Whitford and Perry rock

Bradley Whitford and Matthew Perry. Studio 60.

Bradley Whitford (a different one) and Joe Perry. Aerosmith.
Hmm.

Bradley Whitford and Matthew Perry. Studio 60.

Bradley Whitford (a different one) and Joe Perry. Aerosmith.
Hmm.
Stockstock is a film festival consisting of short films made entirely from stock footage. We select a limited amount of stock footage and give it to you; your job is to make it into some kind of short video presentation.
Anne and I submitted and won in 2003. Maybe it’s time to think about doing it again.
Last week’s BayCHI program featured two exciting (if poorly attended) presentations. First, From Counterculture To Cyberculture: How The Whole Earth Catalog Brought Us Virtual Community by Fred Turner of the Stanford Department of Communication, and Be the Ball by Greg Niemeyer and Joe McKay of UC Berkeley.
Fred Turner gave one of those presentations that lulls me into thinking (for a mere moment) that it’d be fun to go back to school and be exposed to fast-moving big-thinking folks who can stream ideas at my head. His talk was a lot of fun and there’s no way to capture much of it. Maybe the associated book (note comments by Stewart Brand) would be the best suggestion? I haven’t read it but will be curious to hear from anyone who has.
Turner provides a highly synthesized historical/social/cultural perspective on the shift in computer technology (and Silicon Valley as the home for said technology) from a military, hierarchical technology to a green, revolutionary, participatory movement. He focuses on a specific set of folks like Stewart Brand, Kevin Kelly, John Perry Barlow and the connections between them, as well as the connections they had to other parts of culture (i.e., Barlow and the Dead scene). He referred to Ronald Burt‘s notion of a network entrepreneur as a better model for thinking about how these people all interacted.
With the Whole Earth Catalog going back to the 60s (basically a large format print publication that would catalog many items that would be useful to those living in a commune, from tractors, to tools, to how-to books, to fiction, and much more – interestingly picked up in Kevin Kelly’s Cool Tools) setting some sort of foundation, a catalyzing event was a retreat that Brand convened right after the 1984 “Hackers” conference, spawned in part by Stephen Levy’s Hackers: Heroes of the Computer Revolution (another point was the inclusion of journalists in these networks was very effective in growing them in just the right way), helped transform the public perception of hackers from destructive geeks to techno-revolutionaries.
He continued to described the creation of The Well, an early online forum that attracted much of this same culture – DeadHeads, Burning Man people, artists, hackers, and so on.
Underlying this great story was some interesting points about social forms of power versus rule forms of power. In other words, granting access or opportunity through merit versus who you know that is like you (and likes you). It was interesting to see what this group could build through those connections, but Turner himself acknowledged that he preferred the rules over the social power. All of which raises some big issues for me; that our culture claims to be merit-based, but clearly is hugely dominated by social power. How could children of presidents end up so prominently in politics if that were not true?
A final quote from Turner: “To be cool in America is to be granted the power to speak.”
For more academic seduction, check out the interesting course taught by Greg Niemeyer at Berkeley, including podcasts.
Along with Joe McKay (who seemed to play an engaged-but-thinks-before-he-speaks-slow-talking Paul Shaffer to Neimeyer’s fast-talking-can’t-slow-down-yet-collaborative David Letterman), they talked about games, but not as game designers, rather as artists. They showed a variety of interactive environments that were playful in nature and maybe illustrative of some point (i.e., the container filled with bamboo that monitors the oxygen flow in the space and generates jazz music where the energy level corresponds to the breathing pace of whoever is ihe space). It was a refreshing way to think about games and seemed to dovetail with John Seabrook’s recent profile of Will Wright in the New Yorker.
I enjoyed their quick personal history of the games they played throughout their life (no mention of Hotel Room Olympics, however, let alone the Ungame) and especially the demo they set up of a simple game where one stands on a platform and simply shifts weight (subtly) to move an on-screen paddle and shoot a ball into hoops that encircle it (hence the talk’s title Be The Ball). We got to try the game (something I’ve never seen at a BayCHI presentation).
Joe made a reference to Snakes and Ladders which was gratifying since I had recently been discussing the Chutes and Ladders title (more common with the Americans I know) versus the Snakes and Ladders that I encountered as a kid in Canada (where Joe also grew up). Wikipedia confirms that this is a US vs. UK difference.
