Last week Julie and I got to take a bite outta the Big Apple and take in the sights, sounds and sensations of the city streets. Here are a few highlights and memorable moments from the adventure…

Fired folks aren’t the only ones profiting from their appearance on The Celebrity Apprentice. I am not convinced that a restaurant appearing on this show implies endorsement of a quality culinary experience and while the stock photo certainly has the flavor of Reality TV, it doesn’t say “appetizing” to me.

These guys were camped out in front of a Foot Locker store in anticipation of the arrival of the new Nike Foamposite Galaxy a week later. I imagine this is very common, but I honestly can’t think of anything in life that would compel me to camp on a city street for one week.

I initially appreciated the tenor of this little letter to Residents until I got to the end. From, Porter. felt so impersonal! Unless of course, that is his name…

Poetry in motion! Thumbs up to the NYC Department of Transportation for adding a little beauty to the urban landscape.

Despite my relative proximity to it, LA is not a city I’ve had much occasion to visit. But I was there last week, with Tamara! Here are a few snaps I took in-between fieldwork interviews and client pow-wows. Most of these are from Venice Beach, with the exception of the last shot, which was taken in Burbank.

Clad in familiar brands (LA Lakers, Spongebob Squarepants, USA), this pile of patriotic aliens comes across as just another family of worn-out tourists.

The face, three ways.

Upper left is a riff on Shepard Fairey’s original Andre The Giant Has A Posse sticker. This one reads “Chopstick Charlie has one crazy posse,” then lists Chopstick Charlie’s dimensions at 5′ 11″ 150 lbs. (Note: If you are easily offended definitely do not look too closely at the nose and lips stickers).

I discovered a moment of serenity and geometry in the midst of the madness.

Magritte and the Surrealists are clear influences here.

It’s all about the body.

The neon juxtaposed with this message of environmental consciousness comes off as deliberate irony! See Tamara’s Out and About: LA for her shot of this unique dry-cleaning establishment.

Sometimes I get a good feeling… that it’s gonna be a great week here at Portigal.

Here’s what we are looking forward to…

• After bidding a fond farewell to Etta James last week, this week we will lovingly remember two completed projects with a team debrief + reflection.
• Tamara and Julie are preparing for fieldwork next week in LA (woot! woot!). Let us know if there is anything particularly fantastic we should try to squeeze in, though we will of course be pretty darn busy.
• Steve is in the final week of preparation for Interaction 12 in Dublin (another woot! woot!) and getting everything in order for the Student Design Challenge.
• Steve is writing his book about the Art and Craft of User Research Interviewing and Tamara will be interviewing him about writing. Stay tuned for highlights…
• Steve continues some interviews for the Omni project. Did you see the recent interview with Molly Wright Steenson?
• Julie and Tamara will be out and about learning from fellow practitioners this week at a number of sweet gigs around the city including SF Service Design Drinks at Adaptive Path, Creative Mornings at Typekit, and theWhiteboard at SonicRim. Will you be at any of these? If so, please do say “Hi!” We would so love to meet you!
• Julie is nose deep in details and planning for some fieldwork for the Omni project. More to come on this.
• Steve is exploring an exciting project opportunity in partnership with another studio. Viva collaboration!
• Tamara is ready for a creative fuel injection when she chaperones her son’s school field trip to the Children’s Creativity Museum tomorrow. Fun for all ages!

Hope to see you out and about.

I visited the great city of Portland, Oregon over Thanksgiving week, and noticed some of the ways its denizens use surfaces to communicate and express. Like Steve did earlier in his recent post, Out and About: Steve in Boston, given our recent interactions article about noticing and documenting street art, Kilroy Was Here, I too wanted to share some snaps!

As elsewhere, the backs of city signage serve as canvas for quick-stick expression. The tiki-figure here is one I commonly see in the Mission neighborhood of San Francisco, where I live, which surprised me and gave me a little charge, a feeling of connection to home.

A City of Portland sanctioned sticker, which includes a number to call to report damage to this sign, sits alongside its renegade brethren.

Great juxtaposition of two messages about the dangers of inhaling alongside a DANGER sticker.

I appreciated the friendly, bubbly, colorful style against the rainy, grey backdrop of Portland. Contributors to the collective urban collage here seem respectful of each others boundaries – not much overlapping of images.

And, finally, bunnies!

I was in Boston earlier this week to speak at UI16. During a bit of downtime, I went for a walk and of course, started taking pictures. Given our recent interactions article about noticing and document street art, I wanted to share some of what I saw.

One tag (bundtcake? budcloth? badclam?) and stickers for a cutesy-brand pet waste removal service, a skater magazine, a web/movement/thingy, and a beer label that seems to be fake and actually points to a local art collective.

There’s that tag again, the Eye of Providence (a local reference?), and a DJ promoting himself with an homage to the locally dominant Dunkin’ Donuts branding.

Some buffing of previous stickers, that same beer cum art sticker, and the random and hilarious Vonnegut and crossbones (I found a better one here).

Much larger pieces, including Andre. I like how you can see a little bit about how these were done, as they emanate from the fire escape.

A number of streetlights near here had these colored plastic blocks in letter-like forms. I felt like it was probably “official” since it was in a vaguely design-y district and consistently placed on city infrastructure, but there was no information about it and so it was hard to be sure. And that moment – trying to determine if this is “legit art” or “street art” or one masquerading as the other – was delicious. I passed by here with my local friend Joe and asked him about this. While he didn’t know, for him it evoked the 2007 incident when 8-bit-graphics promoting Aqua Teen Hunger Force caused a bomb scare in Boston.

Under the bridge. Just a more familiar graffiti scene, one that seemed to typical, unremarkable, and even slightly comforting (despite the broken glass I had to step around to take this picture).

My aimless wanderings between meetings and meals in Manhattan last week led to observing these collisions of order and chaos.

Cupcakes at Dean and Deluca (Greenwich Village) bear a resemblance to the tiered visuals and colors of the crowd (Times Square).

Impact emerges from the pattern of repetitive elements in street/sidewalk art (SoHo) and tagged signage (Chinatown).

After wrapping up a few intense days of work with a client, we decided to stay in New York an extra day. Our meals were certainly beyond a typical office day (Balthazar for breakfast and Joe’s Shanghai for lunch); meanwhile we huddled at a Starbucks in SoHo to get some work done. The only available seats were in the window, so we propped the laptop on the countertop and did our thing. So there we are, two professional noticers in front of a window in a busy part of Manhattan. You can imagine the staccato work conversations we had, as we constantly interrupted ourselves with “Did you see that sign?”, “Did you see that person?” or “Did you see that truck?”

We did see a lot of lovely trucks. I wonder if NYC-area businesses have figured out the business benefit of the business end of the truck? As above, a delicious reinforcement of the pig hippo branding specifically for the back of the truck. Earlier, a rear graphic that read “I [pretzel] N Y.” Before that, the Meat without Feet truck.

Trucks, part of a great day.