Out and About: Steve in New York

I spent a few days in New York last week for the book launch event, also just taking some time to explore, walk around the streets, take pictures, meet with folks, eat interesting food, go to the museum, and so on. Here’s some of my observations from the trip.

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I posted about this hippo truck one of the last times I was in New York. I thought it was a tremendous coincidence or just that way that noticing something helps you notice it again (and taking a picture helps you notice it again even more); indeed I saw the same truck in the background of an indie film I watched right after I got back. Well, I’m told by my New Yorker friends that this company’s trucks are extremely common.

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Party supply trucks, hippo or clown, are common in Manhattan.

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Tomáš Gabzdil Libertíny’s The Honeycomb Vase “Made by Bees” – what he calls “slow manufacturing”, he built a scaffolding in the shape of the base and then had the bees build, over the course of a week, the vase, finally removing the frame and leaving behind a vase, made by bees.

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The typographical conventions brands have to deal with when associating their own brand with those of social networks. I’m not sure it’s entirely successful here to have the Gothic-style typefaces with the contemporary supporting brands of Facebook and Twitter.

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I like the very clear description of the equipment requirements, except for the strange use of the acronym “PPE” (I’m assuming personal protection equipment). I guess all industries are subject to their insider shorthands.

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A scene from the future?

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A really awful piece of “public art” juxtaposed with the much more appealing and authentic graffiti, seemingly an inspiration for the forms used by the “art.”

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War Stories, Live (New York Edition)!

After the great experience in San Francisco a couple of weeks ago, I was pretty excited about last week’s Interviewing users book launch party in New York. We had a ton of food and drink and pudding and donuts and cupcakes. We gave away 20 free copies of the book, had the second-ever live War Stories.

In New York, none of the storytellers had written for the War Stories series here; so even though they obviously have been telling these stories at various points in their careers, this was a first for all of them. I’m so appreciative they trusted me enough to take the risk. I think they really pulled it off (and was gratified to hear feedback from people through the evening and afterwards on Twitter).

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courtesy of Glen Jackson Taylor

Our storytellers:

  • Tammy Sachs, founder and CEO at Sachs Insights, described some surprisingly erroneous racial presumptions about mothers versus their children.
  • Whitney Quesenbery, an independent consultant, related the insightful mishaps when trying to show a demo to visually impaired users.
  • Miles Begin, co-founder of the Design Gym, told us about a drastic failure to build rapport in a healthcare setting.
  • John Payne, Principal at Moment, shared a story about trying to do fieldwork- as part of an IxDA event with 25 participants – at Zuccotti Park during Occupy Wall Street. You can read more about this on the Moment blog (part 1, part 2, part 3)

Thanks to Rosenfeld Media for donating 20 books for both this party and San Francisco, and Allan Chochinov and SVA Products of Design for hosting us. And of course, thanks to everyone who came out and had a good time!

More pictures (courtesy of Glen Jackson Taylor – thank you!) follow

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This Week @ Portigal

Greetings!

  • I’m back from an excellent few days in New York City. MOMA, the Highline, lots of fun foods and of course the New York book launch party for Interviewing Users. More to come on all of that.
  • While he won’t make his official debut in the office space itself until Wednesday, I’m enjoying getting to know Max, our new-to-us Queensland Heeler!
  • I’m being interviewed for a short podcast this week about Interviewing Users and will post when it goes live.
  • I’m working on two different online Q&A article thingies which I hope to get finished and maybe even posted this week!
  • I’ll be speaking to designers, researchers and others at IDEO SF this Friday, as part of their Design Research speaker series.
  • Also scheduled are meetings about future research projects (a new vision for an established product), an in-house conference day at a global corporation, a speaking gig at a pretty huge marketing conference and sharing perspectives on getting the word out for a new book.
  • On the town this week: I’ll be at the “Connecting” Film and Panel Discussion on Tuesday and the Pinterest Loft Warming Party on Thursday. Will you be there?
  • Ten years gone: From June 2003 – new features not being adopted because they don’t work
  • What we’re consuming: Claes Oldenburg’s Mouse Museum, Karlssonwilker, Eisenberg’s Sandwich Shop, City Bakery, Harlan Ellison, Ippudo New York, Eataly.

This Week @ Portigal

Oh, hai, Monday! What can I tells ya?

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I, For One, Welcome Our New Robot Interviewer Overlords

From Wired, comes These Adorable Robots Are Making a Documentary About Humans. Really.

Created by artist and roboticist Alex Reben for his master’s thesis at MIT, the BlabDroids are tiny, adorable robotic cinematographers who will be filming interviews at this week’s Tribeca Film Festival in New York as part of the the film festival’s transmedia Storyscapes program. At least 20 BlabDroids will zip around to attendees-they’re self-propelled via motorized wheels- and ask them often very personal questions like, “Tell me something that you’ve never told a stranger before,” “What’s the worst thing you’ve done to someone,” and “Who do you love most in the world?”

Each droid carries a digital camera, a speaker that asks a series of pre-programmed questions to ask whomever it encounters and a button to be pushed to prompt new queries.