And finally, Joe mentioned that his mother discovered “The Google” but is disappointed not to see new hits for him when she looks up, so hopefully Joe’s mom will find this!
Comedian David Cross blows my mind with post-modernity when he covers (with Johnny Marr on guitar) the widely-seen Bank of America corporate meeting new-lyrics-cover of U2’s One.
To recap, in 1991, U2 release song “One” on Achtung Baby. And very very recently, some goofy corporate dudes earnestly adapt the lyrics to motivate the Bank of America troops. And within 2 weeks David Cross covers that version (also at a comedy festival).
Meanwhile, Universal Music is sending Cease-and-Desist notices out to stop sites from hosting a song (One) to which they own the rights.
We truly live in wonderful times.
Boomers Aren’t Happy With What’s on TV
A study conducted by Harris Interactive suggests that the television industry’s obsession with youth is backfiring.
Nearly two-thirds of Americans say they believe that most TV programming and advertising is targeted toward people under 40, the survey said. More than 80 percent of adults over 40 say they have a hard time finding TV shows that reflect their lives.
A significant number of baby boomers _ 37 percent _ say they aren’t happy with what’s on television, according to the study.
Note that there’s a difference between TV not reflecting my life (i.e., Sopranos), and not being happy with what’s on (i.e., how O.J. would do it).
“The amount of people dissatisfied with television overall was a pretty big eye-opening thing for us,” said Larry Jones, president of the TV Land cable network, which commissioned the study.
Because TV Land of course aims at this forgotten demographic with rescued-from-the-garbage-pail programming. Who’s up for a Benson marathon?
To a certain extent, the generation that decades ago warned against trusting people over 30 can blame itself for the predicament. The TV industry’s slavish devotion to ratings within the 18-to-49-year-old demographic started when most baby boomers fit into that group.
The theory among advertisers is that it’s important to reach young people as their preferences are forming _ get them hooked on a certain toothpaste or soda early and they’ll be hooked for life. Advertisers will pay a premium for young viewers: $335 for every thousand people in the 18-to-24 age range that a network delivers, for example. Viewers aged 55-to-64 are worth only $119 for every thousand, according to Nielsen Media Research.
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To a surprising extent, advertising is also alienating. The Harris Interactive study found that half of baby boomers say they tune out commercials that are clearly aimed at young people. An additional one-third said they’d go out of their way NOT to buy such a product.
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Some advertisers have responded to the aging population. Financial services firms, for example, see many potential customers advancing toward retirement. Two decades ago drug companies didn’t advertise on TV; now you could fill a medicine cabinet with all the products hawked on the evening news.
Not to mention those commercials for Hoverround home mobility devices where an old lady sings “you made me love youUUUUUU” while she plays with her hair coquettishly.
TV Land’s Jones is already using the survey in his business. The results have convinced him that, more than ever, his network of mostly classic TV shows should be boomer-centric, he said. He also comes armed with the survey when he meets with the Madison Avenue types who buy advertising time.
At least the article is clear on this part.
One statistic he’s sure to cite: The survey found 51 percent of the postwar generation describe themselves as “open to new ideas.” Meanwhile, only 12 percent of young adults think the older folks feel that way.
Why does that matter? Jones said the average media buyer or planner is under 30. Many are undoubtedly hired for their know-how in appealing to a specific generation, and it isn’t the baby boomers.
Pretty nice surprise to find this message from Data Deposit Box
Data Deposit Box™ is pleased to announce that effective November 15th 2006 backing up your computer online will cost just $2 per gigabyte per month. This represents a savings of up to 80 per cent for DDB customers.
Now $2 per month is all it takes to protect up to 1GB of your valuable computer data – there is no limit to how much data you can back up. You simply pay $2/GB for the storage you use.
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Previously, a typical DDB customer storing 1GB of data would have received a bill for about $10 per month. Under this new plan, the same amount of storage will cost only $2.
A service is going to get cheaper. Not worse in quality, or more restricted, or more expensive. Cheaper. Great job!
I’ll be in Orange County for a few days during the second week of December. I doubt that the people we’ll be interviewing will like our young friends above.
I’m looking forward to the trip; I’ve been in L.A. many times, but have not seen a ton of the surrounding areas. I drove all the way to San Diego about 4 years ago, and was in Irvine for a presentation a couple of years ago, but that’s about it.