machine? Does the appeal of one item have anything to do with what the adjacent choices are?