“We plan to give the robots to some interesting New Yorkers,” filmmaker Brent Hoff, who is working on the BlabDroid project with Reben, said in an email to Wired. “Hopefully Anthony Weiner and some Broadway types.” The robots, which are very adorable and voiced by a 7-year-old boy, are intended to test the theory of MIT computer scientist Joseph Weizenbaum’s “ELIZA effect,” which found that people are inclined to anthropomorphize computers and thus engage emotionally with artificial intelligence. Although this initially lead Weizenbaum to worry about AI’s potential to manipulate, Reben and Hoff have created the BlabDroids to appear comforting and non-judgmental, and to capture meaningful interactions with their subjects.

This is a fascinating experiment. I’d love to see the results, as well as the raw footage and of course to get to talk to someone about their experience being interviewed like this would be very interesting. Similar to Interviewing without questions, eye contact or rapport, the notion of freeing up people from human interactions in order to liberate them to reveal more deeply is a curious (and certainly valid) idea. No doubt the clips will be great; people are pretty interesting and curious, so pointing a camera at them will be entertaining.

This Week @ Portigal

Arise, Sir Week!

War Stories, Live!

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This past Monday was the Interviewing Users book launch party. It was a fantastic good time. The room was filled beyond capacity with people happily diving into yummy beer, wine, snacks and desserts. We gave away 20 free copies of the book, and had the first-ever live War Stories.

It was fascinating to see how these stories, originally written for the web, changed when told aloud to an engaged crowd. Each storyteller seemed somewhat surprised that their stories produced laughter, with several folks beginning by disclaiming “I’m not going to be funny” only to produce that reaction from the group. Real human stories that involve screwups, frustration, surprise and conflict can be funny even if it’s not something we wish on anyone else. There’s a humor of recognition and also the humor that comes from the way a story is told. And they all did a great job at telling their stories, not a skill to be taken for granted. I was so impressed!

Our storytellers:

  • Kelly Braun, Senior Director, User Insights and Analytics at Walmart.com who told Pictures are language independent, about shooting fieldwork video and inadvertently getting the money shot.
  • Diane Loviglio, CEO & Co-Founder at Share Some Style told Interrupted Interview, a reminder that participants are part of larger systems that we don’t have insight into when we’re recruiting them.
  • Consumer insights professional Carla Borsoi told A dirty diaper sitting in the mud, where she encountered the outlier that illustrates a greater truth.
  • Tom Williams, Principal of Point Forward dispensed with his original story (Go With the Flow) and instead told a (richly detailed) story about an interview we did together in 1998!

Also in attendance were War Stories contributors Jon Innes (Beware of Trap Doors), Rachel Wong

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(Subject Matter May Be Inappropriate) and Vanessa Pfafflin (DDoSed in Vegas).

See also Susan Dray’s take on what the body of War Stories has revealed for her.

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photos courtesy of Tom Williams/Kate Edgar

Ethnography of Elevator UX

Check out An uplifting experience – adopting ethnography to study elevator user experience (on Ethnography Matters). I love that someone has done (and shared) a study like this.

A few years ago a leading elevator design and manufacturing company gave me the task of examining how people experienced and interacted with elevators. The scope included everything from hall call buttons, to cabin interior design and perception of technical design. When given the brief, the artistic director noted country specific design features (or omissions) and even mentioned that there may be observable elevator habits I would want to take note of. Then, on our bidding a corporate-academic farewell she added that I might want to consider the psychology of the surrounding architectural environment. With that, I was left with a long list of to-do’s and only one method I could think of that would be capable of incorporating so many factors – ethnography.

I’m reminded of Elevator Pitch (PDF) that considered different types of elevator user experiences and mused about the implications for approaching design problems.

Michael’s War Story: All About Face (Sichuan Adventures)

Michael. B Griffiths is the Director of Ethnography for Ogilvy & Mather, Greater China.

I’m in Sichuan province, at a small town called Anxian. I’m with a US film producer and a Chinese research assistant. We are documenting lower-tier city lifestyles in terms of the human condition as well as how people consume. We’ve just finished up our morning session with a man who shared emotional stories about the impact of the 2008 Sichuan earthquake.

We were operating in two groups, doing home visits at different sites. It was time to pick up the other team from the town center and head off to Mianyang, our next destination.

But the other team called in late. There was a problem. The primary informant’s mother had returned home and reacted badly to their presence. While we didn’t have the details at this point, it seemed that the team could not easily leave the field site. On the phone, I could hear an intense argument in the background.

I had the driver park up around the corner from the site. The junior member of the team came round to meet us, shaking her head and heaving with frustration. Apparently the situation in the home had turned nasty and the senior member was trying to deal with it.

The primary informant, aged nineteen, had not told her mother about our research, although she had given us her formal consent. And now her mother was furious with her daughter for not seeking permission, and worse, she suspected us of being cheats or swindlers. We later learned she had been the victim of an identity-theft crime in similar circumstances.

An hour and more passed without a resolution. It seemed ridiculous that we were wasting so much time on this. Could we not just explain the situation, apologize for the inconvenience, and leave? I was inclined to intervene in person but various team members advised that a foreigner’s presence might exacerbate an already inflammatory situation.

