Get up, stand up

As part of the improv group I was involved in a couple of years ago, we would do the occasional standup night. Standup has very little in common with improv – there is performance and humor, but the fundamental approaches of being in the moment versus being scripted are very much at odds. However, your fellow performers (and their friends and families) make for a very support environment to try something new.

I’ve uploaded some videos of myself doing some short routines from a couple of years ago.

Steve Portigal - standup 2002

Steve Portigal - standup 2003

Notes: 2002 video has choppy audio, it settles down but it never gets perfect. And yes, there’s a lot of long hair to be seen. 2003 video starts off about a minute into the routine.

There’s definitely riffs in those clips that have appeared on this blog, or in FreshMeat. Why not repurpose pithy observations?

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JPod: A Novel by Douglas Coupland

JPod is a new book by Douglas Coupland. I consider myself quite loyal to Coupland, having been significantly moved by Generation X to stick through a variety of highs (i.e., Hey Nostradmaus!) and lows (there have been several) over the years. But as I’ve written before, when an author introduces himself into the story as a character, I must quickly step aside. To me it seems like a cheap trick (akin to some Very Special Episode cliches from TV like the clip show, or the homage to It’s A Wonderful Life) that suggests the author’s ability to observe the world has been ruined by their own success (since the world that now includes the author). It could be a clever post-modern trick, but aren’t we really really tired of cutesy pomo hackery? Maybe I’m missing out on a great book or something, but I’m just a little bit offended by someone who I have long respected and enjoyed.

Vernacular design – where form ignores function

Here’s a package design where form deceptively implies function. The deliberateness of it all is just a little bit evil.
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Here’s a jug of maple syrup. It’s made of plastic, but the color might make you think of a ceramic jug. It’s got a jaunty handle, and for your pouring convenience, a spout.

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Whoops. That’s not a spout. That’s just a jutting piece of the form below the opening but that is definitely separated from the hole. It’s the shape of a spout.

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And look what happens when you use it. A big freaking mess. Every time.

The evil irony is that the jug form makes it even harder to pour (given the small finger handle and the wide heavy base) without dripping.

A spout – an important function in a pouring package – is an aesthetic detail, the suggestion of spout-ness, without the inclusion of any actual spout. So they had the presence to consider the value of a spout, but made that decision while at the same time choosing a non-spout form factor.

This is a bad thing.

Upate: Dan Reich writes (that’s hard to say out loud): Here (pic1 pic2) is a product that managed to get it right. Despite its obvious similarities to your example, note that Trader Joe’s syrup does not feature a bogus spout bulge, but when the top is opened, a reasonably useful spout is thoughtfully provided.

Innovation commodity

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The word innovation continues to be devalued by overusage. Last night I saw two consecutive TV ads for ordinary consumer products using the buzzword right in their advertising: spray paint and kitty litter. We could debate whether these products are or aren’t innovative (and of course that requires the elusive definition of innovation) but my point is more that the word itself is seemingly being used without much discrimination, and of course, is rapidly losing value, being presented now as a commodity.

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Krylon has even claimed the word for their corporate slogan. I thought 3M had that one already.

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Ethnography and new product development

From Innovation Weblog (via The Business Innovation Insider)

Simply put, ethnography – as it applies to innovation – is the process of doing observational research, going into the field to watch how customers utilize your products. Often used in consumer new product research, ethnography is an excellent way to uncover new opportunities for product improvement.

For example, speaker Pam Rogers, who is corporate director of global customer excellence and innovation, explained how the inspiration for a pedestal/storage unit for its Duet front-loading washers and dryers came from observing a woman who had placed her Whirlpool dryer upon cinderblocks, to make it easier to load and unload it without having to bend over.

Okay, yes, I guess, but really, no. It’s not simply about observation. That seems to be the easy part to explain and so that’s the part that gets spoken about. I’ve written a bit about ethnography here

So often, companies go to the trouble of studying customers, only to address the opportunities revealed by usage. For example, an award-winning snow shovel was redesigned when the design team went out to watch how their product was being used, found that women instead of men were shoveling, and so they made the handle smaller.

But there’s much more that can be revealed. What is the shoveling occasion (or, if you will, ritual) really about? What meanings does it hold? Does it hearken back to childhood? Or does it represent female independence? Or the nurturing of motherhood? Or the abandonment by men? Probably it’s none of those, but the point is that within the ordinary activity of shoveling we can find deep meanings that can provide enormous opportunities for innovation as we question the basic assumptions about what the product could possibly be.