Another phone call came through-

The argument was by now on the street outside the home. The mother was ferociously lashing out and forcibly preventing the senior team member from leaving. Concerned for her safety, I advised that she run around the corner and come over to the car – the site was only 30 meters away.

Once in the car, I proposed that we just leave. We had done nothing wrong, and were increasingly sure this fractious episode was symptomatic of a pre-existing tension between the mother and daughter. Right?

Right! So, let’s hit it, driver!

We sped off in the direction of the Mianyang highway.

As we cut through the breeze with the sun in our faces, the team members answered rapid-fire questions and shared their perspectives as they eased themselves out of the tension. We thought we were home free.

Not by a long shot.

Not long had passed before our phones started to ring. Representatives of the local recruitment agency with which we had partnered were with the enraged mother and phoning to ascertain our whereabouts. This was the agency who had recruited the daughter for our research and I wondered why it seemed beyond their capacity to handle the communication deficit.

We agreed that our overall objectives demanded that we press on with our schedule. Too much time had been wasted and we were quite clear were we stood in terms of our legal agreement with the informants; the local recruitment agency were better placed and, as we saw it, obligated to resolve any misunderstanding about our identity and purposes.

As solution, we agreed that the rest of the team would switch off their phones while I would use my phone to call the recruitment agency bosses we dealt with back in Shanghai headquarters. Better to have just one channel of communication open rather than several at the same time.

This we did, but before any intervention could be launched our driver started to get the same calls from the local recruitment agency. One of our team took the call on the driver’s phone and tried to explain our position on the situation and that we just wanted to continue with our schedule. The agency had also helped us plan for further research in Mianyang and Chengdu, so they were well aware of our tight schedule.

If only the situation could have been so simple! Our driver insisted on keeping his phone switched on since this made him available should his employer need to call. Presumably alerted by the local agency representatives, the driver’s employer did call and insisted he return to Anxian at once. We were unwilling to return with him since we were sure that the two hour return journey would be followed by further time wasted on senseless arguing. Could the situation not be resolved via the proper channels?

Unfortunately, the driver’s open line of communication meant that he could be contacted by people other than his boss. He began to get calls from an unfamiliar number over and over again.

Perhaps the driver should switch his phone off too!?

Then the real shock came.

What? The Public Security Bureau was on the phone? The mother had called the police before we had left. We had left the mother baying for our blood in the street and now the police had arrived to find us gone!

Things went rapidly downhill from here, as arguments erupted about what to do next. Returning to the site would not be an option, the local staff felt, since we would get in trouble for leaving the scene. My explaining things to the local police would not help either, they felt, since the police would not “take my side” because I was a foreigner. Any interaction with the police was bound to be long and protracted anyway, and there was also some notion about market researchers needing to obtain local police permission in advance, which the local recruitment agency had neglected to mention!

Tempers flared and leadership was called for. But leadership on this project was the same woman who got into the argument with the mother in the first place. She now called her father in a panic!

The idea that the police were actually pursuing us over this seemed ridiculous but it was very real. We were still driving up the highway away from Anxian, and with visions of flashing blue lights at every intersection it felt like we were on the run from the law.

It was decision time: the driver had to return to Anxian and could not avoid answering his phone when the police called. We asked him to pull in at a remote roadside restaurant and unload our bags. He would remain with us to get some lunch; it was late afternoon already. Then he would return to Anxian and his boss would send an alternative driver to take us onto Mianyang.

We ate a meal and for a while believed the heat in the situation had burned itself out. I called in to update our superiors. Apparently, the bosses at the recruitment agency were starting to get a handle on it. There was still disagreement about our next move, but at least the police were not calling us every few minutes. They were probably having lunch too.

With our phones all back on and the driver gone, the police began calling us directly. Several hours had passed since the original incident and the mother’s demands had become more specific: she wanted the tapes we had recorded in her home. This presented a problem for our research and our film producer was particularly against this: his movie would be incomplete without these tapes. Moreover, even if we returned the tapes to the mother, she the professional format meant she wouldn’t be able to play them.

Our conversations thus became more practical and technical as the police sought to broker a mutually satisfactory solution to the problem. An agreement was struck whereby the majority of the team would proceed to Mianyang while two personnel would return to Anxian with the tapes and play these for the mother at the local police station.

It was well into the evening when we arrived in Mianyang, about the same time as our team representatives arrived back in Anxian. After a torrid day, they had to sit and play through the entire 4 hours of footage for the purposes of the mother’s verification. With the police there with her, she gradually adjusted herself to the idea we were not crooks or foreign spies and found a way to climb down from her rage whilst saving face.

Exhausted, we spared a thought for the daughter who was probably going to get the raw end of whatever remaining anger could not now be justifiably directed anywhere else. Our analysis of the film footage revealed a wealth of insights into a specific tension between the daughter’s almost angelic nature and her mother’s oppressive, almost ogre-ish nature. It appeared our fieldwork had exposed an underlying tension after all.

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