I’ve found the word ethnography to be a troubling one, frankly. It’s a mouthful, it reeks of academic snootery and hand-waving inconclusiveness. It’s gets confused with anthropology and various parties have tried to claim the pure methodology only for those with the right doctorate. And I’ve been an advocate for stepping aside from the word and pointing to the key elements (getting out of your own context, observing and interviewing, and synthesizing something new). But that is troubling for some.

Grant McCracken has written a strongly-worded piece about the coming-of-age of ethnography in business in 2006, and there’s a spirited discussion in the comments below his piece, including several entries from me, including one where I advocate ignoring the word and just getting to the root of it (as I said above). Grant doesn’t take too well to that.

It’s a very troubling issue that is perhaps eating away at the development of an excellent practice and community of practice around that excellence. But I do think the terminology wars and the discipline battles are painful, frustrating, and perhaps fruitless. I look at the “interface” community which has split into many different professional networks based on what term they agree with (IxD, UxD, UX, UD, IX, ID, etc.) or what end of the egg they prefer to break open.

Yesterday I was in a conference call with a prospective client. We were proposing some work and hadn’t used the word ethnography at all. An internal person from another part of the organization was very interested in displaying her own mastery of the research process, and made numerous references to some ongoing work as “my ethnography.” Only she couldn’t even comfortably pronounce ethnography. And she wasn’t doing it; she was sending it out to the “only” provider that did this, apparently (?). And what were they doing? Inviting cool kids to an art gallery in Miami. [Okay, I don’t get this at all].

At a conference the other week I participated in a side conversation that included this snippet “Oh that’s not ethnography, that’s just depth-interviewing.”

I may be coming around to Grant’s way of looking at this. We have a problem. I’ve got my explanation, sure, but so does everyone else, whether they have more experience than I do, or worse pronunciation than I do. We’ve got experts like the Innovation Weblog getting it badly wrong, Pam Rogers perhaps missing some of the point, my recent encounters (presumed experts in their own peer group?) with their own versions of what we’re doing, and on and on.

Unfortunately, I have no solutions. And I don’t see a culture that is ready to reach a solution, establish a common language, speak in one voice (not millions), establish standards, or even work together on this.

A few spaces remain for The Overlap

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There are just a couple of spaces remaining for the Overlap, an unconference being held at Asilomar (above) in Pacific Grove, CA. The event is about “merging business practices with design-centric problem solving and customer understanding.” It’s May 26-28.

We’ve got an email list going where we’re all introducing ourselves and I’m just amazingly impressed with the people so far; I’m the most excited about the experience now than in the many months we’ve been planning it. Let me know if you’re interested in attending; all it costs is your room-and-board at Asilomar, there are no conference fees.

Class, a number, a lizard

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We recently saw an amazing production of the play A number

The dramatic premise is as deceptively simple as it is uncompromisingly topical. In five short scenes — ‘Number’ packs an astonishing amount of thought and entertainment into less than an hour — a father, Salter (Bill Smitrovich), meets with three embodiments of his son. Two, both named Bernard, are the son he fathered and the clone he raised. The other, Michael, is a stranger to him, in more ways than he can comprehend. That each is instantly recognizable as a distinct individual, despite an exact physical resemblance, is a testament to the skills of Josh Charles, who plays all three roles.

There was a Q&A afterwards where we heard about a British production (the play was originally produced in London, I believe) in which the actor playing the three different sons had more degrees of freedom in how he presented the three characters – since class can be denoted through accent in a more significant way for the Brits. It was another interesting example of small and large shifts in meaning seen from a shift in context.

Now, I noticed recently that they changed the voice actor who does the voice for the Geico gecko. He’s gone from a somewhat refined sounding English accent to a rougher Cockney (or what sounds like Cockney to me) tone. That would have significant meaning in the UK. What does it mean to us in North America? First off, it’s odd that it changed so drastically after several years of advertisements, but what are we supposed to take away from the revoicing? I honestly don’t know. Here’s what Geico’s website says

Even when the gecko becomes annoyed with people calling him at home on the phone by mistake when theyÔø?re trying to reach GEICO, he always maintains his decorum in a very proper English tone.

I think they need to update that part of their site! And there’s speculation about who the new voice actor is (described as “less posh”) here and here while others rant about the change in the character’s voice (originally Kelsey Grammer in the first ad) and purpose right out of the gate.

Context is King

The landscape is forever changing in little ways, writes SF Chron architecture critic John King, and he identifies several defining artifacts of 2006

  • Security barriers
  • Solar panels
  • Traffic calmers
  • Anti-skateboard clips
  • Wireless cafes
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Of course, it’s not the list itself that is noteworthy, but his articulate and provocative analysis that underlies the reasons for these newly emergent artifacts. What do these things tell us about what’s going on around us? Context is king, isn’t it? I highly encourage you to check out the article!

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